Donald Pigott uses, Birmingham: not a place to promise much, a quotation from Jane Austen, with irony. He shows just how much the Birmingham of the 1920s and 1930s had to offer despite its poverty, as he recalls local incidents with fondness and pleasure. Pigott's warm descriptions of days long past are brought to life with snatches of local dialect and colourful scenes of a school-boy antics at some of the less talented performers at the Women's Guild social evenings. This is a book to be enjoyed not only by those who remember the times Pigott so vividly describes, but by all those who enjoy a good yarn.
It is no coincidence that Donald Robertson, known as @drawbertson to his hundreds of thousands of followers on social media, has become the fashion world’s favorite art bomber of the Instagram era.
Each plant species has its own unique passage that is affected by a variety of aspects to which it is exposed. This book explores plant species as dynamic entities within this passage, following the four stages of plant species life.
This ambitious survey covers all aspects of the period in which English society acquired its modern shape -- industrial rather than agricultural, urban rather than rural, democratic in its institutions, and middle class rather than aristocratic in the control of political power. For this revised edition the footnotes and bibliography have been fully updated, and the entire text has been reset in a larger and more attractive format. An ideal introduction to the subject, it masters a huge amount of material through its clear structure, sensible judgements and approachable style.
Over the last three decades, the evolution of techniques for the experimental testing of composite materials has struggled to keep up with the advances and broadening areas of application of the composite materials themselves. In recent years, however, much work has been done to consolidate and better understand the test methods being used. Finally
The excavations of the University of Pennsylvania Museum of Archaeology and Anthropology at Marsa Matruh on Bates's Island, which is located on the seacoast at the north of Egypt's western desert, uncovered a small site with a metalworking workshop and nearby houses. The pottery found in the excavations indicates that this small Late Bronze Age settlement had links to several cultures: Cyprus, the Aegean, Egypt, the coast of western Asia, and the local Marmarican people. The results of the excavations are published in two volumes. This volume provides an overview of the excavations at the site, the Late Bronze Age and historical period occupations, and an introduction to the environmental morphology and history of the island.
This volume of the report on the excavations at Marsa Matruh on Bates's Island, which is located on the seacoast at the north of Egypt's western desert, publishes the local and imported pottery, the crucibles and other evidence for metalworking, the organic finds (including ostrich egg shells), and the other discoveries made at the site. The pottery found in the excavations indicates that this small Late Bronze Age settlement had links to several cultures: Cyprus, the Aegean, Egypt, the coast of western Asia, and the local Marmarican people.
Lime trees (Tilia spp.) are widely distributed and locally important members of northern temperate broad-leaved forests. In marked contrast to the largely uniform morphology of the genus its taxonomic treatment has become increasingly confused and controversial, with over one hundred species and numerous subspecies described. Using extensive data from field studies of natural populations around the world, this book clarifies the situation, proposing a revised taxonomy of 23 species and 14 subspecies. Detailed descriptions are provided for all recognised taxa and are accompanied by illustrations. Data from herbaria and cultivated trees are used to extend the analyses where appropriate and type specimens are included to stabilise nomenclature. Lime tree ecology is also considered, with an exploration of experimental and analytical data on regeneration, growth and reproduction in relation to climate and soils. Additional material includes a glossary of botanical terms and appendices of herbarium codes and relevant physical concepts.
Früher wurde das Tourette-Syndrom (TS) als seltene Störung betrachtet; mittlerweile jedoch wurde erkannt, daß TS häufig in der Kindheit beginnt. Man weiß jetzt auch, daß die Anfälligkeit für TS über Generationen hinweg vererbt wird. Diagnose, Genetik, Phänomenologie, Geschichte und Behandlung von TS werden hier dargestellt, ausgehend von einem einmaligen Ansatz, der Beziehungen zwischen der Störung und dem normalen Entwicklungsweg herstellt. (8/98)
Donald Judd Interviews presents sixty interviews with the artist over the course of four decades, and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings. This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R. Lippard and Barbara Rose. Judd’s contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries. In one of the last interviews, he observed, “Generally expensive art is in expensive, chic circumstances; it’s a falsification. The society is basically not interested in art. And most people who are artists do that because they like the work; they like to do that [make art]. Art has an integrity of its own and a purpose of its own, and it’s not to serve the society. That’s been tried now, in the Soviet Union and lots of places, and it doesn’t work. The only role I can think of, in a very general way, for the artist is that they tend to shake up the society a little bit just by their existence, in which case it helps undermine the general political stagnation and, perhaps by providing a little freedom, supports science, which requires freedom. If the artist isn’t free, you won’t have any art.” Donald Judd Interviews is co-published by Judd Foundation and David Zwirner Books. The interviews expand upon the artist’s thinking present in Donald Judd Writings (Judd Foundation/David Zwirner Books, 2016).
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.
With a chapter on public procurement by Sarah Hannaford ; A commentary on JCT forms of contract by Adirian Williamson, and a commentary of the infrastructure conditions of contract by John Uff
FOREST ECOLOGY Authoritative resource covering traditional plant ecology topics and contemporary components such as climate change, invasive species, ecosystem services, and more Forest Ecology provides comprehensive coverage of the field, focusing on traditional plant ecology topics of tree structure and growth, regeneration, effects of light and temperature on tree physiology, forest communities, succession, and diversity. The work also reviews abiotic factors of light, temperature, physiography (landforms and topography), soil, and disturbance (especially fire), and provides coverage of ecosystem-level topics including carbon storage and balance, nutrient cycling, and forest ecosystem productivity. The 5th edition of Forest Ecology retains the readability and accessibility of the previous editions and includes important additional topical material that has surfaced in the field. All topics are approached with a landscape ecosystem or geo-ecological view, which places biota (organisms and communities) in context as integral parts of whole ecosystems that also include air (atmosphere and climate), topography, soil, and water. As such, the book fills a niche utilized by no other forest ecology text on the market, helping students and researchers consider whole ecosystems at multiple scales. Sample topics covered in Forest Ecology include: Contemporary components of forest ecology, including climate change, invasive species, diversity, ecological forestry, landscape ecology, and ecosystem services. Characteristics of physiography important for forest ecosystems, including its effects on microclimate, disturbance, soil, and vegetation. Genetic diversity of woody plants and genecological differentiation of tree species, including the importance of hybridization, polyploidy, and epigenetics. Site quality estimation using tree height and ground flora, and multiple-factor approaches to forest site and ecosystem classification and mapping. Forest Ecology is a highly accessible text for students, but it also serves as an excellent reference for academics. In addition, practitioners of forest ecology can also harness the information within to gain better insight into the field for practical application of concepts.
The Eighteenth century is often represented, applying Tom Paine's phrase, as 'The Age of Reason': an age when progressive ideals triumphed over autocracy and obscurantism, and when notions of order and balance shaped consciousness in every sphere of human knowledge. Yet the debates which surrounded the development of Eighteenth-century thought were always open to troubling doubts. Was nature itself truly an ordered entity, as Newton had argued, or was it a mass of chaotic, randomly moving atoms, as some materialist thinkers believed? This book explores the tensions and conflicts in these debates through a series of interdisciplinary essays from leading international scholars, each challenging the idea that the Eighteenth century was an age of order.
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