Donald Harington, best known for his fifteen novels, was also a prolific writer of essays, articles, and book reviews. The Guestroom Novelist: A Donald Harington Miscellany gathers a career-spanning and eclectic selection of nonfiction by the Arkansawyer novelist Donald Harington that reveals how a life of devastating losses and disappointments inspired what the Boston Globe called the “quirkiest, most original body of work in contemporary US letters.” This extensive collection of interviews and other works of prose—many of which are previously unpublished—offers glimpses into Harington’s life, loves, and favorite obsessions, replays his minor (and not so minor) dramas with literary critics, and reveals the complicated and sometimes contentious relationship between his work of the writers he most admired. The Guestroom Novelist, which takes its title from an essay that serves as a love letter to his fellow underappreciated writers, paints a rich portrait of the artist as a young, middle-aged, and fiercely funny old man, as well as comic, sentimentalist, philosopher, and critic, paying testimony to the writer’s magnificent ability to transform the seemingly crude stuff of our material existence into enduring art.
Welcome to the strange, quixotic quest of Vernon Ingledew: to win the governorship of Arkansas. Ingledew, a self-taught genius, is soon hampered by what his opponents refer to as his “Thirteen Albatrosses.” Among them: he is an atheist; lives in sin with his first cousin; and believes in “extirpating”—that is, getting rid of—hospitals, prisons, tobacco, and handguns. Nevertheless, Ingledew attracts to his campaign some of America’s heaviest political hitters. Together they form Ingledew’s Seven Samurai, aides whose devotion will be tested by kidnappings, adulterous love affairs, and defection to the rival campaign of the vulgar, hated Arkansas Governor Shoat Bradfield.
Donald Harington, best known for his fifteen novels, was also a prolific writer of essays, articles, and book reviews. The Guestroom Novelist: A Donald Harington Miscellany gathers a career-spanning and eclectic selection of nonfiction by the Arkansawyer novelist Donald Harington that reveals how a life of devastating losses and disappointments inspired what the Boston Globe called the “quirkiest, most original body of work in contemporary US letters.” This extensive collection of interviews and other works of prose—many of which are previously unpublished—offers glimpses into Harington’s life, loves, and favorite obsessions, replays his minor (and not so minor) dramas with literary critics, and reveals the complicated and sometimes contentious relationship between his work of the writers he most admired. The Guestroom Novelist, which takes its title from an essay that serves as a love letter to his fellow underappreciated writers, paints a rich portrait of the artist as a young, middle-aged, and fiercely funny old man, as well as comic, sentimentalist, philosopher, and critic, paying testimony to the writer’s magnificent ability to transform the seemingly crude stuff of our material existence into enduring art.
Double Toil and Trouble is the first new volume of fiction in more than a decade by beloved Arkansas writer Donald Harington (1935–2009). Featuring the long-lost suspense novel of the title and four previously unpublished or uncollected stories, this volume adds several new chapters to the saga of Stay More, the fictional Ozarks village that serves as the setting for more than a dozen other Harington novels. Edited by longtime Harington scholar Brian Walter, Double Toil and Trouble also includes an appendix featuring the author’s spirited correspondence with the editor who originally inspired the title novel, providing an insider’s look at the American literary scene and Harington’s own early assessment of his work. Spanning several decades of the author’s career, this volume gives readers a Harington who is at once familiar and fresh as he experiments with new formal possibilities, only to once again endear the vagaries of love, life, and folk language to us.
Welcome to the strange, quixotic quest of Vernon Ingledew: to win the governorship of Arkansas. Ingledew, a self-taught genius, is soon hampered by what his opponents refer to as his “Thirteen Albatrosses.” Among them: he is an atheist; lives in sin with his first cousin; and believes in “extirpating”—that is, getting rid of—hospitals, prisons, tobacco, and handguns. Nevertheless, Ingledew attracts to his campaign some of America’s heaviest political hitters. Together they form Ingledew’s Seven Samurai, aides whose devotion will be tested by kidnappings, adulterous love affairs, and defection to the rival campaign of the vulgar, hated Arkansas Governor Shoat Bradfield.
