2003 – Texas Old Missions and Forts Restoration Association Book Award Winner – Texas Catholic Historical Society 2004 – Finalist: Friends of the Dallas Public Library Award for Book Making the Most Significant Contribution to Knowledge – Texas Institute of Letters The region that now encompasses Central Texas and northern Coahuila, Mexico, was once inhabited by numerous Native hunter-gather groups whose identities and lifeways we are only now learning through archaeological discoveries and painstaking research into Spanish and French colonial records. From these key sources, Maria F. Wade has compiled this first comprehensive ethnohistory of the Native groups that inhabited the Texas Edwards Plateau and surrounding areas during most of the Spanish colonial era. Much of the book deals with events that took place late in the seventeenth century, when Native groups and Europeans began to have their first sustained contact in the region. Wade identifies twenty-one Native groups, including the Jumano, who inhabited the Edwards Plateau at that time. She offers evidence that the groups had sophisticated social and cultural mechanisms, including extensive information networks, ladino cultural brokers, broad-based coalitions, and individuals with dual-ethnic status. She also tracks the eastern movement of Spanish colonizers into the Edwards Plateau region, explores the relationships among Native groups and between those groups and European colonizers, and develops a timeline that places isolated events and singular individuals within broad historical processes.
C.S. Lewis is best known as the creator of the fanciful world of Narnia and writer of literary criticism and Christian apologetics. This book examines Lewis's early writings, under the pseudonym Clive Hamilton, analyzing the influence of his formative poetic aspirations upon his later prose. By looking at early diaries and letters, and the inclusion of four of Lewis's previously unpublished narrative poems and eleven previously unpublished short poems, this text explains the man through his writing.
Although Ruth Pitter (1897–1992) is not well known, her credentials as a poet are extensive, and in England from the mid-1930s to the mid-1970s she maintained a modest yet loyal readership. In total she produced eighteen volumes of new and collected verse. Her A Trophy of Arms (1936) won the Hawthornden Prize for Poetry in 1937, and in 1954 she was awarded the William E. Heinemann Award for The Ermine (1953). Most notably, perhaps, she became the first woman to receive the Queen’s Gold Medal for Poetry in 1955. Furthermore, from 1946 to 1972 she was often a guest on BBC radio and television programs, In 1974 The Royal Society of Literature elected her to its highest honor, a Companion of Literature, and in 1979 she received her last national award when she was appointed a Commander of the British Empire. Pitter was a voluminous letter writer. Her friends and correspondents read like a “Who’s Who” of twentieth-century British literary luminaries, including AE (George Russell), A. R. Orage, Hiliare Belloc, Walter de la Mare, Julian Huxley, John Masefield, Phillip and Ottoline Morrell, George Orwell, Dylan Thomas, T. S. Eliot, C. S. Lewis, James Stephens, Dorothy L. Sayers, Siegfried Sassoon, Virginia Sackville-West, Dorothy Wellesley, Lord David Cecil,John Betjeman, Evelyn Waugh, John Wain, Kathleen Raine, and May Sarton. Stylistically Pitter’s letters are marked by crisp prose, precise imagery, and elegant simplicity reflecting a well-read and vigorous mind—lithe, curious, penetrating, analytical, and perceptive. Of her more than one thousand letters covering the years 1908–1988, published here is a generous selection. These selected letters go a long way toward illustrating Pitter’s desire to reach a public interested in her as both a poet and personal commentator. These letters offer an understanding of “the silent music, the dance in stillness, the hints and echoes and messages of which everything is full” reflected in her life and poetry. In total they provide an essential introduction to the work of this neglected twentieth-century poet.
Collects Tales of Suspense (1959) #52-53, 57, 60, 64; Avengers (1963) #29-30, 36-37, 43-44; Amazing Spider-Man (1963) #86; Amazing Adventures (1970) #1-8; Daredevil (1964) #81 and material from Avengers (1963) #16, 32-33, 38-39, 41-42, 45-47, 57, 63-64, 76. Collecting the origins of the Black Widow for the very first time! From her debut as a Russian spy in TALES OF SUSPENSE, Natasha Romanoff was instantly one of Marvel’s most iconic characters. This amazing collection takes you through her early days with Hawkeye, into her first adventures with the Avengers – and on to her first solo series! Thrill to a captivating and complex saga as the Black Widow evolves from villain to hero — and defines herself as one of comics’ greatest characters. Boasting stories and art by a who’s who of Silver Age greats, this Epic Collection is ground zero for every Black Widow fan!
The first comprehensive study of a gifted but largely overlooked American writer Joy Davidman (1915–1960) is probably best known today as the woman that C. S. Lewis married in the last decade of his life. But she was also an accomplished writer in her own right — an award winning poet and a prolific book, theater, and film reviewer during the late 1930s and early 1940s. Yet One More Spring is the first comprehensive critical study of Joy Davidman's poetry, nonfiction, and fiction. Don King studies her body of work — including both published and unpublished works — chronologically, tracing her development as a writer and revealing Davidman's literary influence on C. S. Lewis. King also shows how Davidman's work reflects her religious and intellectual journey from secular Judaism to atheism to Communism to Christianity. Drawing as it does on a cache of previously unknown manuscripts of Davidman's work, Yet One More Spring brings to light the work of a very gifted but largely overlooked American writer.
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