Novelist Donald Newlove (1928-2021) contemplates how alcoholism has affected the lives and work of other writers, as well as himself. ". . . a passionate blend: part autobiography, part confessional, part sketches of famous alcoholic writers and part sermon on the dangers of 'Drunkspeare' . . . its bird song and purling ravishment, bliss of self-love. . . . Like improvisational jazz . . . the Newlove sound is robust and swinging, the mark of a man who has discovered that his talent is intoxication enough." - R.Z. Sheppard, Time "Newlove's memoir makes The Lost Weekend by Charles Jackson seem like a dull college weekend. It is, quite simply, terrifying, a tale to chill the blood of anyone who's ever hoisted a drink in a bar. It is a book with both literary merit and social value of the most redeeming sort imaginable." - Judson Hand, New York Daily News "Those Drinking Days ought to be read. It is an astonishing, moving memoir." - Joel Oppenheimer, New York Times
In First Paragraphs, Donald Newlove presented his personal selection of the winningest openings in world literature. In Painted Paragraphs, he did the same for the best descriptive passages ever written. Now, in Invented Voices, Newlove shares with us his choices for the most convincing, the most entertaining, the most memorable pieces of dialogue ever to hit the page--from novels, short stories, movie scripts, and plays. Among Newlove's favorites are exchanges from novels as diverse as Jane Austen's Pride Prejudice and Terry McMillan's Disappearing Acts; drama that ranges from Beckett's Waiting for Godot to Chekhov's The Seagull; movie scripts that include Raging Bull, On the Waterfront, Howards End, and Children of Paradise. But Newlove does more here than just catalog great dialogue. By catching at full bloom the talents of great writers, he inspires and instructs the rest of us to shake off artifice and safety and invent voices that are rich, real, and from the heart.
Great description shakes us. It fills our lungs with the life of its author." Painted Paragraphs, the second in a series of inspirational guides for writers and readers, is author Donald Newlove's witty, insightful, and very personal selection of the best descriptive passages in literature. Beginning with Ernest Hemingway's dinner of oysters and wine in A Moveable Feast, Newlove moves on to give us the contents of Mildred's cupboard in Terry McMillan's Mama, Robert Stone's description of a rat-infested tug dump in Outerbridge Reach, Richard Selzer's brilliant anatomy lesson in his memoir Down from Troy, and John Edgar Wideman's mood painting of a tree by his mother's house in the black section of Pittsburgh in "All Stories Are True." Also included are selections from Tolstoy, Proust, Shakespeare, Anais Nin, lots and lots of gorgeous Whitman, and dozens more. This idiosyncratic collection not only celebrates great authors, it explains how they use strokes of moral force and courage to paint the landscapes of their work.
Newlove combines human insight, personal taste, and his own crackling talent as a writer to show writers how, with an inspired beginning, a work of genius can be created. The 75 selections here range from works as diverse as Dickens' Bleak House to more contemporary openings from Updike, Joyce, Welty, and Dinesen.
Father Del Carnation, the only Episcopal priest in a midsize Midwestern community, is fighting his way back from depression after the tragic loss of his wife, when he suddenly finds a new love interest. In the midst of his people-rich work environment, he tries to secure some private space for courting Rachel, an African-American who stands out in this "white bread" setting, and not only for her looks. Her appearing in his life produces a ferment of hopes and difficulties. Is she the companion he has been seeking? Del sees himself as living in three worlds at once: the world of relentless work demands, the world of God's empowering Spirit, and the world of his own unfulfilled longing. Are these worlds opposed, or may they join forces for blessing? HER APPEARING is a story about the power of love at work in our lives. It is a tale not just about a man looking for love, but about the love that is looking for us, and how we come to recognize the love that is already here.
