A trilogy tracing the impact of tuberculosis on the lives of these three medically qualified men. ... Whilst not being factual accounts, the narratives for each of the men has been inspired by real events, uses quotes and information from published sources"--Page ix.
Donald G. Bloesch's wide-ranging and in-depth reflection on the presence, reality and ministry of the Holy Spirit serves as a landmark to those seeking a faithful theological understanding of the Holy Spirit.
This book brings together for the first time, published and unpublished memoirs about the American novelist Theodore Dreiser. The recollections of Dreiser's contemporaries bring to the fore the writer's politics, personal life, and literary reception. Donald Pizer is one of the world's leading scholars of Dreiser and of naturalism.
This is a comprehensive study of the philosophy of Peter Ramus (1515-1572) as it was used in the theology of the English Puritan, William Perkins (1558-1602). The work shows that Perkins’ use of Ramist method was substantial and that nearly all his theological works were constructed along the lines of the Ramist method. The significance of this use of Ramus by Perkins is explored and the importance of Ramism for English Puritanism in general is then shown.
A chronicle of the coming of the Industrial Age to one American city traces the explosive entrepreneurial, technological, and artistic growth that converted Chicago from a trading post to a modern industrial metropolis by the 1890s.
From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.
Cultures of United States Imperialism represents a major paradigm shift that will remap the field of American Studies. Pointing to a glaring blind spot in the basic premises of the study of American culture, leading critics and theorists in cultural studies, history, anthropology, and literature reveal the "denial of empire" at the heart of American Studies. Challenging traditional definitions and periodizations of imperialism, this volume shows how international relations reciprocally shape a dominant imperial culture at home and how imperial relations are enacted and contested within the United States. Drawing on a broad range of interpretive practices, these essays range across American history, from European representations of the New World to the mass media spectacle of the Persian Gulf War. The volume breaks down the boundary between the study of foreign relations and American culture to examine imperialism as an internal process of cultural appropriation and as an external struggle over international power. The contributors explore how the politics of continental and international expansion, conquest, and resistance have shaped the history of American culture just as much as the cultures of those it has dominated. By uncovering the dialectical relationship between American cultures and international relations, this collection demonstrates the necessity of analyzing imperialism as a political or economic process inseparable from the social relations and cultural representations of gender, race, ethnicity, and class at home. Contributors. Lynda Boose, Mary Yoko Brannen, Bill Brown, William Cain, Eric Cheyfitz, Vicente Diaz, Frederick Errington, Kevin Gaines, Deborah Gewertz, Donna Haraway, Susan Jeffords, Myra Jehlen, Amy Kaplan, Eric Lott, Walter Benn Michaels, Donald E. Pease, Vicente Rafael, Michael Rogin, José David Saldívar, Richard Slotkin, Doris Sommer, Gauri Viswanathan, Priscilla Wald, Kenneth Warren, Christopher P. Wilson
“Lively and engaging . . . raises important questions about how Eastern religions are often co-opted, assimilated and misunderstood by Western culture.” —Publishers Weekly Donald Lopez provides the first cultural history of the strange encounter between Tibetan Buddhism and the West. Charting the flights of Western fantasies of Tibet and its Buddhist legacy, Lopez presents fanciful visions of Tibetan life and religion, ranging from the utopian to the demonic. He examines, among much else, the politics of the term “Lamaism”, a pejorative name for Tibet's religion; the various theosophical, psychedelic, and New Age purposes served by The Tibetan Book of the Dead; the strange case of the Englishman with three eyes; and the unexpected history of the most famous of all Buddhist mantras, om mani padme hum. Throughout, Lopez demonstrates how myths of Tibet pervade both the products of pop culture and learned scholarly works. In his new preface to this anniversary edition, Lopez returns to the metaphors of prison and paradise to illuminate the state of Tibetan Buddhism—both in exile and in Tibet—as monks and nuns still seek to find a way home. Prisoners of Shangri-La remains a timely and vital inquiry into Western fantasies of Tibet. “Proceeding with care and precision, Lopez reveals the extent to which scholars have behaved like intellectual colonialists. . . . Someone had to burst the bubble of pop Tibetology, and few could have done it as resoundingly as Lopez.” —Booklist “Lopez's book shows that . . . when the West has looked at Tibet, all that it has seen is a distorted reflection of itself.” —Ben Jackson, Times Higher Education Supplement “A fine scholarly work.” —Kirkus Reviews
This book is a monumental work on the late Romantic Irish poet, George Darley, with a scholarly edition of his complete poetry and a new biography. The text of each poem is meticulously edited from manuscript and printed sources. For the first time, Darley is established as a translator of the First Book of Virgil’s Æneid. A newly discovered manuscript of Darley’s 70 Lenimina Laborum poems enriches the edition, while the celebrated Nepenthe is authoritatively presented with Darley’s manuscript running headnotes. The book introduces over 40 new manuscript letters by Darley, and discusses contemporary reviews of his work and a century of critical commentary. Darley’s influence on Tennyson is evaluated and his vast periodical contributions are examined. In addition, the insightful interpretation of Nepenthe by Edward Hutchinson Synge is presented. This book will be of great interest to scholars of the Romantic period, readers of contemporary periodical journalism, and students of Irish literary history.
This anthropological bibliography of the Pacific Inuit area of Alaska also features an extended historical coverage for Kodiak and adjacent Islands. Many of the nearly five hundred entries are annotated.
