Amid competing claims about who first developed the theories and practices that became known as New Criticism - the critical method that rose alongside Modernism - literary historians have generally given the lion's share of credit to William Empson and I.A. Richards. In The Birth of New Criticism Donald Childs challenges this consensus and provides a new and authoritative narrative of the movement's origins. At the centre stand Robert Graves and Laura Riding, two poet-critics who have been written out of the history of New Criticism. Childs brings to light the long-forgotten early criticism of Graves to detail the ways in which his interpretive methods and ideas evolved into the practice of "close reading," demonstrating that Graves played such a fundamental part in forming both Empson's and Richards's critical thinking that the story of twentieth-century literary criticism must be re-evaluated and re-told. Childs also examines the important influence that Riding's work had on Graves, Empson, and Richards, establishing the importance of this long-neglected thinker and critic. A provocative and cogently argued work, The Birth of New Criticism is both an important intellectual history of the movement and a sharply observed account of the cultural politics of its beginnings and legacy.
Under Briggflatts is a history of the last thirty years of British poetry with necessary excursions into other areas: criticism, philosophy, translation, and non-British English poetries. It has grown naturally out of Donald Davie's immediate involvement with new writing as a poet, reviewer, teacher, and reader. He has reassessed the writers who have most engaged his attention, revised his reviews, and supplemented earlier material with much that is new. Under Briggflatts provides a narrative that is remarkable in scope and generous in tone. By combining close readings of specific poems and more general considerations of style, form, and context, Davie's account is characteristically elegant, precise, and uncompromising. Under Briggflatts is organized in three large chapters, one devoted to each decade. In the 1960s, Davie pays particular attention to the work of Austin Clarke, Hugh MacDiarmid, Norman McCaig, Keith Douglas, Edwin Muir, Basil Bunting (the gurus whose prose writings helped catalyze the traumatic events of 1968), Elaine Feinstein, Sylvia Townsend Warner, Philip Larkin, Charles Tomlinson, Thomas Kinsella, and Ted Hughes. The second chapter follows these figures into the new decade and explores the work of (among others) Thom Gunn, C. H. Sisson, R. S. Thomas, John Betjeman, and such themes as women's poetry, translation, poetic theory, and the later impact of T. S. Eliot and of Edward Thomas. Perhaps the most controversial chapter is the third, in which David—without abandoning the poets already introduced—assesses Geoffrey Hill, Tony Harrison, and Seamus Heaney, and looks too at the recovery of Ivor Gurney's poems, at Ted Hughes as Laureate, the posthumous work of Sylvia Townsend Warner, the burgeoning Hardy industry, and the critical writings of Kenneth Cox.
Donald Davidson has prepared a new edition of the 1984 volume, with an additional essay, which set out his influential philosophy of language. The central question which these essays address is what it is for words to mean what they do.
The Essential Davidson compiles the most celebrated papers of one of the twentieth century's greatest philosophers. It distils Donald Davidson's seminal contributions to our understanding of ourselves, from three decades of essays, into one thematically organized collection. A new, specially written introduction by Ernie Lepore and Kirk Ludwig, two of the world's leading authorities on his work, offers a guide through the ideas and arguments, shows how they interconnect, and reveals the systematic coherence of Davidson's worldview. Davidson's philosophical program is organized around two connected projects. The first is that of understanding the nature of human agency. The second is that of understanding the nature and function of language, and its relation to the world. Accordingly, the first part of the book presents Davidson's investigation of reasons, causes, and intentions, which revolutionized the philosophy of action. This leads to his notable doctrine of anomalous monism, the view that all mental events are physical events, but that the mental cannot be reduced to the physical. The second part of the book presents the famous essays in which Davidson set out his highly original and influential philosophy of language, which founds the theory of meaning on the theory of truth. These fifteen classic essays will be invaluable for anyone interested in the study of mind and language. Fascinating though they are individually, it is only when drawn together that there emerges a compelling picture of man as a rational linguistic animal whose thoughts, though not reducible to the material, are part of the fabric of the world, and whose knowledge of his own mind, the minds of others, and the world around him is as fundamental to his nature as the power of thought and speech itself.
This book assembles twenty years of work in dramatic color photographs, a magnificent mid-career survey of a remarkable sculptor who turns nature into art.
