The first comprehensive study of a gifted but largely overlooked American writer Joy Davidman (1915–1960) is probably best known today as the woman that C. S. Lewis married in the last decade of his life. But she was also an accomplished writer in her own right — an award winning poet and a prolific book, theater, and film reviewer during the late 1930s and early 1940s. Yet One More Spring is the first comprehensive critical study of Joy Davidman's poetry, nonfiction, and fiction. Don King studies her body of work — including both published and unpublished works — chronologically, tracing her development as a writer and revealing Davidman's literary influence on C. S. Lewis. King also shows how Davidman's work reflects her religious and intellectual journey from secular Judaism to atheism to Communism to Christianity. Drawing as it does on a cache of previously unknown manuscripts of Davidman's work, Yet One More Spring brings to light the work of a very gifted but largely overlooked American writer.
C.S. Lewis is best known as the creator of the fanciful world of Narnia and writer of literary criticism and Christian apologetics. This book examines Lewis's early writings, under the pseudonym Clive Hamilton, analyzing the influence of his formative poetic aspirations upon his later prose. By looking at early diaries and letters, and the inclusion of four of Lewis's previously unpublished narrative poems and eleven previously unpublished short poems, this text explains the man through his writing.
Although Ruth Pitter (1897–1992) is not well known, her credentials as a poet are extensive, and in England from the mid-1930s to the mid-1970s she maintained a modest yet loyal readership. In total she produced eighteen volumes of new and collected verse. Her A Trophy of Arms (1936) won the Hawthornden Prize for Poetry in 1937, and in 1954 she was awarded the William E. Heinemann Award for The Ermine (1953). Most notably, perhaps, she became the first woman to receive the Queen’s Gold Medal for Poetry in 1955. Furthermore, from 1946 to 1972 she was often a guest on BBC radio and television programs, In 1974 The Royal Society of Literature elected her to its highest honor, a Companion of Literature, and in 1979 she received her last national award when she was appointed a Commander of the British Empire. Pitter was a voluminous letter writer. Her friends and correspondents read like a “Who’s Who” of twentieth-century British literary luminaries, including AE (George Russell), A. R. Orage, Hiliare Belloc, Walter de la Mare, Julian Huxley, John Masefield, Phillip and Ottoline Morrell, George Orwell, Dylan Thomas, T. S. Eliot, C. S. Lewis, James Stephens, Dorothy L. Sayers, Siegfried Sassoon, Virginia Sackville-West, Dorothy Wellesley, Lord David Cecil,John Betjeman, Evelyn Waugh, John Wain, Kathleen Raine, and May Sarton. Stylistically Pitter’s letters are marked by crisp prose, precise imagery, and elegant simplicity reflecting a well-read and vigorous mind—lithe, curious, penetrating, analytical, and perceptive. Of her more than one thousand letters covering the years 1908–1988, published here is a generous selection. These selected letters go a long way toward illustrating Pitter’s desire to reach a public interested in her as both a poet and personal commentator. These letters offer an understanding of “the silent music, the dance in stillness, the hints and echoes and messages of which everything is full” reflected in her life and poetry. In total they provide an essential introduction to the work of this neglected twentieth-century poet.
The intracarotid amobarbital (or Amytal) procedure is commonly referred to as the Wada test in tribute to Juhn Wada, the physician who devised the technique and performed the fIrst basic animal research and clinical studies with this method. Wada testing has become an integral part of the pre operative evaluation for epilepsy surgery. Interestingly, however, Wada initially developed this method as a technique to assess language dominance in psychiatric patients in order that electroconvulsant therapy could be applied unilaterally to the non-dominant hemisphere. Epilepsy surgery has matured as a viable treatment for intractable seizures and is no longer confmed to a few major universities and medical institutes. Yet, as is increasingly clear by examining the surveys of approaches used by epilepsy surgery centers (e.g., Rausch, 1987; Snyder, Novelly, & Harris, 1990), there is not only great heterogeneity in the methods used during Wada testing to assess language and memory functions, but there also seems to be a lack of consensus regarding the theoretical assumptions, and perhaps, even the goals of this procedure.
Although Ruth Pitter (1897–1992) is not well known, her credentials as a poet are extensive, and in England from the mid-1930s to the mid-1970s she maintained a modest yet loyal readership. In total she produced eighteen volumes of new and collected verse. Her A Trophy of Arms (1936) won the Hawthornden Prize for Poetry in 1937, and in 1954 she was awarded the William E. Heinemann Award for The Ermine (1953). Most notably, perhaps, she became the first woman to receive the Queen’s Gold Medal for Poetry in 1955. Furthermore, from 1946 to 1972 she was often a guest on BBC radio and television programs, In 1974 The Royal Society of Literature elected her to its highest honor, a Companion of Literature, and in 1979 she received her last national award when she was appointed a Commander of the British Empire. Pitter was a voluminous letter writer. Her friends and correspondents read like a “Who’s Who” of twentieth-century British literary luminaries, including AE (George Russell), A. R. Orage, Hiliare Belloc, Walter de la Mare, Julian Huxley, John Masefield, Phillip and Ottoline Morrell, George Orwell, Dylan Thomas, T. S. Eliot, C. S. Lewis, James Stephens, Dorothy L. Sayers, Siegfried Sassoon, Virginia Sackville-West, Dorothy Wellesley, Lord David Cecil,John Betjeman, Evelyn Waugh, John Wain, Kathleen Raine, and May Sarton. Stylistically Pitter’s letters are marked by crisp prose, precise imagery, and elegant simplicity reflecting a well-read and vigorous mind—lithe, curious, penetrating, analytical, and perceptive. Of her more than one thousand letters covering the years 1908–1988, published here is a generous selection. These selected letters go a long way toward illustrating Pitter’s desire to reach a public interested in her as both a poet and personal commentator. These letters offer an understanding of “the silent music, the dance in stillness, the hints and echoes and messages of which everything is full” reflected in her life and poetry. In total they provide an essential introduction to the work of this neglected twentieth-century poet.
