It was probably the greatest private hoard of gold in the world: two thousand tons of bullion lying in a vault in Zurich, which had to be sold. The Greek who owned the gold believed that he was cursed by it; the American underworld who had accepted it as security for a loan wanted their money back. Yet, its sale on the open market would cause the price of gold to plummet and precipitate a global financial crisis. Two men were separately commissioned to secretly sell the gold to private investors. Eddy Polonski, a metallurgist of genius, was being hounded by the South African gold cartel. Dan Daniels, an international attorney, was brilliant but broke. Both recognized the Greek gold was an opportunity to make millions, but did not realize that there was a ruthless force to contend with: a major international bank, which saw a chance to manipulate the market fix of the century-the Gold Rush of 1979. The price of gold doubled in under three weeks; an event as sensational as the Wall Street Crash. In a blend of fact and fiction, in which the fiction pales in comparison with the fact, Bullion tells the real story.
Era, sin duda, la mayor acumulación de oro en poder de un solo hombre: dos mil toneladas en lingotes, depositadas en una cámara acorazada de Zurich. Casi el 2% de las reservas existentes en el mundo. El griego propietario del oro había decidido venderlo, pero la aparición de semejante cantidad en el mercado libre provocaría un hundimiento de los precios y la consiguiente crisis financiera mundial. Dos hombres, separadamente, reciben un encargo casi irrealizable: vender el oro a inversores privados en el más absoluto secreto. Se trata de Eddy Polonski, un metalúrgico genial acosado por el omnipresente cartel sudafricano del oro, que necesita su asesoramiento, y de dan Daniels, abogado internacional, brillante pero en la ruina. Ambos comprendían que el oro del griego era su oportunidad para ganar millones. La lógica de las circunstancia hace que pronto se encuentren y decidan colaborar. Pero no sospechaban que había alguien más involucrado en el negocio, y que deberían enfrentarse a una fuerza ponderosa e implacable: un gran banco de la City londinense, controlado por hombres que se
Get into the hacker's mind--and outsmart him! Fully updated for the latest threats, tools, and countermeasures Systematically covers proactive, reactive, and preemptive security measures Detailed, step-by-step techniques for protecting HP-UX, Linux, and UNIX systems "Takes on even more meaning now than the original edition!" --Denny Georg, CTO, Information Technology, Hewlett-Packard Secure your systems against today's attacks--and tomorrow's. Halting the Hacker: A Practical Guide to Computer Security, Second Edition combines unique insight into the mind of the hacker with practical, step-by-step countermeasures for protecting any HP-UX, Linux, or UNIX system. Top Hewlett-Packard security architect Donald L. Pipkin has updated this global bestseller for today's most critical threats, tools, and responses. Pipkin organizes this book around the processes hackers use to gain access, privileges, and control--showing you exactly how they work and the best ways to respond. Best of all, Pipkin doesn't just tell you what to do, but why. Using dozens of new examples, he gives you the skills and mindset to protect yourself against any current exploit--and attacks that haven't even been imagined yet. How hackers select targets, identify systems, gather information, gain access, acquire privileges, and avoid detection How multiple subsystems can be used in harmony to attack your computers and networks Specific steps you can take immediately to improve the security of any HP-UX, Linux, or UNIX system How to build a secure UNIX system from scratch--with specifics for HP-UX and Red Hat Linux Systematic proactive, reactive, and preemptive security measures Security testing, ongoing monitoring, incident response, and recovery--in depth Legal recourse: What laws are being broken, what you need to prosecute, and how to overcome the obstacles to successful prosecution About the CD-ROM The accompanying CD-ROM contains an extensive library of HP-UX and Linux software tools for detecting and eliminating security problems and a comprehensive information archive on security-related topics.