Music in the Human Experience: An Introduction to Music Psychology, Second Edition, is geared toward music students yet incorporates other disciplines to provide an explanation for why and how we make sense of music and respond to it—cognitively, physically, and emotionally. All human societies in every corner of the globe engage in music. Taken collectively, these musical experiences are widely varied and hugely complex affairs. How did human beings come to be musical creatures? How and why do our bodies respond to music? Why do people have emotional responses to music? Music in the Human Experience seeks to understand and explain these phenomena at the core of what it means to be a human being. New to this edition: Expanded references and examples of non-Western musical styles Updated literature on philosophical and spiritual issues Brief sections on tuning systems and the acoustics of musical instruments A section on creativity and improvisation in the discussion of musical performance New studies in musical genetics Greatly increased usage of explanatory figures
Provides information for traveling in England, Wales, and Scotland, including travel tips, recommended accommodations, historic sites, and annual events.
Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Who's Who in Dickens is an accessible guide to the many characters in Charles Dickens' fiction. Dickens' characters are strikingly portrayed and have become a vital part of our cultural heritage - Scrooge has become a by-word for stinginess, Uriah Heep for unctuousness. From the much loved Oliver Twist to the fact-grubbing Mr Gradgrind, the obstinate Martin Chuzzlewit to the embittered Miss Havisham, this book covers the famous and lesser known characters in Dickens. The book contains a physical and psychological profile of each character, a critical look at his characters by past and present influential commentators and over forty illustrations of major characters drawn by Dickens' contemporaries.
I came across an old photo recently and pondered the people in it. The person in the centre was my late brother, Norman G. Donald of the RAF. The other figures in the photo I do not know, though I suspect they were his flight instructors at North Battleford, Canada. The photo bears my brother's script "KING-PINS ALL!--N. BATTLEFORD." After qualifying as a pilot, he sailed back to England and was posted to RAF Hunsdon just north of London in 1942. He was soon flying Douglas Havocs and Bristol Beaufighters. Night fighters were a new school of defence, but it was hopeless finding enemy aircraft in the dark. The Turbinlite device was fitted to the Beaufighters and Havocs, and the idea was to find the enemy somehow, guided by ground control using heavy ground radar units (too heavy to carry in aircraft), turn on the Turbinlite searchlight, and illuminate the enemy aircraft. A single-engined Hurricane fighter flying alongside then shot down the enemy aircraft. It did help to see the target as this same sky was full of thousands of Allied aircraft, all trying to avoid each other.
These lectures were notable for their first-ever access to Britten's private diaries, which he kept on a daily basis in the thirties, and a revealing portrait emerges of the two men's relationship, of their work together in many different fields, and the politics of the day and their appalled response to the rise of Fascism in Europe."--BOOK JACKET.
Although geared toward professional artists, this accessible approach to landscape sketching will also appeal to amateurs. English artist Donald Maxwell's entertaining and straightforward attitude begins with the basics: "We will draw a brick. Anybody can draw a brick." Following introductions to perspective, light and shade, and composition, Maxwell proceeds to demonstrate how to direct a picture's focus, and he discusses the challenges of ink as a medium. His observations are complemented and enhanced with illustrative examples of boatyards, bridges, churches, and country farms from throughout Great Britain that date from the early twentieth century. A concluding gallery features a bonus collection of twenty-five images by Frank Brangwyn, Joseph Pennell, Otto Fischer, and other contemporary masters of pen-and-ink landscapes. Specially added for this edition is a new Foreword written by Sonja Rozman and Gašper Habjanič, two landscape architects with a passion for drawing.
A well-respected theologian provides a comprehensive overview of various emphases taught on Christian spirituality throughout history, offering clear guidance for a faithful grasp of spiritual formation today. Original.
The book collects Pizer’s late career essays on various writers and subjects related to American naturalism. Of these, two seek to describe the movement as a whole, six are on specific writers or works (with an emphasis on Theodore Dreiser), and two reprint informative interviews by Pizer on the subject. The essays reflect Pizer’s mature engagement of the subject he has spent a lifetime exploring.
In Conflict in Fourteenth-Century Iberia Donald Kagay and Andrew Villalon explore the background, administrative, diplomatic, economic, and military results, and the aftermath of the War of the Two Pedros between Castile and the Crown of Aragon (1356-1366) and the Castilian Civil War (1366-1369).
This original edited volume is the only book on naval advising. Drawing upon the work of scholars and practitioners from all over the world, it takes a comparative and global approach to examining the history, theory and evolution of naval advising and assistance. Starting with a brief history of the evolution of naval advising, the book then moves to late-19th century naval advising efforts. These generally involved individuals such as the American adventurer in China, Philo McGiffin, but also included State-sponsored formal missions such as the first such US effort: Colonel John Lay’s 1870s mission to Egypt. A comparative multi-national examination of the ability of non-European States such as China, Turkey and Japan to adopt Western naval methods and doctrine - and an examination of the French naval advising mission to Peru - round out the book's pre-First World War offerings. The trends in naval advising between the World Wars—particularly their use as tools of economic and political penetration—are revealed through chapters on the British naval aviation mission to Japan; the British and French naval missions to Poland; the US mission to Peru; and a comparative study of Italian naval missions in Persia, China and Spain. The latter also reveals early ideological motivations for dispatching advising missions. The Cold War saw an intensification of military advising—including naval advising—as both the Communist and the Western Powers used advising as ideological tools. The US naval missions to Nationalist China and South Vietnam are assessed, as are the Soviet naval advising efforts in East Germany and China. Together, through a wealth of original research, the studies in this book provide numerous lessons for future naval advising efforts and constitute a unique contribution to the field.
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