Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.
This is the first book to consider John Dewey’s early philosophy on its own terms and to explicate its key ideas. It does so through the fullest treatment to date of his youthful masterwork, the Psychology. This fuller treatment reveals that the received view, which sees Dewey’s early philosophy as unimportant in its own right, is deeply mistaken. In fact, Dewey’s early philosophy amounts to an important new form of idealism. More specifically, Dewey’s idealism contains a new logic of rupture, which allows us to achieve four things: • A focus on discontinuity that challenges all naturalistic views, including Dewey’s own later view; • A space of critical resistance to events that is at the same time the source of ideals; • A faith in the development of ideals that challenges pessimists like Schopenhauer and Nietzsche; and • A non-traditional reading of Hegel that invites comparison with cutting-edge Continental philosophers, such as Adorno, Derrida, and Zizek, and even goes beyond them in its systematic approach; In making these discoveries, the author forges a new link between American and European philosophy, showing how they share similar insights and concerns. He also provides an original assessment of Dewey’s relationship to his teacher, George Sylvester Morris, and to other important thinkers of the day, giving us a fresh picture of John Dewey, the man and the philosopher, in the early years of his career. Readers will find a wide range of topics discussed, from Dewey’s early reflections on Kant and Hegel to the nature of beauty, courage, sympathy, hatred, love, and even death and despair. This is a book for anyone interested in the thought of John Dewey, American pragmatism, Continental Philosophy, or a new idealism appearing on the scene.
A man of many film firsts, James Stuart Blackton promoted motion pictures as a mass commercial medium by creating the first true movie studio, adopting the star system, pioneering film animation, and publishing Motion Picture Magazine, one of the first film periodicals. As much of a seminal figure to the film industry as Thomas Edison and D.W. Griffith, James Stuart Blackton nonetheless remains unknown to most film enthusiasts and even many cinema scholars. In Buccaneer: James Stuart Blackton and the Birth of American Movies Donald Dewey recounts the drama, intrigue, and romance of this motion picture trailblazer. A gifted director, producer, and founder of Vitagraph studios, Blackton’s personal escapades were nearly as dramatic as his contributions to the medium he helped establish. Decades ahead of his time, Blackton also played a critical role in propagating war-time sentiment during both the Spanish-American War and World War I and was an influence on such key historical figures as Theodore Roosevelt. A fascinating look into the life of a truly distinguished filmmaker, Buccaneer narrates the volatile world of the early motion picture industry, as influenced by a man whose own story rivaled anything on screen. A must read for film lovers, this book will also prove to be invaluable to readers with an interest in American history.
Without Ray Arcel (1899-1994), the 20th century world of boxing would have been markedly different. The credibility of it as a sport would have been greatly lessened. Arcel's prominence is all the more interesting because he made his mark not as a fighter, promoter, or manager, but as a trainer. From Benny Leonard to Roberto Duran and Larry Holmes, Arcel stood in the corner for champions of every weight division that existed in his lifetime, a record that remains unequalled. This biography chronicles Arcel's life inside the ring--and outside, where he was a highly secretive man who maintained relationships with some of the chief mob figures of his day. Through a wealth of information from Arcel's unpublished memoir, this work offers an extraordinary portrait of one of boxing's most influential and enigmatic figures.
In this penetrating and riveting biography of one of Hollywood's most beloved screen icons, Donald Dewey probes beneath Jimmy Stewart, the conservative image and ideal, to reveal James Stewart, the actor and the man. Through hundreds of interviews and in-depth analysis of his seventy-five films, the author assesses how the Hollywood man-about-town of the 1930's and 40's - Stewart's lovers included Ginger Rogers, Olivia de Havilland and Marlene Dietrich - became the epitome of American family values who remained married for forty-five years; and how the studio-bred, effervescent star of It's a Wonderful Life developed into the brilliant actor whose performances in films such as Vertigo and Shenandoah exposed a vulnerability unseen in his personal relationships. With many insights into the turmoil of his private life, the artistry behind his cinematic craft and his heroic military record in the Second World War, Dewey gives us much more than a legend to love.
The 26th Player is the long-awaited account of the most colorful population within America's pastime, the fans: Season-ticket holders and impulse ticket buyers, gamblers and groupies, the radio audience of Red Barber and Vin Scully, obsessive collectors, even some of the executives and players themselves. All have invested their dollars and passions in a sport that has sometimes repaid them in spades and at other times broken their hearts. The interplay among owners, teams, individual players, and the folks in the seats is laid out in vivid and highly entertaining detail. Its characters—from Brooklyn's Hilda Chester with her clanging cowbell to Margo Adams with her palimony suit—sit everywhere from the center field bleachers to the luxury boxes behind home plate. Its plot reveals how the game's entrepreneurs have repeatedly done their utmost to sabotage their own industry while the fan response has been consistently inconsistent. The fan reaction to the Black Sox scandal, America's adoration of Babe Ruth, white baseball's reception of Jackie Robinson, the 1981 players' strike, and the internationalization of the game all are part of this rich and varied history that every fan of baseball has had a hand in creating.
