First published in 1922, this parody of etiquette and social mores makes fun of the pitfalls of courtship, engagement, and marriage, as well as such social settings as dinner parties, sporting events, and the theater. With satirical Jazz-era illustrations by Ralph Barton, known at the time for his caricatures of actors and other celebrities, the book's humor holds up remarkably well today, with such "crises" as how to deal with a screaming baby in a crowded, confined space or how to write a proper love letter to one's fiancée. With Marx Brothers–like literary slapstick, Perfect Behavior is the perfect impulse gift for anyone who enjoys a good laugh over everyday social foibles.
This book rediscovers the Hollywood Right, revealing how Hollywood Republicans remade America by successfully backing candidates such as Richard Nixon.
An important and prolific playwright, Philip Barry wrote hit plays such as The Philadelphia Story and Holiday. However, he has been largely forgotten and no book-length analysis of his work has appeared in more than forty years. With this book, Donald R. Anderson rescues the playwright from obscurity. Although Barry’s successes were with comedies of manners, he also wrote dramatic and experimental works. Anderson analyzes all of Barry’s plays (twenty-one in total) and questions the traditional characterization of the American playwright’s work. He begins with Barry’s early plays concerning intergenerational tensions and lessons learned from the Great War. Subsequent chapters explore Barry’s preoccupation with fidelity and infidelity, his struggles with his Catholic beliefs, and his investigations into sources of evil and despair. Anderson also looks at the plays of the late 1930s and the 1940s, including the posthumously produced Second Threshold. One chapter is devoted to Barry’s synergistic relationship with Katharine Hepburn: her role in lifting the playwright out of a mid-1930s slump and his role in rescuing her from the label of “box-office poison” with both The Philadelphia Story and the World War II drama Without Love. Anderson places Barry within the context of his times but also shows him drawing on past influences and anticipating theatrical developments of the latter part of the twentieth century. Part cultural history, part literary analysis, Shadowed Cocktails is sure to revitalize interest in this remarkable American author. and his role in rescuing her from the label of 'box-office poison' with both The Philadelphia Story and the World War II drama Without Love.
Mr. H. G. Wells, in his "Outline of History," was of necessity forced to omit the narration of many of the chief events in the history of these United States. Such omissions I have in this brief volume endeavored to supply. And as American history can possibly best be written by Americans and as we have among us no H. G. Wells, I have imagined an American history as written conjointly by a group of our most characteristic literary figures. Apologies are due the various authors whose style and, more particularly, whose Weltanschauung I have here attempted to reproduce; thanks are due The Bookman for permission to reprint such of these chapters as appeared in that publication. I give both freely. D. O. S.
Easily the most comprehensive and useful work on American socialism, including its history, theories, and impact on life, culture, and economic and political parties in the United States, is as important a contribution as the essays. Hereafter, students of practically all phases of American life will turn to it for help and guidance."—U.S. Quarterly Book Review. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Bestselling author Donald Jeffries turns his critical eye onto the topic of bullying to show how teachers, principals, and other school officials invariably side with the bullies in the most egregious cases, instead of protecting the victims. He also shows how many so-called anti-bullying activists and nearly all the professional "experts" excuse bullying and in fact laud sociopathic behavior in general. As Jeffries demonstrates, this curious phenomenon is due to the power and influence of the social hierarchy, and it revolves to a great extent around the enduring popularity of sports. Jeffries talked to parents who'd battled a system that logically should have been working for them, some of whom lost a child to bullycide, the term for children who kill themselves over bullying. His investigation into what has become one of the most talked about issues in America is as explosive and controversial as anything he has written.
A new appraisal of Dos Passos's work and life, Toward a Modernist Style describes both the central currents in his early work, and his full participation in literary modernism, culminating in his U.S.A. trilogy, as well as the relationship of these currents to those of an especially vibrant period in American expression. Donald Pizer charts the evolution of Dos Passos's artistic sensibility from its largely conventional expression at the start of the 1920s to the radical formal experimentation of U.S.A. at its close. He places this development in Dos Passos's writing in the context of contemporary ideas about art and society. Pizer also looks at the important roles that Dos Passos's expatriation and his relationship with Ernest Hemingway played in his work as well as his efforts as a painter and their relationship to his literary art. Toward a Modernist Style is both an incisive guide to a major American modernist as well as an exploration of the wider currents that created literary modernism in the early twentieth century.
In this penetrating and riveting biography of one of Hollywood's most beloved screen icons, Donald Dewey probes beneath Jimmy Stewart, the conservative image and ideal, to reveal James Stewart, the actor and the man. Through hundreds of interviews and in-depth analysis of his seventy-five films, the author assesses how the Hollywood man-about-town of the 1930's and 40's - Stewart's lovers included Ginger Rogers, Olivia de Havilland and Marlene Dietrich - became the epitome of American family values who remained married for forty-five years; and how the studio-bred, effervescent star of It's a Wonderful Life developed into the brilliant actor whose performances in films such as Vertigo and Shenandoah exposed a vulnerability unseen in his personal relationships. With many insights into the turmoil of his private life, the artistry behind his cinematic craft and his heroic military record in the Second World War, Dewey gives us much more than a legend to love.
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