The dramatic, poignant and revealing saga of the Redgraves, one of history's greatest families of actors. For more than a century, the Redgraves have defined theater and film while captivating the public eye. Their history is a rich tapestry of singularly talented individuals whose influence is felt to this day, yet their story has never before been told. In The Redgraves, bestselling biographer Donald Spoto draws on his close personal relationships with the family and includes both his interviews and unprecedented personal access to them. The result is a groundbreaking account of this extraordinary clan and their circle, including such luminaries as Elizabeth Taylor, Katharine Hepburn, and Sir Laurence Olivier. The story began in 1907 with the marriage of actress Daisy Scudamore to matinee idol Roy Redgrave and the birth in 1908 of their son, Michael, who became a famous stage actor and movie star. Michael’s family and wild social circle knew that for decades he was insistently bisexual, notwithstanding his marriage to Rachel Kempson, one of England’s most glamorous and admired actresses. Their daughter Vanessa, a great and revered performer, is the only British actress ever to win Oscar, Emmy, Tony, Cannes, Golden Globe, and Screen Actors Guild Awards—achievements that have been paralleled by a profound humanitarian commitment even as she tackled difficult and controversial roles. Vanessa’s sister, Lynn Redgrave, led a triumphant and complex life in her own way, too. From her performance in the movie Georgy Girl to her prizewinning play about her father and her Oscar-nominated performance in Gods and Monsters, Lynn established herself as a very different Redgrave. Corin Redgrave, their brother, was known for his acclaimed performances onstage and screen—and he was a tireless and outspoken political radical. The family tradition of distinction continues with the careers of Joely Richardson and Jemma Redgrave and reached a high point in the life and career of Vanessa’s daughter, Natasha Richardson, who earned a Tony Award for her role as Sally Bowles in the revival of Cabaret. Natasha’s sudden death after a skiing lesson in 2009 shocked and saddened admirers of her work and graceful spirit. The product of more than thirty years of research, The Redgraves recounts the epic saga of a family that has extended the possibilities for actors on stage, screen, and television in Britain, America, and around the world.
Thomas Chatterton's fabrications—or "forgeries"—of historical poems ostensibly written from the thirteenth through the fifteenth centuries have attracted a great deal of attention and discussion of their authenticity since the eighteenth century. Nevertheless, his works have never before been the subject of a sustained serious and critical investigation that focused on his artistic achievement rather than on the legend and myth surrounding his melodramatic life. Donald Taylor's study provides a thorough analysis of Chatterton's poems and to place them in the context of the poetic and literary traditions that influenced him. Setting his analyses within the contexts of "historic," heroic, satiric, pastoral, and descriptive modes, the author considers each of Chatterton's major works as solutions to the literary problems the poet set for himself, thus tracing the literary history of Chatterton's artistic development as a sequence of subjects and literary modes explored. As Professor Taylor amply demonstrates, Thomas Chatterton's brief career embodies important features of the literary transition from the Augustans to the Romantics and, contrary to traditional assumptions, shows that the historical worlds Chatterton imagined have close ties to the century and sensibility against which he is assumed to have rebelled. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The third volume of Mitchell's epic account of the composer and his works concentrates on the vocal music and, in particular, on some of his most famous, original, and best loved compositions.
The essays in Fathers Playing Catch with Sons are a wonderful mixture of reminiscence and observation, of baseball and of fathers and sons, of how a game binds people together and bridges generations. In the pantheon of great sports literature, not a few poets have tried their hand at paying tribute to their love affair with the game--Walt Whitman, Marianne Moore, and William Carlos Williams among them. This elegant volume collects Donald Hall's prose about sports, concentrating on baseball but extending to basketball, football and Ping-Pong.
The object of interpretation is textual meaning in and for itself and may be called the meaning of the text. The object of criticism, on the other hand, is that meaning in its bearing on something else (standards of value, present concerns, etc.), and this object may therefore may be called the significance of the text. If textual meaning itself could change, contemporary readers would lack a basis for agreement or disagreement. No one would bother seriously to discuss such a protean object. The interpreter has to distinguish what a text implies from what it does not imply; he must give the text its full due, but he must also preserve norms and limits. For hermeneutic theory, the problem is to find a principle for judging whether various possible implications should or should not be admitted. By classifying the text as belonging to a particular genre, the interpreter automatically posits a general horizon for its meaning. The genre provides a sense of the whole, a notion of typical meaning components. Thus, before we interpret a text, we often classify it as casual conversation, lyric poem, military command, scientific prose, occasional verse, novel, epic, etc. The interpreter's job is to specify the text's horizon as far as he is able, and this means, ultimately, that he must familiarize himself with the typical meanings of the author's mental and experiential world. Hermeneutics must stress the reconstruction of the author's aims and attitudes in order to evolve guides and norms for construing the meaning of the text. Ambiguity or, for that matter, vagueness is not the same as indeterminateness. This is the crux of the issue. To say that verbal meaning is determinate is not to exclude complexities of meaning but only to insist that a text's meaning is what it is and not a hundred other things. Taken in this sense, a vague or ambiguous text is just as determinate as a logical proposition; it means what it means and nothing else.