For many of his theater contemporaries, Lee J. Cobb (1911–1976) was the greatest actor of his generation. In Hollywood he became the definitive embodiment of gangsters, psychiatrists, and roaring lunatics. From 1939 until his death, Cobb contributed riveting performances to a number of films, including Boomerang, On the Waterfront, The Brothers Karamazov, 12 Angry Men, and The Exorcist. But for all of his conspicuous achievements in motion pictures, Cobb’s name is most identified with the character Willy Loman in the original stage production of Arthur Miller’s Death of a Salesman (1949). Directed by Elia Kazan, Cobb’s Broadway performance proved to be a benchmark for American theater. In Lee J. Cobb: Characters of an Actor, Donald Dewey looks at the life and career of this versatile performer. From his Lower East Side roots in New York City—where he was born Leo Jacob—to multiple accolades on stage and the big and small screens, Cobb’s life proved to be a tumultuous rollercoaster of highs and lows. As a leading man of the theater, he gave a number of compelling performances in such plays as Golden Boy and King Lear. For the Hollywood studios, Cobb fit the description of the “character actor.” No one better epitomized the performer who suddenly appears on the screen and immediately grabs the audience’s attention. During his forty-five-year career, there wasn’t a significant star—from Humphrey Bogart and James Stewart to Paul Newman and Clint Eastwood—with whom he didn’t work. Cobb was also followed by controversy: he appeared before the House Un-American Activities Committee in the 1950s and was a witness to a movie-set murder case in the 1970s. Through it all, he never lost his taste for fast cars and gin rummy. A bear of a man with a voice that equally accommodated growls and sibilant sympathies, Cobb was undeniably an actor to be reckoned with. In this fascinating book, Dewey captures all of the drama that surrounded Cobb, both on screen and off.
As America lurched into the twentieth century, its national pastime was afflicted with the same moral malaise that was enveloping the rest of the nation. Players regularly bet on games, games were routinely fixed, and league politics were as dirty as the base paths. Against this backdrop, Hal Chase emerged as one of the game's greatest players and also as one of its most scandalous characters. With charisma and bravado that earned him the nickname The Prince, Chase charmed his way across America, spinning lies in the afternoon, dealing high-stakes poker at night, and gambling with beautiful women until dawn. Most notoriously of all, he undermined his stature as the era's greatest first baseman by conniving with gamblers to fix games and draw teammates into his diamond conspiracies. But as Donald Dewey and Nicholas Acocella reveal in their groundbreaking biography, The Black Prince of Baseball, Chase was also a scapegoat for baseball notables with hands even dirtier than his. These included league officials who ignored facts in an attempt to pin the 1919 Black Sox scandal on him and--a previously unknown twist--the fabled John McGraw, who perjured himself on a witness stand against the first baseman. Although Chase, contrary to popular belief, was never banned from the major leagues, meticulous research by the authors implicates him in other shady enterprises as well, not least an attempt to blackmail revivalist Aimee Semple McPherson. As The Black Prince of Baseball makes clear, in his protean talents and larcenies, Hal Chase personified all the excesses of Ragtime.
In "Lectures on Ethics, 1900-1901," " "Donald F. Koch supplies the only extant complete transcription of the annual three-course sequence on ethics John Dewey gave at the University of Chicago. In his introduction Koch argues that these lectures offer the best systematic, overall introduction to Dewey's approach to moral philosophy and are the only account showing the unity of his views in nearly all phases of ethical inquiry. These lectures are the only work by Dewey to set forth a complete theory of moral language. They offer a clear illustration of the central methodological questions in the development of a pragmatic instrumentalist ethic and the actual working out of the instrumentalist approach as distinct from simply presenting it as a conclusion.
In a special collector's edition format, this revised edition of The New Biographical History of Baseball presents updated statistical research to create the most accurate picture possible of the on-field accomplishments of players from earlier eras. It offers original summaries of the personalities and contributions of over 1,500 players, managers, owners, front office executives, journalists, and ordinary fans who developed the great American game into a national pastime. Each individual included has had an impact on the sport as mass entertainment or as a cultural phenomenon, and as an athletic art or a business enterprise. Also included are first-time entries on players like Sammy Sosa and Albert Belle, and expanded entries for such players as Mark McGwire and Barry Bonds. This special resource for fans of baseball reflects the breakout talent and enduring fan favorites from all eras of the historic game.
