Echoing one of the great Spanish poets of the twentieth century, the author crafts a series of beautiful poems that document his spiritual journey while at the same time paying homage to the style of Antonio Machado. Original.
THE MASTER SYSTEM: Getting to Know Yourself and Everyone Else provides a numerological mapping of self-discovery and a clear window into the personality traits and life journey of you and everyone else. THE MASTER SYSTEM: Getting to Know Yourself and Everyone Else, is a unique tool and insightful system to learn more about yourself, different facets of your being and a comprehensive picture of who you truly are, and also to learn more about the characteristics of other people. By better understanding yourself, you can be more adept at successfully navigating your life's journey. You can fully enjoy this life experience, for you are no longer bound to the conditioning of other people's expectations of you.
Don Paterson is not only one of our great poets, but also an esteemed authority on the art of poetry. In illuminating and engaging prose, he offers his treatise on the making and the philosophy of 'the poem'.Paterson unpicks the process of verse composition with ambition, scholarly flair, and occasional scurrilities, exploring the mechanics of how a poem works and, essentially, what a poem is. His findings take the form of three essays that make up the three sections of the book: 'Lyric' attends to the sound of the poem; 'Sign' envisages ideas of poetic meaning; while 'Metre' studies its underlying rhythms. Through his various professional guises - as poetry editor at Picador Macmillan, professor of poetry at the University of St Andrews, and major prize-winning poet - no one is better placed to grant this 'insider's perspective'. For all those intrigued by the inner workings of the art form and its fundamental secrets, The Poem will surprise and delight.
In this, his first volume of original verse since the award-winning Landing Light, Don Paterson is found writing at his most memorable and direct. In an assembly of masterful lyrics and monologues, he conjures a series of fables and charms that serve both to expose us to the unsettling forces within the world and simultaneously offer some protection against them. Whether outwardly elemental in their address, or more personal in their direction, these poems - to the rain and the sea, to his young sons or beloved friends - never shy from their inquiry into truth and lie, embracing everything in scope from the rangy narrative to the tiny renku. Rain, which includes the winner of this year's Forward Prize for the Best Individual Poem and an extended elegy for the poet Michael Donaghy, is Don Paterson's most intimate and manifest collection to date.
Shakespeare's Sonnets are as important and vital today as they were when first published four hundred years ago. Perhaps no collection of verse before or since has so captured the imagination of readers and lovers; certainly no poem has come under such intense critical scrutiny, and presented the reader with such a bewildering number of alternative interpretations. In this illuminating and often irreverent guide, Don Paterson offers a fresh and direct approach to the Sonnets, asking what they can still mean to the twenty-first century reader.In a series of fascinating and highly entertaining commentaries placed alongside the poems themselves, Don Paterson discusses the meaning, technique, hidden structure and feverish narrative of the Sonnets, as well as the difficulties they present for the modern reader. Most importantly, however, he looks at what they tell us about William Shakespeare the lover - and what they might still tell us about ourselves.Full of energetic analysis, plain-English translations and challenging mini-essays on the craft of poetry - not to mention some wild speculation - this approachable handbook to the Sonnets offers an indispensable insight into our greatest Elizabethan writer by one of the leading poets of our own day.
After the huge success of Nil Nil (a Poetry Book Society Choice and winner of the Forward Prize best first collection), Don Paterson's second collection was impatiently awaited. His readers were not disappointed. In God's Gift to Women, straight autobiography mixes with invention, exaggeration, technical dazzle and sheer cheek to produce a book quite unlike any other.
Don Siegel was one of Hollywood's most controversial directors. Invasion of the Body Snatchers is one of the very few acknowledged science-fiction classics, and Magnum Force - with its catch-phrase 'Make my day' - has become part of our modern consciousness. Siegel's five-film collaboration with Clint Eastwood created a body of films that are as distinctive as they are different, and enriched the reputation of both of them. This autobiography has all the fun and energy one would expect from Don Siegel. From his first days as an assistant editor in the Warner Brothers cutting rooms, Siegel charts his rich and varied career. This is a wonderful book of reminiscences, told in a lively and vivid style, whose cast of characters includes John Wayne, Lee Marvin, Steve McQueen, Bogart and Bacall, studio head Jack Warner and other luminaries of the golden age of the Hollywood studios (including a fading film star called Ronald Reagan, whose last film, The Killers, was directed by Siegel). At the centre of the book is Siegel's relationship with Clint Eastwood, whose directing career was encouraged by Siegel, and who supplies an amusing and appreciative foreword to the book.
