Another exhilarating crime novel by the best-selling author of "Rough Trade", chosen Book of the Year in the "Independent" by Amanda Hopkinson and Joan Smith. A group of school friends who campaigned together at Rennes in the heydey of 1968: Agathe Renourd and her protege Nicolas Berger are in charge of the communications network of a major insurance consortium; Christian Deluc has become a council member at the Elysee Palace; Amelie raises thoroughbreds. Now, in 1989, the paths of these former students are due to cross in an entirely unexpected fashion as they start playing with fire, carried along by the euphoria born of power. Events begin to take off: race horses die under mysterious circumstances; unimaginable quantities of cocaine appear at Parisian parties and dashing Nicolas Berger meets a violent end when a bomb explodes in his car.
The little-known story of the Situationist International’s struggle against the automation of everyday life No other art movement has so profoundly influenced radical politics as the Situationist International. But beyond the clichés about its purported leader Guy Debord, the "society of the spectacle," détournement and dérive, lies a more complex story about key historical shifts in the composition of capital, work, labor, art, and revolutionary theory during the 1950s and 60s. With and Against reframes the history of the Situationist International as a struggle to come to terms with the then-emerging ideologies of cybernetics and automation. Through each of the book's four chapters, Dominique Routhier dissects Situationist pamphlets, documents, artworks, and objects that refract elements of a "cybernetic hypothesis": the theoretically hyperbolic belief that technological progress, computers and automation make class struggle and the idea of revolution obsolete. With equal attention to aesthetic detail and to the broader contours of political economy, this book serves as a critical intervention in art history as well a call to reconsider, more broadly, the contemporary lessons of the most political of all artistic avantgardes.
This book is built to start from elementary and fundamental bases to the first degrees of harmony. It provides many theoretical and technical bases of music, presenting in detail relations between physics and music (harmonics, frequency and time spectrum, dissonance, etc.), physiological relations with human body and education.
Near field communication (NFC) can appear to be a simple intuitive technology for exchanging data between close devices. In reality, these contactless structures that combine components and antennas must respect important and specific working constraints. Illustrated by a number of detailed technological examples, this book discusses the multiple normative (ISO, CEN, NFC Forum, EMVCo, etc.) and regulatory (ERC, FCC, ETSI, radiofrequency, private and ecological pollution, etc.) constraints, as well as the applied, typological, functional, structural, environmental or interoperability constraints that a NFC device might face. Design Constraints for NFC Devices also presents techniques that enable us to free ourselves from the technological constraints of current NFC operations encountered in banking, public transport, administration, automotive, industrial, communicating object and Internet of Things applications.
Democracy posits the universality of the equality principle: a community of citizens is governed by the principle of the formal equality of all individuals, whatever their real social, cultural, or other inequalities. Democratization, on the other hand, is motivated by the ambition of ensuring the real equality of citizens, and not simply their formal equality. The dynamics of democracy are thus insured by the development of a welfare state that increasingly intervenes in order to satisfy the social and economic needs of individuals. Especially focused on France, yet informed by the experiences of other European countries, this book examines the dilemmas of the search for equality in society and politics.Democratization guarantees the rights of salaried workers and employees, the rights to material survival and housing, as well as health care, education, and culture. Today, however, as Schnapper observes, its action has become paradoxical. As the fruit of a praiseworthy concern to ensure the universality of rights, what Schnapper identifies as a "Providence State" now aims, by means of positive discrimination and other specific promotion policies, to defend the particular rights of certain categories of individuals. The action of the Providence State thus nourishes an aspiration: that the identities of historical collectivities gathered within the same national society be publicly recognized, and that these have rights. Equity thus supplants equality; and multiculturalism, universality. Such is the ordeal currently experienced by Western democracies, which are faced with the increasingly "providential" nature of their societies. Indeed, the author asks, how can a united political Europe be constructed on the ideals and institutions of citizenship, when European nations are becoming providential democracies?Providential Democracy offers a searching and timely critique of democratization that will be of interest to sociologists, political sci