Working from a cultural studies perspective, author D. K. Smith here examines a broad range of medieval and Renaissance maps and literary texts to explore the effects of geography on Tudor-Stuart cultural perceptions. He argues that the literary representation of cartographically-related material from the late fifteenth to the early seventeenth century demonstrates a new strain, not just of geographical understanding, but of cartographic manipulation, which he terms, the cartographic imagination.
In Riches and Poverty, Donald Winch explores the implications of a fundamental and influential idea in political economy. Adam Smith's science of the legislator provided a key to studying the rich and poor in commercial societies, transformed an ancient debate on luxury and inequality, and furnished a basis for assessing the American and French revolutions. Against this background, Britain embarked on its career as the first manufacturing nation, and Malthus made his first contributions to a debate which concluded with the Poor Law Amendment Act of 1834. Malthus provoked fierce opposition from the Lake poets, opening an intellectual rift that persisted throughout the nineteenth century and continues to influence our perceptions of cultural history. Donald Winch has written a compelling and consistently-argued narrative of these developments, which emphasises throughout the moral and political bearings of economic ideas.
The late D. F. McKenzie worked on this comprehensive edition of the works of the playwright, poet, librettist, and novelist William Congreve for more than twenty years, until his sudden death in 1999. This was a task he had taken over from Herbert Davis, to whom this edition is dedicated. During that time McKenzie uncovered new verse and letters, collated Congreve's texts, recorded their complicated textual history, constructed appendices that shed light on the dramatic context in which Congreve worked, and examined how his contemporaries received Congreve's work. More importantly, McKenzie has convincingly re-evaluated Congreve's works and life to transform our image of the man and his reputation. McKenzie here follows the editorial practice suggested in two early editions of the Works published by Congreve's friend, the bookseller Jacob Tonson, in 1710 and 1719. These three volumes follow a plan similar to that in the Tonson edition, with The Old Batchelor, The Double-Dealer, and Love for Love collected in the first, a central volume with The Way of the World, and a final volume with Congreve's novel Incognita, some of his prose works, letters, and later verse. In each case, Congreve's work is left to speak for itself, unencumbered by intrusive notes, textual apparatus, or collations, which are gathered instead near the end of each volume. This edition will be an invaluable resource for scholars for many years to come. It is a monument to McKenzie's own scholarship as well as to the integrity of William Congreve.
Joys and Sorrows of Imaginary Persons is a literary approach to consciousness where Donald Wesling denies that emotion is the scandal or handmaid of reason—rather emotion is the co-creator with reason of human life in the world. Discoveries in neuro-science in the 1990s Decade of the Brain have proven that thinking and feeling are wrapped with each other, and regulate and fulfill each other. Accepting this co-creative equality, we reveal a new role for literature, or a traditional role we’ve repressed: literature as a set of processes in time where we’ve thought feeling through stories about the lives of imaginary persons. We need these stories in order to practice emotions for when we return to the world from reading. Donald Wesling argues that to be more accurate in our dealings with stories, we require a grammar of this new recognition, where we build up traditional stylistics by a more careful tracking of emotion-states as these are set into writing. The first half of Joys and Sorrows of Imaginary Persons offers a creative stock-taking of the current state of scholarship on emotion, based on wide reading in several fields. The second half gives three focused studies, rich in examples, of emotion as cognition, as story, and as historical structure of feeling.
For more than thirty years, the acclaimed novelist Shirley Hazzard and the renowned scholar of Japanese literature Donald Keene maintained a remarkable epistolary friendship. Brought together by the death of a mutual friend in the late 1970s, they discovered a profound connection built on mutual affinities for literature and culture and common values of humanism and cosmopolitanism. Expatriates of No Country presents Hazzard and Keene’s correspondence, offering readers a new and intimate perspective on the work and achievements of these towering figures. Both left behind their countries of birth, and they shared experiences of displacement, estrangement, and fashioning new lives and selves in adopted homelands. Hazzard, who departed from Australia as a teenager without completing her formal education, led an expatriate life in New York and Italy as she attained literary fame. Keene, a pacifist who served as an intelligence officer in the U.S. Navy during World War II, devoted himself to the literature and culture of Japan, where he became revered. Their erudite and elegantly written letters trace the larger story of their friendship, finding striking overlaps between their distinctive worlds. Recording a vanished way of literary and intellectual life, Expatriates of No Country casts a new light on two extraordinary people through their unlikely connection.