The Burrows-Wheeler Transform is one of the best lossless compression me- ods available. It is an intriguing — even puzzling — approach to squeezing redundancy out of data, it has an interesting history, and it has applications well beyond its original purpose as a compression method. It is a relatively late addition to the compression canon, and hence our motivation to write this book, looking at the method in detail, bringing together the threads that led to its discovery and development, and speculating on what future ideas might grow out of it. The book is aimed at a wide audience, ranging from those interested in learning a little more than the short descriptions of the BWT given in st- dard texts, through to those whose research is building on what we know about compression and pattern matching. The ?rst few chapters are a careful description suitable for readers with an elementary computer science ba- ground (and these chapters have been used in undergraduate courses), but later chapters collect a wide range of detailed developments, some of which are built on advanced concepts from a range of computer science topics (for example, some of the advanced material has been used in a graduate c- puter science course in string algorithms). Some of the later explanations require some mathematical sophistication, but most should be accessible to those with a broad background in computer science.
King Edward VII School, 1965 - 1970, in Apartheid Johannesburg was a stick-wielding, traditional boys school of its times. But the Establishment did not count on a cohort that displayed an over-developed spirit of rebellion. In this unofficial, unauthorized and somewhat scandalous account, over 70 schoolmates used the Covid-19 lockdown to describe their complicated relationship with the institution that helped shape their lives over the last 50 years. Anyone who has ever reflected on their own schooldays will enjoy the humour and escapades of a group determined to resist the rules and constraints of a very rigid society.
“Don’t worry, we’re not going to shoot you… yet.” A ruthless South American drug lord has a plan to bring the United States to its knees. A group of renegade American agents has plans to smash the kingpin and his cartel, by any means necessary. Caught in the middle, Matt Helm’s got to do double duty to stop them both, and to protect a woman with information both sides would kill for…
How is the heartbeat generated? What controls the strength of contraction of heart muscle? What are the links between cardiac structure and function? How does our understanding of skeletal and smooth muscle and non-muscle cells influence our thinking about force development in the heart? Are there important species differences in how contraction is regulated in the heart? How do the new molecular data fit together in understanding the heart beat? What goes wrong in ischemia, hypertrophy, and heart failure? This book paints a modern `portrait' of how the heart works and in this picture the author shows a close-up of the structural, biochemical, and physiological links between excitation and contraction. The author takes the reader through a series of important, interrelated topics with great clarity and continuity and also includes many useful illustrations and tables. The book starts by considering the cellular structures involved in excitation-contraction coupling and then described the characteristics of the myofilaments as the end effector of excitation-contraction coupling. A general scheme of calcium regulation is described and the possible sources and sinks of calcium are discussed in simple, but quantitative terms. The cardiac action potential and its many underlying currents are reviewed. Then the characteristics of some key calcium transport systems (calcium channels, sodium/calcium exchange and SR calcium uptake and release) are discussed in detail. This is then built into a more integrated picture of calcium regulation in succeeding chapters by detailed discussions of excitation-calcium coupling mechanisms (in skeletal, cardiac, and smooth muscle), the interplay between calcium regulatory processes, and finally mechanisms of cardiac inotropy, calcium overload, and dysfunction (e.g., ischemia, hypertrophy, and heart failure). Excitation-Contraction Coupling and Cardiac Contractile Force – Second Edition is an invaluable source of information for anyone who is interested in how the heart beat is controlled and especially suited for students of the cardiovascular system at all levels from medical/graduate students through senior investigators in related fields.
Financial and Managerial Accounting provides students with a clear introduction to fundamental accounting concepts beginning with the building blocks of the accounting cycle and continuing through financial statements. This product is ideal for a two-semester Financial and Managerial Accounting sequence where students spend equal time learning financial and managerial accounting concepts as well as learn the accounting cycle from a corporate perspective.
Matt Helm's first new adventure in three years--his 26th thrilling mystery. A group of renegade American agents plans to smash the cartel of a ruthless South American drug lord--by any means necessary. And Helm finds himself caught in the middle of a war between cocaine cowboys and killer G-men, knowing he's bound to catch hell no matter which way he turns. Original.
