This definitive, detail-packed biography is the first of Frederick Starr (1856-1933), a founding father of American anthropology at the University of Chicago. It presents a major reevaluation of Starr’s place as the missionizer of anthropology, illuminates the consequences of the professionalization of anthropology, and yields a greater understanding of the United States as it moved into a position of global power. Donald McVicker considers Frederick Starr’s colorful life in the context of the times.In many respects Starr’s early career paralleled that of Franz Boas, “the architect of American anthropology.” Nonetheless, as Boas led professional anthropology into the twentieth century in the United States, Starr, the popularizer, increasingly fell behind. Today, if Starr is remembered at all, he is usually described in terms of his intellectual, professional, and ethical failings. Yet his collections, publications, and photographic and paper archives provide a rich set of resources for archaeologists, ethnologists, folklorists, and historians. McVicker argues that Starr’s mission to bring anthropology to the public and enlighten them was as valid a goal during his career as was Boas’s goal to professionalize the field.
Coming of Age in Chicago explores a watershed moment in American anthropology, when an unprecedented number of historians and anthropologists of all subfields gathered on the 1893 Chicago Columbian Exposition fairgrounds, drawn together by the fair's focus on indigenous peoples. Participants included people making a living with their research, sporadic backyard diggers, religiously motivated researchers, and a small group who sought a "scientific" understanding of the lifeways of indigenous peoples. At the fair they set the foundation for anthropological inquiry and redefined the field. At the same time, the American public became aware, through their own experiences at the fair, of a global humanity, with reactions that ranged from revulsion to curiosity, tolerance, and kindness. Curtis M. Hinsley and David R. Wilcox combine primary historical texts, modern essays, and rarely seen images from the period to create a volume essential for understanding the significance of this event. These texts explore the networking of thinkers, planners, dreamers, schemers, and scholars who interacted in a variety of venues to lay the groundwork for museums, academic departments, and expeditions. These new relationships helped shape the profession and the trajectory of the discipline, and they still resonate more than a century later.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This definitive, detail-packed biography is the first of Frederick Starr (1856-1933), a founding father of American anthropology at the University of Chicago. It presents a major reevaluation of Starr’s place as the missionizer of anthropology, illuminates the consequences of the professionalization of anthropology, and yields a greater understanding of the United States as it moved into a position of global power. Donald McVicker considers Frederick Starr’s colorful life in the context of the times.In many respects Starr’s early career paralleled that of Franz Boas, “the architect of American anthropology.” Nonetheless, as Boas led professional anthropology into the twentieth century in the United States, Starr, the popularizer, increasingly fell behind. Today, if Starr is remembered at all, he is usually described in terms of his intellectual, professional, and ethical failings. Yet his collections, publications, and photographic and paper archives provide a rich set of resources for archaeologists, ethnologists, folklorists, and historians. McVicker argues that Starr’s mission to bring anthropology to the public and enlighten them was as valid a goal during his career as was Boas’s goal to professionalize the field.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.
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