The essays turn about a single theme, the loss of the capacity to deal constructively with ambiguity in the modern era. Levine offers a head-on critique of the modern compulsion to flee ambiguity. He centers his analysis on the question of what responses social scientists should adopt in the face of the inexorably ambiguous character of all natural languages. In the course of his argument, Levine presents a fresh reading of works by the classic figures of modern European and American social theory—Durkheim, Freud, Simmel and Weber, and Park, Parsons, and Merton.
First published in 1961, this book examines a number of works popular in the Romantic period, during the heyday of Sir Walter Scott in the early part of the nineteenth century. Encompassing works by the likes of Alexander Pushkin, Sir Walter Scott, Adam Mickiewicz and James Fenimore Cooper, this is also a meditation on the nature of Romanticism and its enduring value, as expressed in the novel form. Donald Davie also considers the meaning and importance of 'plot' and of 'realism'.
Part III, "The Terrain of Literature," features Greene's examination of a variety of literary approaches to literature in an era when the subject needs to be referred as well to cognitive science as more conventional critical modes, even deconstruction, that have long defined it. Additionally, he illuminates important works by writers as various as Jane Austen and Evelyn Waugh. These essays, as well as the book as a whole, are framed here by Greene's assessment of Canadian literature that calls attention to the native terrain that he originally called home and how the latter contributed to the making of one of the most cosmopolitan scholars of his era."--Jacket.
This is the first book to examine in full the interconnections between Giambattista Vico’s new science and James Joyce’s Finnegans Wake. Maintaining that Joyce is the greatest modern “interpreter” of Vico, Donald Phillip Verene demonstrates how images from Joyce’s work offer keys to Vico’s philosophy. Verene presents the entire course of Vico’s philosophical thought as it develops in his major works, with Joyce’s words and insights serving as a guide. The book devotes a chapter to each period of Vico’s thought, from his early orations on education to his anti-Cartesian metaphysics and his conception of universal law, culminating in his new science of the history of nations. Verene analyzes Vico’s major works, including all three editions of the New Science. The volume also features a detailed chronology of the philosopher’s career, historical illustrations related to his works, and an extensive bibliography of Vico scholarship and all English translations of his writings.
What if there is no such thing as a real passage of time? What differences would this idea make for our conception of the world and of our lives in the world? Donald A. Crosby’s Primordial Time: Its Irreducible Reality, Human Significance, and Ecological Import defends the objective, underived reality of time and its crucial existential significance on the basis of the essential role of the qualitative, inner experiences of the passage of time and with a variety of other scientific and philosophical arguments concerning time. He also explores the urgent reality of time in relation to the ecological crisis of our day.
Donald Theall explores and explains the significance of the emergence of McLuhan as an important figure in North America in the development of an understanding of culture, communication, and technology. He reveals important information about McLuhan and his relationships with his earliest collaborator and life-long friend, anthropologist Edmund Carpenter, as well as with Theall himself, McLuhan's first doctoral student. McLuhan emerges as a complex human being, at once attractive, witty, egotistic, and exasperating. Theall examines McLuhan's many roles - proponent of a poetic method; pop guru adopted by Tom Wolfe, Woody Allen and others; North American precursor of French theory (Baudrillard, Barthes, Derrida, Deleuze); artist; and shaman. Complex and intellectual, neither uncritical adulation nor demonization, The Virtual Marshall McLuhan does justice to a unique figure caught in a struggle between tradition and modernity, between faith and anarchy.
The author formulates here the existence of an anxiety apparatus whose functioning is a part of the ego and the personality structure and illustrates how in attacking this apparatus the ego is attacking itself. An example is given of the workings of the death instinct, and a differentiation is made between the ego's defence mechanisms and other pathological character devices.
This unique, single-source reference offers a thorough treatment of the remediation of soils contaminated by hazardous wastes and the scientific and engineering issues that must be addressed in creating practical solutions for their reclamation.
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