More engaging than any new fiction in years." —Chuck Palahniuk An unforgettable work of fiction that peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents. Knockemstiff is a genuine entry into the literature of place. Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are irresistibly, undeniably real. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.
In 'Blessed', a thief's career is cut short when he falls from a rooftop. Since the accident he has been subsisting on a disability cheque, a potent painkiller prescription and having his wife sell her blood. In 'The Fights', Bobby has been off the sauce for five long months. On the advice of his Alcoholics Anonymous mentor, he pays his family a visit in Knockemstiff-where even the wood smoke reminds him of whiskey. While his father and brother amuse themselves by watching pre-recorded boxing and his mother mopes in the kitchen, the inertia infusing his old home threatens to take hold. Part of the Storycuts series, these two short stories were previously published in the collection Knockemstiff.
Now a Netflix film starring Tom Holland and Robert Pattinson A dark and riveting vision of 1960s America that delivers literary excitement in the highest degree. In The Devil All the Time, Donald Ray Pollock has written a novel that marries the twisted intensity of Oliver Stone’s Natural Born Killers with the religious and Gothic overtones of Flannery O’Connor at her most haunting. Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrificial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial killers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right. Donald Ray Pollock braids his plotlines into a taut narrative that will leave readers astonished and deeply moved. With his first novel, he proves himself a master storyteller in the grittiest and most uncompromising American grain.
In 1917, in that sliver of border land between Georgia and Alabama, Pearl Jewett ekes out an existence as a dispossessed farmer along with his three criminally-minded sons Cane, Cob, and Chimney. Hundreds of miles away, another farming family, the good-natured Fiddlers, have been swindled out of their family fortune while reeling from the disappearance of their son Eddie, who left to fight the Germans. When a crime spree sets the Jewetts on a collision course for the Fiddlers, an unlikely--and turbulent--relationship begins between the families. In the gothic tradition of Flannery O'Connor with a heavy dose of cinematic violence reminiscent of Quentin Tarantino, Donald Ray Pollock pens a bloody tale of dark and horrific conflict between two families in an era not so distant from today.
In 'Holler', when his wife throws him out, Tom shacks up with the family of a casual girlfriend. They leave it to him to bathe, shave and keep a jug of wine within a straw's reach of their disabled patriarch. In 'I Start Over', retirement has not been living up to Big Bernie's expectations-not the expectations the television advertisements are peddling anyway. He treats himself to a souped-up 1959 Chevrolet, and this indulgence might just be what he needs to start over. Part of the Storycuts series, this short story was previously published in the collection Knockemstiff.
In 'Fish Sticks', Del is washing his one good pair of black jeans on the eve of his cousin's funeral. He imagines he can hear the sea off the Florida coast in the rumblings of the machines, and casts his mind back to a trip the two made to Florida when they were teenagers. In 'Rainy Sunday', Sharon's husband hasn't been quite right since he crashed the car and wound up with a steel plate in his head. Wet weather tends to set him off on one of his spells. Reluctantly, Sharon leaves him alone and takes off on a late-night mission to help her aunt find some company. Part of the Storycuts series, these two short stories were previously published in the collection Knockemstiff.
In 'Hair's Fate', when Daniel's father chops off his hair with a kitchen knife for meddling with his younger sister's doll, he decides to leave home. He hitches a ride with a trucker by the name of Cowboy Roy who plies him with liquor and pills, before suggesting a disquieting solution for Daniel's hair problem. In 'Knockemstiff', Hank has been sweet on Tina Elliot for some time. When he hears that she's planning on lighting out for Texas with her boyfriend, he allows himself to get a little pensive-even if it makes a long day's work at the store feel that little bit longer. Part of the Storycuts series, these two stories were previously published in the collection Knockemstiff.
In 'Dynamite Hole', Jake has been living wild in the hills of Knockemstiff since he took exception to the drafting process in World War II. When he witnesses an act of sexual transgression by the pond, things start swirling around inside him 'like a storm cloud', and Knockemstiff is soon to have a few more empty beds. In 'Real Life', a trip to the drive-in with his parents winds up in bathroom brawl and a hasty departure for seven year-old Bobby. Looking back on his childhood, Bobby finds in that evening an isolated piece of paternal pride. Part of the Storycuts series, these two stories were previously published in the collection Knockemstiff.
