The Lighthouse Fire is a sequel to the Lighthouse Library and is another adventure of ten-year-old Rocky Linfield. It was October of 1952 when ten-year-old Millie Harris moved in with the Linfield family, who ran the lighthouse in Crafton, Maine. Millies stay was to be temporary while her parents delivered a yacht to the Bahamas. Millie was told by an FBI agent, her half-sister, that her parents had been kidnapped, but no ransom demands had been made. A second yacht with CIA agents aboard was being sent to the Bahamas to investigate. Millie felt it was her duty to help, but she could not do it alone. She recruited Rocky to join her, and they became stowaways on the yacht. When they got to the islands, the youngsters discovered the reason for the kidnapping and received help from Pinky, a native Bahamian who worked for the United States Navy during World War II by watching for Nazi submarines. Suffering attacks with a grenade, flares, a scouting knife, and Rockys slingshot, the kidnappers paid for their crimes.
This witty and fascinating study reminds us that there was animation before Disney: about thirty years of creativity and experimentation flourishing in such extraordinary work as Girdie the Dinosaur and Felix the Cat. Before Mickey, the first and only in-depth history of animation from 1898-1928, includes accounts of mechanical ingenuity, marketing and art. Crafton is equally adept at explaining techniques of sketching and camera work, evoking characteristic styles of such pioneering animators as Winsor McCay and Ladislas Starevitch, placing work in its social and economic context, and unraveling the aesthetic impact of specific cartoons. "Before Mickey's scholarship is quite lively and its descriptions are evocative and often funny. The history of animation coexisted with that of live-action film but has never been given as much attention."—Tim Hunter, New York Times
“Donald Crafton, our lively guide, shows us around a Tooniverse populated by performers, not just images, who engage us in all the ways their flesh-and-blood counterparts do, and then some. Taking classical animation as his terrain, Crafton nevertheless pushes ongoing discussions of performance, liveness, and corporeality in the directions in which they need to go if they are to help us describe and navigate our increasingly virtual worlds.” Philip Auslander, author of Liveness: Performance in a Mediatized Culture "Every once in a while a book comes along that marks a transformational point in its discipline. Such a book is Donald Crafton's Shadow of a Mouse. Crafton skillfully draws together theoretical sources, animation history, technological development, and social analysis, deftly weaving together thinkers from Disney to Deleuze and Sito to Stanislavsky. The result is a substantial rethinking of animation that will reshape traditional approaches to the medium. Crafton's magisterial grasp of theory and history is livened by a true fan's passion for the subject and a keen sense of humor. Shadow of a Mouse is a must-read for anyone with an interest in performance, embodiment, popular culture, race, or reception." Mark Langer, Associate Professor of Film Studies, Carleton University
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.
Rocky Linfield and Jerry Morgan have both lost their fathers in war. In 1952, they meet in the small coastal town of Crafton, Maine, and become best friends pitted against spies seeking information about the first US nuclear submarine. The story begins with Rocky and Susan, Rockys younger sister, selling books to Mr. Waicukauski, who runs the lighthouse and the library. The youngsters are visiting their grandmother, Martha Makler, in Crafton a few weeks before school starts. The adventure takes the boys and their families into the backwoods of Maine and armed confrontation with the spies.
The third volume in the author's Horror and Science Fiction Films series covers new titles released from 1981 to 1983, and updates entries in the original list.
A masterful work by Pulitzer Prize–winning author David Herbert Donald, Lincoln is a stunning portrait of Abraham Lincoln’s life and presidency. Donald brilliantly depicts Lincoln’s gradual ascent from humble beginnings in rural Kentucky to the ever-expanding political circles in Illinois, and finally to the presidency of a country divided by civil war. Donald goes beyond biography, illuminating the gradual development of Lincoln’s character, chronicling his tremendous capacity for evolution and growth, thus illustrating what made it possible for a man so inexperienced and so unprepared for the presidency to become a great moral leader. In the most troubled of times, here was a man who led the country out of slavery and preserved a shattered Union—in short, one of the greatest presidents this country has ever seen.