This book aims to extract the "molecular genes" leading to craziness! Geniuses are the ones who are "crazy enough to think they can change the world" and boldly go where no one has gone before. Where no past habit and usage are available, there is no proof of viability, as nobody has done it yet, or even imagined it, and no roadmap for guidance or market study has come up with it. The authors call upon Leonardo Da Vinci, the Renaissance genius, who as strange as it seems, shared many traits of personality with that of Steve Jobs, in terms of the ways of performing. Da Vinci helps in understanding Jobs, and hence Apple, with his unique way of designing radically novel concepts, which were actually quite crazy for his time. In order to shed light on a special creative posture, the indomitable sense of specifying undecidable objects – a hallmark of the late Steve Jobs – is what led the authors to match it with a specific design innovation theory. A real theory, backed by solid mathematical proof, exists and can account for the business virtue of a prolific ability to move into unknown crazy fields! The authors postulate that, by bringing the power of C-K theory to crack open a number of previous observations made about Apple’s methods, it is possible to identify most of the genes of this company. The authors analyze how and why an Apple way of doing business is radically different from standard business practices and why it is so successful. Genes are a measure of the entity at hand and can encourage past business education routine approaches, then become transferable across the spectrum of the socio-economic world.
This monograph studies voting procedures based on the probability that paradoxical outcomes like the famous Condorcet Paradox might exist. It is well known that hypothetical examples of many different paradoxical election outcomes can be developed, but this analysis examines factors that are related to the process by which voters form their preferences on candidates that will significantly reduce the likelihood that such voting paradoxes will ever actually be observed. It is found that extreme forms of voting paradoxes should be uncommon events with a small number of candidates. Another consideration is the propensity of common voting rules to elect the Condorcet Winner, which is widely accepted as the best choice as the winner, when it exists. All common voting rules are found to have identifiable scenarios for which they perform well on the basis of this criterion. But, Borda Rule is found to consistently work well at electing the Condorcet Winner, while the other voting rules have scenarios where they work poorly or have a very small likelihood of electing a different candidate than Borda Rule. The conclusions of previous theoretical work are presented in an expository format and they are validated with empirically-based evidence. Practical implications of earlier studies are also developed.
Dominique Manotti is back on form with a tale of intrigue and corruption. A call-girl whose black book lists her elite international clients is found murdered in an underground garage; a plane bound for Iran laden with illegal arms disappears from the skies over Turkey, and the president's closest adviser Bornard, head of a controversial Elysee security unit, manipulates the system with consummate ease - and illegality. Until the day when rookie investigator Noria Ghozali determines to untangle the threads which bind these events together. In doing so she penetrates the Elysee's innermost system, confronts the workings of money and corruption within government, and in the process is forced to combat the institutional - and overt - racism which repeatedly stalls her.
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
This book offers an in-depth study of the poetics of creative writing as a subject in the dramatically changing context of practice as research, taking into account the importance of the subjectivity of the writer as researcher. It explores creative writing and theory while offering critical antecedents, theoretical directions and creative interchanges. The book narrows the focus on psychoanalysis, particularly with regard to Lacan and creative practice, and demonstrates that creative writing is research in its own right. The poetics at stake neither denotes the study or the techniques of poetry, but rather the means by which writers formulate and discuss attitudes to their work.
This book follows up the developments inphenomenology discussed in Phenomenology andthe "Theological Turn": The French Debate, attempting toestablish what potentialities in the phenomenologicalmethod exist at present.
