Paris, Berlin, London, Singapore, New York, Chicago, Los Angeles -- these define "the city" in the world's consciousness. James Donald takes us on a psychic journey to these places that have inspired artists, writers, architects, and filmmakers for centuries. Considering the cultural and political implications of the "urban imaginary, " Donald explores the pleasures and challenges of modern living, contending that the imagined city remains the best lens for a future of democratic community. How can we think of Chicago without recalling the grittiness of The Asphalt Jungle's back alleys, or of London without the dank, foggy atmosphere so often evoked by Dickens? When de Certeau explores what it means to walk through a city, or Foucault dissects the elements of the modern attitude, what are they telling us about modernity itself? Through a discussion of these and many other questions about urban thought, Donald demonstrates how artists and social critics have seen the city as the locus not just of vanity, squalor, and injustice, but also of civilized society's highest aspirations. Imagining the modern City also looks at how artists have shaped cities through their creation of public spaces, sculpture, and architecture -- art forms that help determine our ideas about our place in the urban environment. Planners and architects such as Otto Wagner, Le Corbusier, and Bernard Tschumi present us with real and possible cities, showing a way forward to alternative social futures, Donald asserts. The modern city provides both a culturally resonant imagined space and a physical place for the everyday life of its residents. Imagining the Modern City is a rich and dazzling exploration of theways cities stir and shape our consciousness.
The doctrine of papal infallibility is a central tenet of Roman Catholicism, and yet it is frequently misunderstood by Catholics and non-Catholics alike. Much of the present-day theological discussion points to the definition of papal infallibility made at Vatican I in 1870, but the origins of the debate are much older than that. In Certain Sainthood, Donald S. Prudlo traces this history back to the Middle Ages, to a time when Rome was struggling to extend the limits of papal authority over Western Christendom. Indeed, as he shows, the very notion of papal infallibility grew out of debates over the pope's authority to canonize saints.Prudlo's story begins in the twelfth and thirteenth centuries when Rome was increasingly focused on the fight against heresy. Toward this end the papacy enlisted the support of the young mendicant orders, specifically the Dominicans and Franciscans. As Prudlo shows, a key theme in the papacy's battle with heresy was control of canonization: heretical groups not only objected to the canonizing of specific saints, they challenged the concept of sainthood in general. In so doing they attacked the roots of papal authority. Eventually, with mendicant support, the very act of challenging a papally created saint was deemed heresy.Certain Sainthood draws on the insights of a new generation of scholarship that integrates both lived religion and intellectual history into the study of theology and canon law. The result is a work that will fascinate scholars and students of church history as well as a wider public interested in the evolution of one of the world’s most important religious institutions.
The European system of human rights protection faces institutional and political pressures which threaten its very survival. These institional pressures stem from the backlog of applications before the European Court of Human Rights, the large number of its judgments that remain unimplemented, and the political pressures that arise from sustained attacks on the Court's legitimacy and authority, notably from politicians and jurists in the United Kingdom. This book addresses the theme which lies at the heart of these pressures: the role of national parliaments in the implementation of judgments of the Court. It combines theoretical and empirical insights into the role of parliaments in securing domestic compliance with the Court's decisions, and provides detailed investigation of five European states with differing records of human rights compliance and parliamentary mobilisation: Ukraine, Romania, the United Kingdom, Germany, and the Netherlands. How far are parliaments engaged in implementation, and how far should they be? Do parliaments advance or hinder human rights compliance? Is it ever justifiable for parliaments to defy judgments of the Court? And how significant is the role played by the Parliamentary Assembly of the Council of Europe? Drawing on the fields of international law, international relations, political science, and political philosophy, the book argues that adverse human rights judgments not only confer obligations on parliamentarians but also create opportunities for them to develop influential interpretations of human rights and enhance their own democratic legitimacy. It makes an authoritative contribution to debate about the future of the European and other supranational human rights mechanisms and the broader relationship between democracy, human rights, and legitimate authority.
The swastika () (Sanskrit: ? ?M ?5 ?8 ?M ?$ ?? ??) is an equilateral cross with four arms bent at 90 degrees. The earliest archaeological evidence of swastika-shaped ornaments dates back to the Indus Valley Civilization, Ancient India as well as Classical Antiquity. Swastikas have also been used in various other ancient civilizations around the world. It remains widely used in Indian religions, specifically in Hinduism, Buddhism, and Jainism, primarily as a tantric symbol to evoke shakti or the sacred symbol of auspiciousness. The word "swastika" comes from the Sanskrit svastika - "su" meaning "good" or "auspicious," "asti" meaning "to be," and "ka" as a suffix. The swastika literally means "to be good". Or another translation can be made: "swa" is "higher self", "asti" meaning "being", and "ka" as a suffix, so the translation can be interpreted as "being with higher self". In East Asia, the swastika is a Chinese character, defined by Kangxi Dictionary, published in 1716, as "synonym of myriad, used mostly in Buddhist classic texts", by extension, the word later evolved to represent eternity and Buddhism. The symbol has a long history in Europe reaching back to antiquity. In modern times, following a brief surge of popularity as a good luck symbol in Western culture, a swastika was adopted as a symbol of the Nazi Party of Germany in 1920, who used the swastika as a symbol of the Aryan race. After Adolf Hitler came to power in 1933, a right-facing 45° rotated swastika was incorporated into the Nazi party flag, which was made the state flag of Germany during Nazism. Hence, the swastika has become strongly associated with Nazism and related ideologies such as fascism and white supremacism in the Western world, and is now largely stigmatized there due to the changed connotations of the symbol. Notably, it has been outlawed in Germany and other countries if used as a symbol of Nazism in certain instances . Many modern political extremists and Neo-Nazi groups such as the Russian National Unity use stylized swastikas or similar symbols."--Wikipedia.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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