From a remote village between Italy and the Austro-Hungarian Empire unrolls the intimate story of Teresa and Carlo, two young people whose paths cross and recross as they are first impelled by parents, then forced by sweeping world events to leave their childhood homes for lives they never imagined. Having left her mother and cherished dog Allucio, in Ulfano, Teresa works as a domestic servant in a large villa in Trento. She survives the Great War in the occupied city by banding together in a makeshift family with the other servants of the owners who have fled to escape the occupation. Carlo, an American still new to Italy and who speaks barely passable Italian, is just finding his footing in Trento when he’s dragged from bed at his boarding school, along with his classmates, and conscripted by the invading Austrian army. In a comical twist of fate, Carlo’s childhood near the Colorado gold mines motivates his captors to place him with a company of miners tasked with digging entrenchments and bunkers and building a massive fortress out of stone and ice, even as blizzards rage and artillery shells fall from the sky. Out of sheer loneliness, Carlo writes letters to Teresa, the girl he met only once in Trento. After the war, Carlo returns to Trento and reconnects with Teresa. Times are unsettled, as soldiers and those who fled the war flood back to the city and signs of the impending Influenza epidemic appear. With so much chaos, tradition gives way to new ideas, so neither worries about the consequences of their growing attachment. However, the same independence that has them dreaming of a future that didn’t exist when they were children, may pull them apart forever.
In London, early in the nineteenth century, five-year-old Mary Godwin, daughter of philosopher William Godwin, plays with her sister Fanny, mourns her deceased mother, and marvels as a hot air balloon lands not far from the Thames. Nearby, in Sussex, eleven-year-old Percy Shelley entertains his three sisters by telling them stories and performing tricks with chemicals and fire. A few years later Mary and Percy meet and fall in love in the Godwin bookshop near Black Friar’s Bridge. At first their romance seems doomed—Percy is a well-known atheist and already has a wife, and Mary is only seventeen and a under the care of her father and his overbearing second wife. But they consider such impediments trivial and are soon on their way to Ireland, to Switzerland, and across Europe (with Mary’s flighty half-sister Claire in tow). Upon reaching Lake Geneva they find lodgings near where the notorious poet Lord Byron and his peculiar personal physician John Polidori are staying—the same Lord Byron Claire seduced back in London, her reasoning being that if Mary can have a poet, why can’t she? And so begins the summer when Mary Shelley will begin writing her novel about a reanimated corpse, Percy and Lord Byron will debate politics and poetry in the midst of lightning storms, Polidori will begin writing his novel about a man with a taste for human blood, and snow will fall in the middle of July.
A study of the psychodynamic role of shame in Melville's work, with detailed readings of Moby-Dick, Pierre, and Billy Budd, drawing on the work of theorists such as Heinz Kohut, Silvan Tomkins, and Donald Nathanson to challenge to contemporary reliance on an often abstract poststructuralist model of psychoanalysis. For those interested in Melville's work and in psychoanalytic and psychological approaches to literature. Annotation copyrighted by Book News, Inc., Portland, OR
From a remote village between Italy and the Austro-Hungarian Empire unrolls the intimate story of Teresa and Carlo, two young people whose paths cross and recross as they are first impelled by parents, then forced by sweeping world events to leave their childhood homes for lives they never imagined. Having left her mother and cherished dog Allucio, in Ulfano, Teresa works as a domestic servant in a large villa in Trento. She survives the Great War in the occupied city by banding together in a makeshift family with the other servants of the owners who have fled to escape the occupation. Carlo, an American still new to Italy and who speaks barely passable Italian, is just finding his footing in Trento when he’s dragged from bed at his boarding school, along with his classmates, and conscripted by the invading Austrian army. In a comical twist of fate, Carlo’s childhood near the Colorado gold mines motivates his captors to place him with a company of miners tasked with digging entrenchments and bunkers and building a massive fortress out of stone and ice, even as blizzards rage and artillery shells fall from the sky. Out of sheer loneliness, Carlo writes letters to Teresa, the girl he met only once in Trento. After the war, Carlo returns to Trento and reconnects with Teresa. Times are unsettled, as soldiers and those who fled the war flood back to the city and signs of the impending Influenza epidemic appear. With so much chaos, tradition gives way to new ideas, so neither worries about the consequences of their growing attachment. However, the same independence that has them dreaming of a future that didn’t exist when they were children, may pull them apart forever.
This powerful debut collection, set in the light-filled deserts of Nevada and Arizona, introduces a darkly inventive new voice. Like an early Richard Ford, Don Waters writes with skill, empathy, and an edgy wit of worlds not often celebrated in contemporary literature. In Desert Gothic, Waters unleashes a wild and gritty cast and points them down paths of reckoning, where the characters earn the grace of their hard-won wisdom. Set in bars, mortuaries, nursing homes, truck stops, and the “poverty motels that encircled downtown’s casino corridor,” Waters’s ten stories are full of misfit transients like Julian, a crematorium worker who decorates abandoned urns to create a “lush underground island,” and the instant Mormon missionary Eli, a hapless divorcé who “always likes people better when they’re a little broken.” Limo drivers, ultra-marathoners, vagabonds, and a distraught novelist-to-be populate the pages of these gritty stories.
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