Francophiles and Paris buffs will find something new and fascinating in this timeless guidebook, filed with sites, passageways, hotels, shops, and more What if—walking around Paris—instead of seeing only the Paris of 2017, you glimpsed Paris in Revolutionary times? Or Paris when it was home to 80,000 horses; or Paris lit by gaslight; or medieval Paris? What if—walking down a block in Paris—you recognized the signs, mosaics, pieces of hardware, and architectural details as relics of many centuries that have stories to tell of past eras? This is what Curiosities of Paris reveals. Each of the book’s 800 photos of unique locations and architectural oddities—as well as utilitarian objects whose functions have long been obscured with the passage of time—discloses a previously unnoticed city. Even those who know Paris well might never have registered the thousands of details on every street that testify to the enduring presence of the past: the solar cannon at Invalides, street signs with the word “saint” and all fleur-de-lys removed; the unique features of Parisian street lighting. You’ll never look at an elm tree the same way again. And, with Curiosities of Paris as your guide, you’ll feel very in-the-know as you walk down the Champs-Élysées past all the auto dealerships. Organized by subject—including fountains and wells; centuries-old shop signs; vestiges of wars and ancient Egypt; hotels of legend; remarkable trees; sundials and meridians; equestrian Paris; romantic ruins; unusual tombs, stairways, and passageways; religious relics; mosaics; public barometers and thermometers; and hundreds more urban elements and anachronisms—the book also includes three themed walks (along the city’s ancient walls, in the steps of Quasimodo, and through the French Revolution), as well as an index of street names. This absorbing compendium is an essential addition to the library of the armchair traveler and flâneur alike.
Near-field communication (NFC) enables the exchange of information between close devices. The antenna is the indispensable element to transform an electronic device into an NFC system. For both theory and practice, this book presents in detail the design technologies of different antennas. They must meet the NFC ISO 18 092 and 21 481 standards as well as specifications by the NFC Forum for industrial applications, by EMVCo for banking applications and payments, and by CEN for public transport. In a particularly pedagogic way, Antenna Designs for NFC Devices enables designers of communicating object systems and the Internet of Things (IoT) to have access to the mysteries of the design of NFC antennas.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production—including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing—won the admiration of countless writers and artists, including Charles Baudelaire, Paul Cèzanne, and Pablo Picasso. This comprehensive monograph closely examines the full breadth of Delacroix’s career, including his engagement with the work of his predecessors, his fascination with the natural world, his interest in Lord Byron and the Greek War of Independence, and the profound influence of his voyage to North Africa in 1832. It brings to life his relationships with his contemporaries, ranging from the painters Pierre Narcisse Guèrin and Antoine Jean Gros to Gustave Courbet, as well as his exploration of literary, historical, and biblical themes, his writing in personal journals, and his triumphant exhibition at the Exposition Universelle of 1855. Richly illustrated and encompassing the entire range and diversity of his art, from grand paintings to intimate drawings, Delacroix illuminates how this intrepid figure changed the course of European painting by heeding “a call for the liberty of art.”
The Jews of France have been liberated for over two centuries; they have been considered free citizens and equal to their compatriots. What purpose, then, does it serve to study their citizenship today? Until World War II, French Jews called themselves "Israelites;" they were deeply patriotic and had found a place for themselves in France’s "community of citizens." However outbursts of anti-Semitism during that period reminded them that their new status prevented neither hate nor rejection; they had to persevere in the struggle for citizenship equity. France has not been spared from recent movements demanding recognition of particular identities in the public space. Ethnicity in French political life has become increasingly obvious, in spite of the constant assertion of "republican values." Questions about immigration, nationality, and integration are constantly in the forefront of public life. Though, in France, the existence of ethnic and religious communities is not legally recognized, certain groups are designated as separate, often creating conflicts among them.