Paul Finley Mysteries Book Five Private investigator Paul Finley travels to an upstate New York town with his father-in-law at the urgent request of one of the latter’s former students. They come up against not only two murders and a fatal fire, but a government-sponsored project responsible for all the mayhem. Then Finley discovers something even worse.
Paul Finley Mysteries Book Six Private investigator Paul Finley receives a packet of old police reports from a former colleague. Most of the reports describe cases that have been squashed or sidetracked for power interests. One of them questions the accidental death of Finley’s wife and daughter some years earlier. Before Finley can go back to the source of the reports, the man dies. What follows is a quagmire of a homicide dressed up as suicide, a fanatical religious group, an old-time gang boss, and Finley’s gradual re-immersion in nightmares that he had thought overcome.
Private investigator Paul Finley is hired by an academic for the overtly simple task of returning films shot by an associate of his client in Paris more than 30 years earlier. But the contacts he is given for returning the films begin dying in various ways, including homicide and cancer. Then the client himself commits suicide. Even worse for Finley, Homeland Security agents move in to get their hands on the films.
Ten Days that Shook the World of Education: A Close Look at the People who Facilitated Educational Change focuses on the critical moments that changed the course of our unique educational experiment. These important incidents reveal how everyday people such as Jean Jacque Rousseau, Joseph Lancaster, Emma Willard, Horace Mann, William McGuffey, John Dewey, W.E.B. DuBois, Horace Mann Bond, Thurgood Marshall, and the kids at Parkland High School did extraordinary things and took a stand against injustice to change educational history. By centering our attention on individuals who faced seemingly insurmountable obstacles and then acted to challenge them, we offer a more personal perspective on what has been called the greatest social experiment of man.
Anybody can star in a motion picture, write a Tony-Award-winning play, gain fame as a great jazz pianist, promote a Sudanese rock singer, supply the words for one of America's greatest songwriters, and cause an international crisis among the United States, Soviet Union, and China. Well, ... maybe not anybody. CONTENTS: Mosquitoes and Tortoises -- How to become 15-feet tall without leaving your orchestra seat. Blind Newsy Sees -- Running a newsstand can be show business, too. The Jazz Pianist and the Misanthrope -- Not every good boy does fine. The New Jugglers -- Ed Sullivan, Arthur Godfrey, and prime time modesty. On the Road to Big City Politics -- Jack Kerouac defeats Soviet tanks. Skin Deeper -- Naked nights with Ingmar Bergman. Balloon Man -- Sometimes short subjects aren't short enough. The Guy and the Doll -- Louie and Lorna put on a show. The Missing Times Square -- When the New York hub wasn't theater, porno houses, or Disneyland. At Sea -- Crossing the Atlantic for new anonymity. To Be and Not to Be -- Ben Webster, Roy Eldridge, Sudanese rockers, and other swingers in Denmark. Bed and Board -- Waiting anxiously for Bette Davis. Provocative Sources -- All the non-news that's fit to print. CIA-The Secret Story -- Exposing Italy's foreign ties. Agents, Double Agents, and Just Double-crossers -- Expect nothing and you may be lucky enough to get it. Finding Direction -- When the play isn't the thing.
Why do smokers claim that the first cigarette of the day is the best? What is the biological basis behind some heavy drinkers' belief that the "hair-of-the-dog" method alleviates the effects of a hangover? Why does marijuana seem to affect ones problem-solving capacity? Intoxicating Minds is, in the author's words, "a grand excavation of drug myth." Neither extolling nor condemning drug use, it is a story of scientific and artistic achievement, war and greed, empires and religions, and lessons for the future. Ciaran Regan looks at each class of drugs, describing the historical evolution of their use, explaining how they work within the brain's neurophysiology, and outlining the basic pharmacology of those substances. From a consideration of the effect of stimulants, such as caffeine and nicotine, and the reasons and consequences of their sudden popularity in the seventeenth century, the book moves to a discussion of more modern stimulants, such as cocaine and ecstasy. In addition, Regan explains how we process memory, the nature of thought disorders, and therapies for treating depression and schizophrenia. Regan then considers psychedelic drugs and their perceived mystical properties and traces the history of placebos to ancient civilizations. Finally, Intoxicating Minds considers the physical consequences of our co-evolution with drugs -- how they have altered our very being -- and offers a glimpse of the brave new world of drug therapies.
The Fantasy League Murders When private investigator Paul Finley is hired to find a missing teenager who turns up dead, he comes up against the powers-that-be in a rich Long Island community who have a problem distinguishing sex and murder from their fantasy baseball games. The Bolivian Sailor A newly-arrived Bolivian seaman is found murdered in a New York roach motel. An address book found on his body lists private investigator Paul Finley as one of only three American contacts. Finley's first problem is that he doesn't know any Bolivians; his second is that the other two people in the address book have also turned up dead.
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