In First Paragraphs, Donald Newlove presented his personal selection of the winningest openings in world literature. In Painted Paragraphs, he did the same for the best descriptive passages ever written. Now, in Invented Voices, Newlove shares with us his choices for the most convincing, the most entertaining, the most memorable pieces of dialogue ever to hit the page--from novels, short stories, movie scripts, and plays. Among Newlove's favorites are exchanges from novels as diverse as Jane Austen's Pride Prejudice and Terry McMillan's Disappearing Acts; drama that ranges from Beckett's Waiting for Godot to Chekhov's The Seagull; movie scripts that include Raging Bull, On the Waterfront, Howards End, and Children of Paradise. But Newlove does more here than just catalog great dialogue. By catching at full bloom the talents of great writers, he inspires and instructs the rest of us to shake off artifice and safety and invent voices that are rich, real, and from the heart.
Great description shakes us. It fills our lungs with the life of its author." Painted Paragraphs, the second in a series of inspirational guides for writers and readers, is author Donald Newlove's witty, insightful, and very personal selection of the best descriptive passages in literature. Beginning with Ernest Hemingway's dinner of oysters and wine in A Moveable Feast, Newlove moves on to give us the contents of Mildred's cupboard in Terry McMillan's Mama, Robert Stone's description of a rat-infested tug dump in Outerbridge Reach, Richard Selzer's brilliant anatomy lesson in his memoir Down from Troy, and John Edgar Wideman's mood painting of a tree by his mother's house in the black section of Pittsburgh in "All Stories Are True." Also included are selections from Tolstoy, Proust, Shakespeare, Anais Nin, lots and lots of gorgeous Whitman, and dozens more. This idiosyncratic collection not only celebrates great authors, it explains how they use strokes of moral force and courage to paint the landscapes of their work.
Donald Harington, best known for his fifteen novels, was also a prolific writer of essays, articles, and book reviews. The Guestroom Novelist: A Donald Harington Miscellany gathers a career-spanning and eclectic selection of nonfiction by the Arkansawyer novelist Donald Harington that reveals how a life of devastating losses and disappointments inspired what the Boston Globe called the “quirkiest, most original body of work in contemporary US letters.” This extensive collection of interviews and other works of prose—many of which are previously unpublished—offers glimpses into Harington’s life, loves, and favorite obsessions, replays his minor (and not so minor) dramas with literary critics, and reveals the complicated and sometimes contentious relationship between his work of the writers he most admired. The Guestroom Novelist, which takes its title from an essay that serves as a love letter to his fellow underappreciated writers, paints a rich portrait of the artist as a young, middle-aged, and fiercely funny old man, as well as comic, sentimentalist, philosopher, and critic, paying testimony to the writer’s magnificent ability to transform the seemingly crude stuff of our material existence into enduring art.
Literacy is broadly understood to refer to the ability to read and write. But the term is heavily value-laden and is often used to elevate print at the expense of other forms of communication. In PhotoGraphic Encounters, the authors challenge this reductive notion of literacy and propose instead an integrated span of literacies: reaching across disciplinary boundaries to discover a text that draws upon both the visual and the verbal. PhotoGraphic Encounters discusses Canadian writers like Margaret Atwood, George Bowering, Robert Kroetsch, and Daphne Marlatt, and Canadian artists like Fred Douglas, Ernie Kroeger, Brenda Pelkey, and Michael Snow, then looks at the cross-fertilization of visual and verbal processes in their works. The authors present a new narrative practice, one that fully engages lived experience. The vernacular, they argue, is vital to our participation as readers and viewers of high art. Making the connection between the vernacular and high culture creates an enabling moment in artistic production and reception and in teaching, learning, and talking about art and literature. PhotoGraphic Encounters offers a compelling perspective on questions of literacy in a postmodern culture. Artists, writers, scholars, and critics alike will want this volume in their libraries. Includes more than 120 B&W photographs, 20 colour plates, index, bibliography.
What kind of man deliberately hurts the woman he loves? Drawing on his pathbreaking studies of more than seven hundred abusive men, as well as therapy with hundreds more, Dutton paints a dramatic and surprising portrait of the man who assaults his intimate partner.