Political, poetic, committed, profound: Jean-Michel Alberola’s oeuvre is an artist’s reaction to reality, human feelings and the state of the world. His exhibition at the Palais de Tokyo triggers a voyage that stimulates the eye and the mind as it maps the underappreciated diversity of his work. Associating bodily and geographical fragments with ambiguous statements and injunctions, this major and utterly distinctive figure on the French art scene shapes rebuses that challenge both our way of seeing and the role of art in society. And yet, in its intermingling of artistic speculation and political questioning, and of conceptualism, abstraction and figuration, Alberola’s unique, hard-hitting oeuvre is never without its touch of humour. Book contents - “Adding Up the Details: Chapter 1”: A text by Jean-Michel Alberola. - “The Crossing and the Passeur”: A conversation between Jean-Michel Alberola and Katell Jaffrès, curator of Jean-Michel Alberola’s solo exhibition at the Palais de Tokyo. - “He Who is Taking Himself by Surprise”: An essay by Dominique Païni. About the authors - Katell Jaffrès is a curator at the Palais de Tokyo. - Dominique Païni is a critic, a writer and a curator. He has written numerous publications focusing on the connection between cinema and fine arts. Book published on the occasion of Jean-Michel Alberola’s solo exhibition at the Palais de Tokyo, “L’Aventure des détails” 19.02 – 16.05 2016
This book clarifies the interrelationship between optics, vision and perspective before the Classical Age, examining binocularity in particular. The author shows how binocular vision was one of the key juncture points between the three concepts and readers will see how important it is to understand the approach that scholars once took. In the Middle Ages and the Renaissance, the concept of Perspectiva – the Latin word for optics – encompassed many areas of enquiry that had been viewed since antiquity as interconnected, but which afterwards were separated: optics was incorporated into the field of physics (i.e., physical and geometrical optics), vision came to be regarded as the sum of various psycho-physiological mechanisms involved in the way the eye operates (i.e., physiological optics and psychology of vision) and the word ‘perspective’ was reserved for the mathematical representation of the external world (i.e., linear perspective). The author shows how this division, which emerged as a result of the spread of the sciences in classical Europe, turns out to be an anachronism if we confront certain facts from the immediately preceding periods. It is essential to take into account the way medieval scholars posed the problem – which included all facets of the Latin word perspectiva – when exploring the events of this period. This book will appeal to a broad readership, from philosophers and historians of science, to those working in geometry, optics, ophthalmology and architecture.
A collection of the stories, legends, and rituals surrounding Christmas, featuring colorfully illustrated lithographs. This festive follow-up to The Little Book of Saints and The Little Book of Angels explores the wonderful rituals and rich history surrounding Christmas. From the story of the nativity to the legends that have inspired beloved holiday traditions (like why Father Christmas arrives through the chimney), this collection includes Christmas customs from around the world. Beautifully illustrated with color lithographs taken from missals and prayer books, this joyful little book is a Christmas treasure for the whole family to gather around year after year.
Studies in the Text of the Old Testament offers to the English-speaking world the combined introductions to the first three volumes of Dominique Barthélemy’s Critique Textuelle de l’Ancien Testament. CTAT was the culmination of the Hebrew Old Testament Text Project, launched by the United Bible Societies in 1969 and carried out by an international team of Old Testament textual critics under the leadership of Eugene Nida. As Emanuel Tov has stated, these introductions form “an almost complete introduction” to the textual criticism of the Hebrew Bible. They hold an important place in Old Testament textual criticism and can stand alone, apart from the detailed discussions of the textual problems found in the volumes. Part one surveys the history of OT textual criticism “from its origins to J. D. Michaelis” and presents the Hebrew Old Testament Text Project and its goals. Part two describes in detail the background of the modern versions that the HOTTP took into account in its work. Part three, the most extensive section, discusses the textual witnesses—the different forms of the Hebrew text and the contribution of the ancient versions. As his concluding program for a critical edition makes clear, the groundbreaking work of Barthélemy and the HOTTP served as the basis for the new Biblia Hebraica Quinta, which began publication in 2004. UBS undertook the HOTTP to offer Bible translators help in applying the results of textual criticism to their work, but there is no doubt that many others will benefit from this work, as well as the other volumes in the series “Textual Criticism and the Translator.”
