The little-known story of the Situationist International’s struggle against the automation of everyday life No other art movement has so profoundly influenced radical politics as the Situationist International. But beyond the clichés about its purported leader Guy Debord, the "society of the spectacle," détournement and dérive, lies a more complex story about key historical shifts in the composition of capital, work, labor, art, and revolutionary theory during the 1950s and 60s. With and Against reframes the history of the Situationist International as a struggle to come to terms with the then-emerging ideologies of cybernetics and automation. Through each of the book's four chapters, Dominique Routhier dissects Situationist pamphlets, documents, artworks, and objects that refract elements of a "cybernetic hypothesis": the theoretically hyperbolic belief that technological progress, computers and automation make class struggle and the idea of revolution obsolete. With equal attention to aesthetic detail and to the broader contours of political economy, this book serves as a critical intervention in art history as well a call to reconsider, more broadly, the contemporary lessons of the most political of all artistic avantgardes.
No other art movement has so profoundly influenced radical politics as the Situationist International. But beyond the clichs about its purported leader Guy Debord, the "society of the spectacle," dtournement and drive, lies a more complex story about key historical shifts in the composition of capital, work, labor, art, and revolutionary theory during the 1950s and 60s. With and Against reframes the history of the Situationist International as a struggle to come to terms with the then-emerging ideologies of cybernetics and automation. Through each of the book's four chapters, Dominique Routhier dissects Situationist pamphlets, documents, artworks, and objects that refract elements of a "cybernetic hypothesis": the theoretically hyperbolic belief that technological progress, computers and automation make class struggle and the idea of revolution obsolete. With equal attention to aesthetic detail and to the broader contours of political economy, this book serves as a critical intervention in art history as well a call to reconsider, more broadly, the contemporary lessons of the most political of all artistic avantgardes.
Chenu was a French Dominican friar, a renowned historian, and a theologian with extraordinary creative insight. He shaped the Dominican study center, Le Saulchoir, as its director and as an influential professor from the late 1920s until he was removed by the Vatican in 1942 (for writing a theological program for the school that sounded much like the future Pastoral Constitution on the Church in the Modern World). He influenced two generations of scholars with his rare combination of scientific excellence and pastoral wisdom. Fifty years after Vatican II, historians are still discovering documents and letters that offer important insights into the Council's meaning. This brief journal written by Marie-Dominique Chenu, masterfully edited by Alberto Melloni, is such a document. It reveals the decisive role Chenu played in several initiatives that shaped the Council's character; but, more importantly, it brings to light the dynamic networking of bishops and theologians that lay behind the Council's achievement of so much in so few years. Covering the years 1962-1963, Chenu's Notebook allows readers to feel the drama of the Council's opening period. At the Council, he promoted and drafted its great Message to the World that was the Council's first published statement. In it, many of Chenu's key intuitions became part of an official church statement about its hope for the future: attention to the 'signs of the times', the integration of science and technology into the Church's pastoral message, and commitment to justice and the care of the poor. His Vatican II Notebook is an exciting peek into great moments in a great man's life.
Perfect for fans of Marie Kondo' Publishers Weekly DISCOVER THE LIFE-CHANGING MAGIC OF LISTS IN THIS INTERNATIONAL BESTSELLER The humble list has the power to change your life. In its immediacy, its simplicity and its concise, contained form, the list enables us to organise, to save time and to approach facts with clarity. Yet why do we end up with interminable To Do Lists that are never completed? After decades living in Japan, Dominique Loreau has become a master in the art of de-cluttering and simplifying. Now, in L'art de la Liste - a huge bestseller in her native France and translated into English for the first time - she turns her attentions to better list-making, showing you how to organise them and use them intelligently. Taking you on a step-by-step journey to greater productivity, this practical, inspiring book influences every aspect of your life - from home, diet and beauty to mental health and self-awareness. To perfect the art of the list is to live simpler, richer and more organised lives.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.