Financial and Managerial Accounting, 2nd Edition provides students with a clear introduction to fundamental accounting concepts. The Second Edition helps students get the most out of their accounting course by making practice simple. Both in the print text and online in WileyPLUS with ORION new opportunities for self-guided practice allow students to check their knowledge of accounting concepts, skills, and problem solving techniques and receive personalized feedback at the question, learning objective, and course level. Newly streamlined learning objectives help students use their study time efficiently by creating a clear connections between the reading and video content, and the practice, homework, and assessments questions. Weygandt, Financial and Managerial Accounting is ideal for a two-semester Financial and Managerial Accounting sequence where students spend equal time learning financial and managerial accounting concepts, and learn the accounting cycle from a corporate perspective. This program begins by introducing students to the building blocks of the accounting cycle and builds to financial statements. *WileyPLUS with ORION is sold separately from the text.
To understand a business, you have to understand the financial insides of a business organization. Through a focus on accounting transactions, real-world problem-solving, and engaging industry examples, Weygandt Financial Accounting, 11th edition demonstrates how accounting is an exciting field of study and helps connect core financial accounting concepts to students' everyday lives and future careers. Continuing to help students succeed in their introductory financial accounting course for over two decades, this edition brings together the trusted Weygandt, Kimmel, and Kieso reputation with fresh, timely, and accurate updates to help build confidence and engage today's students.
This text is an unbound, binder-ready edition. Kieso, Weygandt, and Warfield’s Intermediate Accounting, Sixteenth Edition continues to set the standard for students and professionals in the field. The 16th edition builds on this legacy through new, innovative student-focused learning. Kieso maintains the qualities for which the text is globally recognized, including its reputation for accuracy, comprehensiveness, accessibility, and quality problem material that best prepares students for success on the CPA exam and accounting careers. The 16th edition offers the most up-to-date coverage of US GAAP & IFRS in a format suited to the complex challenges of teaching intermediate accounting in these changing times. WileyPLUS sold separately from text.
It is no coincidence that Donald Robertson, known as @drawbertson to his hundreds of thousands of followers on social media, has become the fashion world’s favorite art bomber of the Instagram era.
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.
One of the most influential American artists of the post-war period, Donald Judd (1928-1994) changed the course of modern sculpture. This lavishly illustrated survey accompanies a major exhibition at Tate Modern in early 2004, which subsequently tours to European venues. Featuring contributions by Nicholas Serota (Director of Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Shiff and David Raskin, and British artist and critic David Bachelor, it will comprise the most thorough and up-to-date publication on Judd in print. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor, stacked or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanished iron, steel, plexiglass and plywood. His use of vibrant colour, polished and reflective metals and brightly hued lacquer confounds expectations as to what 'minimalist' sculpture should look like. Forty-one works from collections around the world, many of them large scale, are being gathered for the exhibition and w
Donald Judd Interviews presents sixty interviews with the artist over the course of four decades, and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings. This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R. Lippard and Barbara Rose. Judd’s contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries. In one of the last interviews, he observed, “Generally expensive art is in expensive, chic circumstances; it’s a falsification. The society is basically not interested in art. And most people who are artists do that because they like the work; they like to do that [make art]. Art has an integrity of its own and a purpose of its own, and it’s not to serve the society. That’s been tried now, in the Soviet Union and lots of places, and it doesn’t work. The only role I can think of, in a very general way, for the artist is that they tend to shake up the society a little bit just by their existence, in which case it helps undermine the general political stagnation and, perhaps by providing a little freedom, supports science, which requires freedom. If the artist isn’t free, you won’t have any art.” Donald Judd Interviews is co-published by Judd Foundation and David Zwirner Books. The interviews expand upon the artist’s thinking present in Donald Judd Writings (Judd Foundation/David Zwirner Books, 2016).
One of the most important American artists of the 20th century, Donald Judd (1928-1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the minimalist style. Focusing entirely on Judd's multicoloured works, this work features essays by leading scholars that illuminate this body of work and examine its relationship to his oeuvre as a whole.--
Published on the occasion of an exhibition held at the Contemporary Arts Museum, Houston, Tex., Oct. 1, 2011-Jan. 8, 2012, the Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, N.Y., Feb. 18-June 3, 2012 and at the Andy Warhol Museum, Pittsburgh, Pa., June 23-Sept. 9, 2012.
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