In 'Assailants', Del's wife hasn't left the house in six months. He likes to escape the tedium of home life with his unhinged wife and baby daughter by courting blackouts with alcohol and drugs. However a trip to the late-night convenience store reveals a latent marital affection. In 'Discipline', Luther Colburn has twenty-one inch arms and a fifty-four inch chest. He struggles to instil the discipline that has aided this extreme hypertrophy into his son and protégé, Sammy. When Sammy's ideas run counter to his father's, Luther gets a late vision of his son's unique merit. In 'Honolulu', Howard Bowman is struggling to remember things. Every morning his wife sets him a challenge or two to try and keep his mind oiled and active. While the names of associates past and present elude him, certain isolated events come back. He gets to thinking about one evening on furlough in Honolulu. Part of the Storycuts series, these three short stories were previously published in the collection Knockemstiff.
In 'Lard', Duane's virginity is getting to be a problem. Not so much for Duane as it is for his friends and his father-whose workmates rib him mercilessly about his son's frigidity. Deciding that his friends' regular outlets are not to his taste, Duane sets about fabricating an encounter. In 'Schott's Bridge', Todd has 'too much sugar in him' for Knockemstiff. Even so, he ignores his grandmother's dying wish that he use the two thousand dollars she'd bequeathed him in a coffee jar to get himself out of town. Kicked out of the house by his uncle, he takes to living by the creek with Frankie Johnson and a daunting supply of hallucinogenic drugs. Part of the Storycuts series, these two short stories were previously published in the collection Knockemstiff.
In 'Bactine', a toothless layabout takes a break from nursing his crippled uncle and spends the evening abusing solvents with an acquaintance. The fumes only serve to exacerbate his dismay, though, and a trip to an all-night coffee shop causes some unpleasant recollections to surface. In 'Giganthomachy', Teddy and William are two nine year-old boys who like to argue over whether they'll play nuclear war or Vietnam games in the yard. William's more fantastic suggestions rile Teddy, who suffers enough deranged fantasy when he retreats inside every evening. In 'Pills', Bobby and Frankie take a notion to leave Knockemstiff for California and a new life amongst the film stars. But the four stolen bottles of pharmaceutical grade speed they'd intended to fund the trip with prove mighty alluring, and the road out of the township grows ever more elusive. Part of the Storycuts series, these three short stories were previously published in the collection Knockemstiff.
More engaging than any new fiction in years." —Chuck Palahniuk An unforgettable work of fiction that peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents. Knockemstiff is a genuine entry into the literature of place. Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are irresistibly, undeniably real. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.
Now a Netflix film starring Tom Holland and Robert Pattinson A dark and riveting vision of 1960s America that delivers literary excitement in the highest degree. In The Devil All the Time, Donald Ray Pollock has written a novel that marries the twisted intensity of Oliver Stone’s Natural Born Killers with the religious and Gothic overtones of Flannery O’Connor at her most haunting. Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrificial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial killers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right. Donald Ray Pollock braids his plotlines into a taut narrative that will leave readers astonished and deeply moved. With his first novel, he proves himself a master storyteller in the grittiest and most uncompromising American grain.
From Donald Ray Pollock, author of the highly acclaimed The Devil All the Time and Knockemstiff, comes a dark, gritty, electrifying (and, disturbingly, weirdly funny) new novel that will solidify his place among the best contemporary American authors. It is 1917, in that sliver of border land that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family's entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it? In the gothic tradition of Flannery O'Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre's literary masters.
The fifth edition of this introductory Criminal Justice text. The contents have been pared down to five parts and sixteen chapters to best explain the intricacies of criminal justice policy and practice. The book has been thoroughly updated by Patrick Anderson to cover developments in policing, corrections, the war on drugs, and to include introductory cases on field practice, the criminal justice system in practice, the ideological framework of crime control, and discussions of criminological theory and crime punishment.
McGraw-Hill Humanities, Social Sciences & World Languages
Published Date
ISBN 10
0070019584
ISBN 13
9780070019584
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