A gripping journey through the icy regions of our changing planet From the Arctic Ocean and ice sheets of Greenland, to the glaciers of the Andes and Himalayas, to the great frozen desert of Antarctica, The White Planet takes readers on a spellbinding scientific journey through the shrinking world of ice and snow to tell the story of the expeditions and discoveries that have transformed our understanding of global climate. Written by three internationally renowned scientists at the center of many breakthroughs in ice core and climate science, this book provides an unparalleled firsthand account of how the "white planet" affects global climate—and how, in turn, global warming is changing the frozen world. Jean Jouzel, Claude Lorius, and Dominique Raynaud chronicle the daunting scientific, technical, and human hurdles that they and other scientists have had to overcome in order to unravel the mysteries of past and present climate change, as revealed by the cryosphere--the dynamic frozen regions of our planet. Scientifically impeccable, up-to-date, and accessible, The White Planet brings cutting-edge climate research to general readers through a vivid narrative. This is an essential book for anyone who wants to understand the inextricable link between climate and our planet's icy regions.
In the first book to investigate the far-reaching emotional impact of globalization, Dominique Moïsi shows how the geopolitics of today is characterized by a “clash of emotions.” The West, he argues, is dominated and divided by fear. For Muslims and Arabs, a culture of humiliation is quickly devolving into a culture of hatred. Asia, on the other hand, has been able to concentrate on building a better future, so it is creating a new culture of hope. Moïsi, a leading authority on international affairs, explains that in order to understand our changing world, we need to confront emotion. And as he makes his case, he deciphers the driving emotions behind our cultural differences, delineating a provocative and important new perspective on globalization.
This book brings together 10 experiments which introduce historical perspectives into mathematics classrooms for 11 to 18-year-olds. The authors suggest that students should not only read ancient texts, but also should construct, draw and manipulate. The different chapters refer to ancient Greek, Indian, Chinese and Arabic mathematics as well as to contemporary mathematics. Students are introduced to well-known mathematicians—such as Gottfried Leibniz and Leonard Euler—as well as to less famous practitioners and engineers. Always, there is the attempt to associate the experiments with their scientific and cultural contexts. One of the main values of history is to show that the notions and concepts we teach were invented to solve problems. The different chapters of this collection all have, as their starting points, historic problems—mathematical or not. These are problems of exchanging and sharing, of dividing figures and volumes as well as engineers’ problems, calculations, equations and congruence. The mathematical reasoning which accompanies these actions is illustrated by the use of drawings, folding, graphical constructions and the production of machines.
First published in 1972, this book provides an overview of Classicism in literature. After an informative introduction to the term, it explores some of the periods and places in which Classicism has been prominent: the Italian Renaissance, England before and during the Restoration, Renaissance France and eighteenth-century Germany. In avoiding a rigid definition of Classicism, this book demonstrates its multiplicity and changeability across time periods, as well as its limits.
This fun book is a perfect stocking stuffer, the perfect book to take to Paris to use for a scavenger hunt, and perfect for the armchair traveler who loves trivia. There are more than 400 multiple-choice questions, by arrondissement, ranging from obscure lore to facts about well-known buildings, streets, and statues with fascinating and often humorous histories. Here’s a sample: What color are all the illuminated signs on the Champs-ƒlys?es? A) Blue B) Green C) White C: They are required to be white. Advertisers and merchants must conform to the decision of uniformity taken in the interest of aesthetics. Even McDonald’s had to swap its yellow M for a white one, making it the only exception in the world. Only pharmacies are allowed to break the rule. In 1836 the ƒglise Saint-Cosme was demolished to make room on the boulevard Saint-Michel. The construction unearthed remains from an old cemetery adjoining the church. What was peculiar about it? A) It was an animal cemetery B) It was a cemetery for clergy C) It was a cemetery for hunchbacks C: The church and its cemetery were located between the rue Racine and the rue des ƒcoles, on the current site of the Gibert bookstore. Using the shape of the remains (most of the exhumed spinal columns were curved and presented malformations), it was deduced that it was a cemetery for hunchbacks.