In While England Slept Winston Churchill revealed in 1938 how the inadequacy of Britain's military forces to cope with worldwide responsibilities in a peaceful but tense era crippled its ability to deter or even adequately prepare for World War II. In While America Sleeps, historians Donald and Frederick Kagan retrace Britain's international and defense policies during the years after World War I leading up to World War II, showing in persuasive detail how self-delusion and an unwillingness to face the inescapable responsibilities on which their security and the peace of the world depended cost the British dearly. The Kagans then turn their attention to America and argue that our nation finds itself in a position similar to that of Britain in the 1920s. For all its emergency interventions the U.S. has not yet accepted its unique responsibility to take the lead in preserving the peace. Years of military cutbacks-the "peace dividend" following the buildup and triumph over Communism of the Reagan years-have weakened our armed forces and left us with too few armed forces to cover too many possible threats. This has caused us to bank everything on high tech "smart" weapons - some of which have not yet been invented and others that we are not acquiring or deploying - as opposed to the long-term commitment of money, fighting men and women, and planning that the deterrence of a major war would require. This failure to shape a policy and to commit the resources needed to maintain peace has cost valuable time in shaping a peaceful world and has placed America's long-term security in danger. The policies of the Bush and Clinton administrations have left us in a position where we cannot avoid war and keep the peace in areas vital to our security. Neither have the post-Cold War policies sent clear signals to would-be aggressors that the U.S. can and will resist them. Tensions in the Middle East, instability in eastern Europe and the former Soviet Union, the nuclear confrontation between India and Pakistan, the development of nuclear weapons and missiles by North Korea, and the menacing threats and actions of China, with its immense population, resentful sense of grievance and years of military buildup, all hint that the current peaceful era will not last forever. Can we make it last as long as possible? Are we prepared to face its collapse? While America Sleeps is a sobering, fascinating work of history that poses a thoughtful challenge to policy-makers and will interest military buffs as well as readers interested in history and international relations.
This short book gathers together and documents a number of incontrovertible but little-noticed facts that speak Shakespeare's true name loudly and clearly. Written for general readers and scholars alike, it systematizes and extends the investigations of the pioneering researchers who first published, more than a century ago, the provocative contention that Shakespeare's THE TEMPEST contains an allegory of Francis Bacon's natural philosophy. The essay demonstrates that fourteen elements of this play having to do with the magus Prospero, the spirit Ariel, and the witch Sycorax resemble and represent fourteen Baconian ideas, several of which are peculiar to Bacon. Those ideas include not only the general methodological prescriptions for which he is famous but also his unique and largely forgotten conjectures about the inner workings of nature. These numerous and striking parallels between elements of the play and elements of Bacon's philosophy, the author argues, together constitute persuasive proof that Bacon wrote this celebrated drama.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.
This study of Handel's English church music covers well-known works such as 'Zadok the Priest', but also introduces his Chapel Royal music, the result of a close but changing relationship with Britain's Hanoverian royal family. The story of the political background is complemented by an investigation of the circumstances of Handel's performances.
Easily the most comprehensive and useful work on American socialism, including its history, theories, and impact on life, culture, and economic and political parties in the United States, is as important a contribution as the essays. Hereafter, students of practically all phases of American life will turn to it for help and guidance."—U.S. Quarterly Book Review. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
James Joyce and the Philosophers at Finnegans Wake explores how Joyce used the philosophers Nicholas Cusanus, Giordano Bruno, and Giambattista Vico as the basis upon which to write Finnegans Wake. Very few Joyce critics know enough about these philosophers and therefore often miss their influence on Joyce's great work. Joyce embraces these philosophic companions to lead him through the underworld of history with all its repetitions and resurrections, oppositions and recombinations. We as philosophical readers of the Wake go along with them to meet everybody and in so doing are bound "to encounter for the millionth time the reality of experience and to forge in the smithy" of our souls the "uncreated conscience" of humankind. Verene builds his study on the basis of years of teaching Finnegans Wake side by side with Cusanus, Bruno, and Vico, and his book will serve as a guide to readers of Joyce's novel.