An original story (August 2009) by David Donald Keirle. The author acknowledges that his ideas have been influenced by what he has read over the years and thanks all those who have gone before.
Dedicated to everyone who has ever asked where the road will take them and then taken that first step towards the unknown. However, it takes an extremely strong person armed with a sense of humor to laugh at adversity and challenge. So now I have described the "Diana" series in totality: one is the writer and the other is the reader. Just remember to keep the dreams alive and let no one put them aside, they are way too important.
Rainer Maria Rilke's 55 Sonnets to Orpheus remain a testimony to a writer whose significance other poets continue to testify to. Don Paterson's translation offers a radiant and at times distressing version of the great work.
Writer-director Don Roos is one of the smartest voices in new Hollywood cinema: witty, acerbic, and brilliantly observant of human foibles and frailties. Here, collected for the first time, are the screenplays of his hit comedies Bounce and The Opposite of Sex.Bounce introduces us to Buddy Amaral (Ben Affleck), partner in a hip LA ad agency: confident, charming, successful both in business and with just about every woman he meets. Life smiles on Buddy - that is, until the December night he's stranded in a snowstorm at Chicago's O'Hare airport. In pursuit of sexual conquest, he gives up his seat on a plane to a man he has met in the bar. The next day, Buddy learns that the plane has crashed; as a result his conscience takes a terrible plunge. He sets out to find the dead man's wife (Gwyneth Paltrow), hoping that he can somehow make amends . . .What is The Opposite of Sex? A lasting, loving relationship, perhaps. But at 16, Dedee Truitt (Christina Ricci) is scornful of sentiment and interested only in fast living. So she flees her Louisiana home to live with half-brother Bill (Martin Donovan), a gay schoolteacher left independently wealthy after his lover's death, now trying to resurrect his life with new boyfriend Matt. But Bill's friend Lucia (Lisa Kudrow) distrusts the newcomer, and her suspicions are confirmed when Dedee lures Matt into bed . . .This volume includes an introduction by Don Roos in which he describes what went into the writing of these two scripts, and illuminates the process by which they were brought to the screen.
Exquisitely sharp, deeply humane and brutally hilarious, Toy Fights is a future classic from one of the greatest writers of his generation. 'Devastatingly funny.' Geoff Dyer 'Thought-provoking, hilarious, sardonic and scarily brilliant' Scotsman 'Laugh-out-loud funny' Herald on Sunday This is a book about family, money and music but also about schizophrenia, hell, narcissists, debt and the working class, anger, swearing, drugs, books, football, love, origami, the peculiar insanity of Dundee, sugar, religious mania, the sexual excesses of the Scottish club band scene and, more generally, the lengths we go to not to be bored. Don Paterson was born in Dundee, Scotland, in 1963. He spent his boyhood on a council housing estate. When he wasn't busy dreading his birthdays, dodging kids who wanted to kill him in a game of Toy Fights, working with his country-and-western singer dad, screwing up in the Boys' Brigade, obsessing over God, origami, The Osmonds, stamps, sex or Scottish football cards, he was developing a sugar addiction, failing his exams, playing guitar, falling in love, dodging employment and descending into madness. While he didn't manage to figure out who he was meant to be, the first twenty years of his life - before he took a chance, packed his guitar and boarded a train to London - did, for better or worse, shape who he would become.
In our deepest grief we still turn instinctively to poetry for solace. These poems, drawn from many different ages and cultures, remind us that the experience of parting is a timelessly human one: however alone the loss of a loved one leaves us, our mourning is also something that deeply unites us; these poems of parting and passing, of sorrow and healing, will find a deep echo within those who find themselves dealing with grief or bereavement. Whatever our loss, it is assuaged in finding a voice – and whether that voice is one of private remembrance or public memorial, The Picador Book of Funeral Poems will help you towards it.
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