Written and assembled by three leading critics and curators, Donald Albrecht, Ellen Lupton, and Steven Skov Holt, the book explores the design artifacts and practices that will define the twenty-first century."--BOOK JACKET.
During the late 1920s and early 1930s, architectural photographer Samuel H. Gottscho created a portrait of New York as a modern metropolis. This book presents more than 170 images of the city and provides a window to New York architecture and design of that era.
I believe in doing the thing you feel is right. If it looks right, it is right. Dorothy Draper Dorothy Draper's bold, trendsetting designs defined American interior style from 1930 to 1950 and continue to influence designers today. A quintessential New
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.
Some of Alfred Music's finest writers have contributed to this special collection, which includes carol arrangements, famous texts, masterwork melodies, and original songs. Find selections for holiday concerts, winter recitals, church services, and community events in this useful volume of songs. Titles: * Blessings of the Season * Carol of the Star * December’s Keep * From an Irish Cabin * The Icy December * Jonathan’s Bell Carol * A Midwinter Carol * Prelude to Bethlehem * The Season of Love * Under Winter Moon
Some of Alfred Music's finest writers have contributed to this special collection, which includes carol arrangements, famous texts, masterwork melodies, and original songs. Find selections for holiday concerts, winter recitals, church services, and community events in this useful volume of songs. Titles: * Blessings of the Season * Carol of the Star * December’s Keep * From an Irish Cabin * The Icy December * Jonathan’s Bell Carol * A Midwinter Carol * Prelude to Bethlehem * The Season of Love * Under Winter Moon
The book will be the most comprehensive monograph of Putman's work to date, with individual chapters on 1) hotels and residences, include the famous Morgans Hotel, considered to be the first boutique hotel; 2) commercial interiors and restaurants, such as boutiques for Yves Saint Laurent; 3) offices and exhibition designs--such as her design for Jack Lang, the French Mister of Culture; and 5) and furniture and product designs (Putman is also credited for revival of once-forgotten early Modernist designers such as Eileen Gray, Robert Mallet-Stevens, and Jean-Michel Frank, whose designs she put back into production and used in her famous interiors). Major projects are lavishly illustrated. Major texts include the first serious study of her work by Donald Albrecht as well as texts from Putman herself on luxury, travel, materiality, and other topics.
Charles Sheeler: Fashion, Photography, and Sculptural Form explores how Charles Sheeler (1883-1965), a pioneering American modernist, further developed his signature Precisionist style during his years working as a fashion photographer at Condé Nast.
The definitive book on the legendary photographer's life in New York City, with many never-before-seen images and reminiscences by his closest friends and confidants. From the 1930s, when he helped revolutionize fashion journalism, through the 1960s, when he launched headlong into the Pop art era, London-based photographer Cecil Beaton brought to New York City his own perspective--aristocratic, sexually ambiguous, and theatrical. At the same time, New York offered Beaton innumerable opportunities to reinvent himself and his career. Cecil Beaton: The New York Years features sketches, costumes, set designs, previously unpublished letters, and over 220 photographs and drawings, many in color and never seen before. This volume documents Beaton's most influential relationships with quintessential figures of the New York art scene, including Greta Garbo, his female confidant and muse, and Andy Warhol. Richly illustrated, Cecil Beaton is the definitive portfolio chronicling Beaton's stunning career in fashion, portraiture, and the performing arts. The book will be divided into five parts: Beaton in Vogue: Beaton's photography for Condé Nast's Vogue in the 1930s hastened the decline of fashion illustration in favor of today's emphasis on photography. Beaton himself became a celebrity photographer, as famous as his subjects, in the later mold of Richard Avedon and Annie Leibovitz. Beaton and the Stage: After World War II, Beaton appeared on the New York stage as an actor, and he also designed sets and costumes for such musicals as My Fair Lady and Coco and operas Vanessa and La Traviata, both at the Metropolitan Opera. Beaton on New York: Beaton produced many illustrated books on New York City and his tell-all diaries detailed his life among the city's best-known figures. Beaton was also commissioned to produce innumerable photographs of New Yorkers, from Truman Capote to Tom Wolfe. Beaton on Garbo: Greta Garbo was Beaton's closest female friend She was also his muse, and his photographs captured her in many different scenarios and moods from the mid-1940s, when she ended her Hollywood career and permanently moved to New York. Beaton on Warhol: In 1968, Beaton was advised to photograph a group of young New Yorkers, the most famous of which was Andy Warhol and his Factory. In effect, this photo shoot charted the passing of the torch from Beaton to Warhol, two figures who defined their era's concepts of popular culture, celebrity, and sexual mores.
Catalog of an exhibition held at the David Winton Bell Gallery, Brown University, Providence, R.I., Dec. 8, 1995-Jan. 21, 1996, and at other museums and galleries through Sept. 1996.
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