This is the first book to examine in full the interconnections between Giambattista Vico’s new science and James Joyce’s Finnegans Wake. Maintaining that Joyce is the greatest modern “interpreter” of Vico, Donald Phillip Verene demonstrates how images from Joyce’s work offer keys to Vico’s philosophy. Verene presents the entire course of Vico’s philosophical thought as it develops in his major works, with Joyce’s words and insights serving as a guide. The book devotes a chapter to each period of Vico’s thought, from his early orations on education to his anti-Cartesian metaphysics and his conception of universal law, culminating in his new science of the history of nations. Verene analyzes Vico’s major works, including all three editions of the New Science. The volume also features a detailed chronology of the philosopher’s career, historical illustrations related to his works, and an extensive bibliography of Vico scholarship and all English translations of his writings.
This book reveals the queen behind Edmund Spenser’s The Faerie Queene. Placing Spenser’s epic poem in the context of the tumultuous sixteenth century, Donald Stump offers a groundbreaking reading of the poem as an allegory of Elizabeth I’s life. By narrating the loves and wars of an Arthurian realm that mirrors Elizabethan England, Spenser explores the crises that shaped Elizabeth’s reign: her break with the pope to create a reformed English Church, her standoff with Mary, Queen of Scots, offensives against Irish rebels and Spanish troops, confrontations with assassins and foreign invaders, and the apocalyptic expectations of the English people in a time of national transformation. Brilliantly reconciling moral and historicist readings, this volume offers a major new interpretation of The Faerie Queene.
First published in 1960, The Politics of Samuel Johnson remains one of the most significant studies of Johnson ever written. Contrary to virtually all preceding studies of Johnson's life, politics, and art, Donald Greene declared that the popular image of Johnson--one that even pervaded academic circles--was a caricature, an amalgam of misconceptions, inaccuracies, and sometimes deliberate untruths drawn from the works of his well-intentioned friend Boswell and his detractor Macaulay.In the Introduction to the second edition, Greene reasserts--in light of three decades of Johnsonian scholarship--his attack on the stereotyping of Johnson as a bigoted, party-line Tory and a crypto-Jacobite. Utilizing new material such as Thomas Curley's edition of the Chambers/Johnson Vinerian law lectures and the sale catalogue to Johnson's library to support his argument, Greene also warns that Johnson is still misquoted and misunderstood in situations from classroom lectures to discussions of Britain's role in the 1982 Falklands War.
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
Covering a large swath of the American West, the Great Basin, centered in Nevada and including parts of California, Utah, and Oregon, is named for the unusual fact that none of its rivers or streams flow into the sea. This fascinating illustrated journey through deep time is the definitive environmental and human history of this beautiful and little traveled region, home to Death Valley, the Great Salt Lake, Lake Tahoe, and the Bonneville Salt Flats. Donald K. Grayson synthesizes what we now know about the past 25,000 years in the Great Basin—its climate, lakes, glaciers, plants, animals, and peoples—based on information gleaned from the region’s exquisite natural archives in such repositories as lake cores, packrat middens, tree rings, and archaeological sites. A perfect guide for students, scholars, travelers, and general readers alike, the book weaves together history, archaeology, botany, geology, biogeography, and other disciplines into one compelling panorama across a truly unique American landscape.
This is the first scholarly history of the only regular army cavalry regiment raised during the Civil War. Unlike volunteer regiments raised by individual states, the regular regiments drew soldiers from across the country. By war's end 2,130 men and at least one woman from 29 states and 14 countries served in the 6th U.S. Cavalry. The regiment's initial cast of officers included two grandsons of a former president, a cousin of Confederate President Jefferson Davis, two cousins of the governor of Pennsylvania, the son of a Radical Republican senator who opposed President Lincoln, and a number of enlisted soldiers promoted from the ranks. The book relies heavily upon primary sources to tell the regiment's story in the words of the participants. These include diaries and letters of officers and enlisted soldiers alike, several of which are previously unpublished. Official reports are excerpted when appropriate to provide the commander's view of the regiment's performance.
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