The massive dams of the American West were designed to serve multiple purposes: improving navigation, irrigating crops, storing water, controlling floods, and generating hydroelectricity. Their construction also put thousands of people to work during the Great Depression. Only later did the dams’ baneful effects on river ecologies spark public debate. Big Dams of the New Deal Era tells how major water-storage structures were erected in four western river basins. David P. Billington and Donald C. Jackson reveal how engineering science, regional and national politics, perceived public needs, and a river’s natural features intertwined to create distinctive dams within each region. In particular, the authors describe how two federal agencies, the Army Corps of Engineers and the Bureau of Reclamation, became key players in the creation of these important public works. By illuminating the mathematical analysis that supported large-scale dam construction, the authors also describe how and why engineers in the 1930s most often opted for massive gravity dams, whose design required enormous quantities of concrete or earth-rock fill for stability. Richly illustrated, Big Dams of the New Deal Era offers a compelling account of how major dams in the New Deal era restructured the landscape—both politically and physically—and why American society in the 1930s embraced them wholeheartedly.
It’s August in Alaska, and geology professor Jack Oswald prepares for the new school year. But when hundreds of huge holes mysteriously appear overnight in the frozen tundra north of the Arctic Circle, Jack receives an unexpected phone call. An oil company exec hires Jack to investigate, and he picks his climatologist wife and two of their graduate students as his team. Uncharacteristically, Jack also lets Aileen O’Shannon, a bewitchingly beautiful young photojournalist, talk him into coming along as their photographer. When they arrive in the remote oil town of Deadhorse, the exec and a biologist to protect them from wild animals join the team. Their task: to assess the risk of more holes opening under the Trans-Alaska Pipeline and the wells and pipelines that feed it. But they discover a far worse danger lurks below. When it emerges, it threatens to shatter Jack’s unshakable faith in science. And destroy us all....
When hundreds of huge holes mysteriously appeared overnight in the frozen tundra north of the Arctic Circle, geologist Jack Oswald picked Angele Menendez, his climatologist wife, to determine if the record temperatures due to climate change was the cause. But the holes were not natural. They were unnatural portals for an invading army of demons. Together with Aileen O'Shannon, a 1,700-year-old sorceress demon-hunter, the three survivors of the research team sent to study the holes had only one chance: to flee down the dangerous Dalton Highway towards the relative safety of Fairbanks. However, the advancing horde of devils, imps, hellhounds, and gargoyles will stop at nothing to prevent their prey from escaping. It is a 350-mile race with simple rules. Win and live; lose and die...
Fifteen-year-old Matt Mitchell was having the worst summer imaginable. His misery started when his mother died in a senseless car accident. Unable to remain in the family's memory-filled seaside cottage, Matt's grieving father moved Matt and his twin sister as far as possible from the ocean they loved. But their relocation to the small town of Hawthorne, Indiana only made Matt's life more difficult. Three bullies at his new high school dedicated themselves to making him miserable. To top it off, Matt heard that the recluse living in the dilapidated Victorian mansion next door was none other than Old Lady Hawthorne, the town's infamous witch and murderer of wayward husbands. When Old Lady Hawthorne's niece and her three children moved in next door, something extraordinary happened. Matt met Gerallt, the strange boy destined to become his best friend. And when Gerallt divulged the Hawthorne's family secret, it changed Matt's life forever. The Secrets of Hawthorne House is the story of an unlikely friendship, the clash of two radically different cultures, secret magic, and a search for the lost Hawthorne treasure.
A man of many film firsts, James Stuart Blackton promoted motion pictures as a mass commercial medium by creating the first true movie studio, adopting the star system, pioneering film animation, and publishing Motion Picture Magazine, one of the first film periodicals. As much of a seminal figure to the film industry as Thomas Edison and D.W. Griffith, James Stuart Blackton nonetheless remains unknown to most film enthusiasts and even many cinema scholars. In Buccaneer: James Stuart Blackton and the Birth of American Movies Donald Dewey recounts the drama, intrigue, and romance of this motion picture trailblazer. A gifted director, producer, and founder of Vitagraph studios, Blackton’s personal escapades were nearly as dramatic as his contributions to the medium he helped establish. Decades ahead of his time, Blackton also played a critical role in propagating war-time sentiment during both the Spanish-American War and World War I and was an influence on such key historical figures as Theodore Roosevelt. A fascinating look into the life of a truly distinguished filmmaker, Buccaneer narrates the volatile world of the early motion picture industry, as influenced by a man whose own story rivaled anything on screen. A must read for film lovers, this book will also prove to be invaluable to readers with an interest in American history.
After exploring several aspects of the craft of homily, How to Listen to a Sermon explains how listening to a sermon is different from attending to other forms of public address. This view presupposes a distinctive understanding of the sermonic or preaching event and this is illustrated by two homiletical assemblies --- for "ordinary time" and for "extraordinary times." These sermons exemplify the author's concern that public religious speech be done with care and with scholarly attention to biblical texts. These anthologies are framed autobiographically with "Honoring the Gospel" at the beginning, and with "Living an Epiphany" at the end.
