Engaging Eriugena, Eckhart and Cusanus contains two new essays and nine others published between 2005 and 2019. The essays explore Eriugena, Eckhart and Cusanus as bold thinkers deeply engaged with their times and culture. John Scottus Eriugena, Meister Eckhart and Nicholas of Cusa are key figures in the medieval Christian Neoplatonic tradition. This book focuses on their engagement with practical, experiential issues and controversies. Eriugena revises Genesis’ Adam and Eve narrative and makes sexual difference and overcoming it central to his Periphyseon. Eckhart’s Annunciation sermons urge his hearers to give birth to God’s son within their lives, and he develops a distinctive approach to pain and suffering. His radical preaching on the Eucharist and mystical union was judged heretical but was later taken up by Nicholas of Cusa. Coins and banking became key symbols in Cusanus’ exploration of humanity as created in God’s image, and he used mechanical clocks in reflecting on time and eternity. "Engagement" also describes these thinkers’ reception of their predecessors and how later readers appropriated their works. Eriugena struggled with the legacy of Augustine and the Greek Fathers. Eckhart’s theology of suffering provoked varied responses from his students Henry Suso, Johannes Tauler and the twentieth-century therapist Ursula Fleming. Cusanus provides the volume’s lynchpin as two articles analyse his reading of Eriugena and Eckhart, and a third discusses how he deftly countered Johannes Wenck’s accusations of heresy. The book will be of interest to students of Medieval Philosophy, Theology, Spirituality and their place within Cultural History.
The medieval Christian West's most radical practitioners of a Neoplatonic, negative theology with a mystical focus are John Scottus Eriugena, Meister Eckhart and Nicholas Cusanus. All three mastered what Cusanus described as docta ignorantia: reflecting on their awareness that they could know neither God nor the human mind, they worked out endlessly varied attempts to express what cannot be known. Following Pseudo-Dionysius the Areopagite, they sought to name God with symbolic expressions whose negation leads into mystical theology. For within their Neoplatonic dialectic, negation moves beyond reason and its finite distinctions to intellect, where opposites coincide and a vision of God's infinite unity becomes possible. In these papers Duclow views these thinkers' efforts through the lens of contemporary philosophical hermeneutics. He highlights the interplay of creativity, symbolic expression and language, interpretation and silence as Eriugena, Eckhart and Cusanus comment on the mind's work in naming God. This work itself becomes mystical theology when negation opens into a silent awareness of God's presence, from which the Word once again 'speaks' within the mind - and renews the process of creating and interpreting symbols. Comparative studies with Gregory of Nyssa, Pseudo-Dionysius, Anselm and Hadewijch suggest the book's wider implications for medieval philosophy and theology.
The medieval Christian West's most radical practitioners of a Neoplatonic, negative theology with a mystical focus are John Scottus Eriugena, Meister Eckhart and Nicholas Cusanus. All three mastered what Cusanus described as docta ignorantia: reflecting on their awareness that they could know neither God nor the human mind, they worked out endlessly varied attempts to express what cannot be known. Following Pseudo-Dionysius the Areopagite, they sought to name God with symbolic expressions whose negation leads into mystical theology. For within their Neoplatonic dialectic, negation moves beyond reason and its finite distinctions to intellect, where opposites coincide and a vision of God's infinite unity becomes possible. In these papers Duclow views these thinkers' efforts through the lens of contemporary philosophical hermeneutics. He highlights the interplay of creativity, symbolic expression and language, interpretation and silence as Eriugena, Eckhart and Cusanus comment on the mind's work in naming God. This work itself becomes mystical theology when negation opens into a silent awareness of God's presence, from which the Word once again 'speaks' within the mind - and renews the process of creating and interpreting symbols. Comparative studies with Gregory of Nyssa, Pseudo-Dionysius, Anselm and Hadewijch suggest the book's wider implications for medieval philosophy and theology.
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