Joy Davidman (1915-1960) is probably best known today as the woman that C.S. Lewis married in the last decade of his life. But she was also an accomplished writer in her own right - an award-winning poet and a prolific book, theatre, and film reviewer during the late 1930s and early 1940s. This title provides a comprehensive critical study of Joy Davidman's poetry, nonfiction, and fiction.
C.S. Lewis is best known as the creator of the fanciful world of Narnia and writer of literary criticism and Christian apologetics. This book examines Lewis's early writings, under the pseudonym Clive Hamilton, analyzing the influence of his formative poetic aspirations upon his later prose. By looking at early diaries and letters, and the inclusion of four of Lewis's previously unpublished narrative poems and eleven previously unpublished short poems, this text explains the man through his writing.
An acclaimed naval historian tells one of the most inspiring sea stories of World War II: the Japanese attack on the American oiler USS Neosho and the gutsy crew’s struggle for survival as their slowly sinking ship drifted—lost, defenseless, and alone—on the treacherous Coral Sea. In May 1942, Admiral Jack Fletcher’s Task Force 17 closed in for the war’s first major clash with the Japanese Navy. The Neosho, a vitally important tanker capable of holding more than 140,000 barrels of fuel, was ordered away from the impending battle. Minimally armed, she was escorted by a destroyer, the Sims. As the Battle of the Coral Sea raged two hundred miles away, the ships were attacked by Japanese dive bombers. Both crews fought valiantly, but when the smoke cleared, the Sims had slipped beneath the waves, and the Neosho was ablaze and listing badly, severely damaged from seven direct hits and a suicide crash. Scores of sailors were killed or wounded, while hundreds bobbed in shark-infested waters. Fires on board threatened to spark a fatal explosion, and each passing hour brought the ship closer to sinking. It was the beginning of a hellish four-day ordeal as the crew struggled to stay alive and keep their ship afloat, while almost two hundred men in life rafts drifted away without water, food, or shelter. Only four of them would survive to be rescued after nine days. Working from eyewitness accounts and declassified documents, Keith offers up vivid portraits of Navy heroes: the Neosho’s skipper, Captain John Phillips, whose cool, determined leadership earned him a Silver Star; Lieutenant Commander Wilford Hyman, skipper of the Sims, who remained on his vessel’s bridge throughout the attack and made the ultimate sacrifice to try to save his ship; Seaman Jack Rolston, who pulled oil-soaked survivors out of the water and endured days adrift in an open life raft; and Chief Watertender Oscar Peterson, whose selflessness saved the lives of innumerable shipmates and earned him a posthumous Medal of Honor. A tale of a ship as tough and resilient as its crew, The Ship That Wouldn’t Die captures the indomitable spirit of the American sailor—and finally brings to the surface one of the great untold sagas of the Pacific War.
Made by Hollywood's most inventive and successful director, Steven Spielberg, JURASSIC PARK was one of the most talked about, most anticipated films to capture the American imagination in years. Now you can go behind the scenes for a rare, inside look at the making of the movie. Learn the story behind the story--the road from novel to screenplay; Watch as the finest f/x team in movie history pooled their talents to create the lifelike dinosaurs; Read exclusive interviews with Steven Spielberg, Michael Crichton, and the key actors, and so much more!
Shoot Toronto is a self guided walking tour of the eastern part of downtown Toronto, Ontario, Canada. It was conceived to inspire photographers of all levels, both amateur and professional. It doesn't matter whether you use the most basic of mobile devices, or the latest and greatest camera equipment. In fact, you can enjoy just walking the route of the tour without even making photos. But at some point you'll likely wish you had your camera with you. The Shoot Toronto Guide, now in its 3rd edition, uses a map and detailed written descriptions to guide you along your way. It also includes some basic information about many of the sights on the tour. This info is designed to help you better understand what you are photographing, and to be useful when you are looking at your photos later and want to be able to identify the subjects. It also mentions establishments of interest to photographers, such as camera stores, on or near the tour route. An Appendix contains pertinent addresses, phone numbers, and internet links. Shoot Toronto points out both the obvious and the subtle. It encourages you to keep an eye open for what others walk right past without really seeing. Shoot Toronto is designed to appeal to both visitors and long time Toronto residents alike. It not only takes in some famous landmarks, but also gets you off the beaten path to see sights you never realized were there.
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