The latest offering from the Reference Guides to the World's Cinema series, this critical survey of key films, actors, directors, and screenwriters during the silent era of the American cinema offers a broad-ranging portrait of the motion picture production of silent film. Detailed but concise alphabetical entries include over 100 film titles and 150 personnel. An introductory chapter explores the early growth of the new silent medium while the final chapter of this encyclopedic study examines the sophistication of the silent cinema. These two chapters outline film history from its beginnings until the perfection of synchronized sound, and reflect upon the themes and techniques established with the silent cinema that continued into the sound era through modern times. The annotated entries, alphabetically arranged by film title or personnel, include brief bibliographies and filmographies. An appendix lists secondary but important movies and their creators. Film and popular culture scholars will appreciate the vast amount of information that has been culled from various sources and that builds upon the increased studies and research of the past ten years.
Donald Kirihara examines in extraordinary detail the brilliant early works of one of the world's great film directors, offering an in-depth analysis of his career. Kirihara's exploration of Mizoguchi within his national and cultural context marks a new step forward in the integration of film theory, historical research, and auteur criticism.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.
They always win the halftime. Members of the Fightin' Texas Aggie Band, embodying the spirit, camaraderie, and excellence of the school they represent, have marched and played proudly for one hundred years. Here is the story of the music, the precision, the tradition of that exceptional band. Illustrated with 121 black and white photographs and eight pages of color pictures of bands and band members past and present, this lively history pays tribute to the bandmasters and musicians who have made the organization the pulse of the spirit of Aggieland. Organized around the tenure of its founder, Joseph Holick, and its directors--Richard J. Dunn, E. V. Adams, Joe T. Haney, and Ray E. Toler, the men who became "The Colonel" to generations of Aggie Band members--the book marches through a century of tradition and excellence. From the birth of the band, through the development of its marching style and its stirring, distinctive music, to its most recent triumphs of precision maneuvers and military music, the story is as bold and bright as the band itself. War years, fish bands, boots, band lyres, corps trips, parades, and other traditions known and loved by former band members and other former students of Texas A&M University fill the book's pages. An appendix lists all of the band's seven thousand-plus present and former members. This is a story of the determination, discipline, and enduring pride that rests deep in the heart of those young men and women who have been tough enough, proud enough, and good enough to be "The Noble Men of Kyle.
Few units in the U.S. Army can boast as proud a unit history as the Third Infantry Division; it fought on all of the Europe and North African fronts that American soldiers were engaged against the Axis forces during World War II. The 3rd Infantry Division saw combat in North Africa, Sicily, Italy, France, Germany and Austria for 531 consecutive days. In this official division history written by the officers who served with the unit at the time serves as a fascinating memorial and a detailed history of the “Marne Division” during World War II. The 3rd Inf. Division made landfall in Fedala on the 8th November 1942 as part of Operation Torch during the Allied invasion of North Africa and was engaged in heavy fighting before the German and Italian troops were finally levered out of the continent. The division was back in the thick of the fighting in Sicily under the command of such famous leaders as Generals Lucien Truscott, Omar Bradley and George S. Patton. As part of General Mark Clark’s U.S. Fifth army it engaged in some of the bloodiest engagements of the Italian campaign at Salerno beaches, Volturno river, Monte Cassino and Anzio. Under their old division commander General Truscott they formed part of the force that landed in Southern France and battled into the heart of Germany before the eventual capitulation of the Nazi High command in 1945. Richly illustrated with maps and pictures throughout.
This is the definitive biography of Emile Cohl (1857-1938), one of the most important pioneers of the art of the animated cartoon and an innovative contributor to popular graphic humor at a critical moment when it changed from traditional caricature to the modern comic strip. This profusely illustrated book provides not only a wealth of information on Cohl's life but also an analysis of his contribution to the development of the animation film in both France and the United States and an interpretation of how the new genre fit into the historical shift from a "primitive" to a "classical" cinema. "Beautiful in look and design, with stunning reproductions from films and newspapers, Emile Cohl, Caricature, and Film offers a biography of a figure who virtually created the European art of animation... In its theory and history, the book is one of the most important contributions to [the field of animated film]. But [it] is central for film study per se, offering a fresh, exciting look at the complicated world of early cinema."--Dana Polan, Film Quarterly Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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