Rethinking Domestic Violence is the third in a series of books by Donald Dutton critically reviewing research in the area of intimate partner violence (IPV). The research crosses disciplinary lines, including social and clinical psychology, sociology, psychiatry, affective neuropsychology, criminology, and criminal justice research. Since the area of IPV is so heavily politicized, Dutton tries to steer through conflicting claims by assessing the best research methodology. As a result, he comes to some very new conclusions. These conclusions include the finding that IPV is better predicted by psychological rather than social-structural factors, particularly in cultures where there is relative gender equality. Dutton argues that personality disorders in either gender account for better data on IPV. His findings also contradict earlier views among researchers and policy makers that IPV is essentially perpetrated by males in all societies. Numerous studies are reviewed in arriving at these conclusions, many of which employ new and superior methodologies than were available previously. After twenty years of viewing IPV as generated by gender and focusing on a punitive "law and order" approach, Dutton argues that this approach must be more varied and flexible. Treatment providers, criminal justice system personnel, lawyers, and researchers have indicated the need for a new view of the problem -- one less invested in gender politics and more open to collaborative views and interdisciplinary insights. Dutton’s rethinking of the fundamentals of IPV is essential reading for psychologists, policy makers, and those dealing with the sociology of social science, the relationship of psychology to law, and explanations of adverse behaviour.
The Domestic Assault of Women relates social and criminal justice policy to empirically tested social psychological theory about the causes and effects of wife assault. Donald G. Dutton argues that only by understanding the psychology of both the aggressors and the victims of wife assault can we generate informed social and criminal justice policy. By linking the psychological factors that support assaultive habits to police arrest policy and subsequent treatment, Dutton shows how police/therapist intervention can interrupt assaultive behaviour and prevent recidivism.
From YEAR ZERO PUBLISHING The Fix-It Man by Donald Wells THE FIX-IT MAN John Faron is a natural-born tinkerer who can apparently fix anything. But when he's forced by the actions of a madman to make an unthinkable choice, he soon finds that the one thing he can't mend, is his own broken heart. Sixteen year old Johnny has a dream. He wants to build an engine that can get a hundred miles to the gallon. While working in his grandfather's fix-it shop, he meets Felicia Delgado, and the young girl steals his heart. Meanwhile, there's a killer hunting down young women and getting away with murder. Years later, when circumstances conspire to tear Johnny and Felicia apart, John is rescued from heartache by a new love. With his dream in sight and his new love at his side, John is ready to put the past behind him and marry. However, the killer now has him in his sights and seeks revenge against John for exposing him to the police. When the killer strikes, his attack leaves John unscathed, but places both his new love and Felicia square in the ravenous maw of imminent death. With a daring, near suicidal act, John may be able to save one of the women he loves, but which one? Will he sacrifice Felicia, or choose to save the woman who brought him back from despair, a woman who loves him more than life. It's an unthinkable choice and its resolution will shape John's life forever. THE FIX-IT MAN - A story of true love and revenge
This influential book provides an innovative framework for understanding and treating intimate partner violence. Integrating a variety of theoretical and empirical perspectives, Donald G. Dutton demonstrates that male abusiveness is more than just a learned pattern of behavior--it is the outgrowth of a particular personality configuration. He illuminates the development of the abusive personality from early childhood to adulthood and presents an evidence-based treatment approach designed to meet this population's unique needs. The second edition features two new chapters on the neurobiological roots of abusive behavior and the development of abusiveness in females.
The essays in Sudden Eden explore the ways in which the memory of Paradise, or experience of the paradisiacal, has shaped canons of experimental writing from the late Middle Ages through to the present day. Keyed to figures as various as Dante and Beckett, Thomas Traherne and Barbara Guest, Sudden Eden proposes a new constellation of Metaphysical, Symbolist, and Postmodern lights—a single, continuous Heaven.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.