In this book, the authors focus on the concrete aspects of IoT (Internet of Things): the daily operation, on the ground, of this domain, including concrete and detailed discussion of the designs, applications and realizations of Secure Connected Things and IoT. As experts in the development of RFID and IoT technologies, the authors offer the reader a highly technical discussion of these topics, including the many approaches (technical, security, safety, ergonomic, economic, normative, regulations, etc.) involved in Secure Connected Objects projects. This book is written both for readers wishing to familiarize themselves with the complex issues surrounding networking objects and for those who design these connective "things".
Founded in 1676 during a cosmopolitan early modern period, Mindröling monastery became a key site for Buddhist education and a Tibetan civilizational center. Its founders sought to systematize and institutionalize a worldview rooted in Buddhist philosophy, engaging with contemporaries from across Tibetan Buddhist schools while crystallizing what it meant to be part of their own Nyingma school. At the monastery, ritual performance, meditation, renunciation, and training in the skills of a bureaucrat or member of the literati went hand in hand. Studying at Mindröling entailed training the senses and cultivating the objects of the senses through poetry, ritual music, monastic dance, visual arts, and incense production, as well as medicine and astrology. Dominique Townsend investigates the ritual, artistic, and cultural practices inculcated at Mindröling to demonstrate how early modern Tibetans integrated Buddhist and worldly activities through training in aesthetics. Considering laypeople as well as monastics and women as well as men, A Buddhist Sensibility sheds new light on the forms of knowledge valued in early modern Tibetan societies, especially among the ruling classes. Townsend traces how tastes, values, and sensibilities were cultivated and spread, showing what it meant for a person, lay or monastic, to be deemed well educated. Combining historical and literary analysis with fieldwork in Tibetan Buddhist communities, this book reveals how monastic institutions work as centers of cultural production beyond the boundaries of what is conventionally deemed Buddhist.
This book traces the life of Cholesky (1875-1918), and gives his family history. After an introduction to topography, an English translation of an unpublished paper by him where he explained his method for linear systems is given, studied and replaced in its historical context. His other works, including two books, are also described as well as his involvement in teaching at a superior school by correspondence. The story of this school and its founder, Léon Eyrolles, are addressed. Then, an important unpublished book of Cholesky on graphical calculation is analyzed in detail and compared to similar contemporary publications. The biography of Ernest Benoit, who wrote the first paper where Cholesky ́s method is explained, is provided. Various documents, highlighting the life and the personality of Cholesky, end the book.
‘A lover of light’: in 1912, a French critic used these words to describe the great Danish painter Peder Severin Krøyer, who had close ties to the French art scene for more than two decades. Krøyer first visited Paris in 1877, and his many letters clearly show the impact French art had on Krøyer’s own development as a painter, on the artists’ colony in Skagen, and on Danish art history in general. In Krøyer and Paris. French Connections and Nordic Colours, art historians Mette Harbo Lehmann and Dominique Lobstein describe Krøyer’s artistic development from the Golden Age tradition favoured by the Danish academy to Naturalism and the Modern Breakthrough. They show how inspiration from France can be traced in his painting technique and his open-air paintings from Skagen, revealing how French Naturalism made its mark on Krøyer’s distinctive style. Krøyer and Paris has also been published in Danish.
Recasting the birth of fascism, nationalism, and the fall of empire after World War I, Dominique Kirchner Reill recounts how the people of Fiume tried to recreate empire in the guise of the nation. The Fiume Crisis recasts what we know about the birth of fascism, the rise of nationalism, and the fall of empire after World War I by telling the story of the three-year period when the Adriatic city of Fiume (today Rijeka, in Croatia) generated an international crisis. In 1919 the multicultural former Habsburg city was occupied by the paramilitary forces of the flamboyant poet-soldier Gabriele D’Annunzio, who aimed to annex the territory to Italy and became an inspiration to Mussolini. Many local Italians supported the effort, nurturing a standard tale of nationalist fanaticism. However, Dominique Kirchner Reill shows that practical realities, not nationalist ideals, were in the driver’s seat. Support for annexation was largely a result of the daily frustrations of life in a “ghost state” set adrift by the fall of the empire. D’Annunzio’s ideology and proto-fascist charisma notwithstanding, what the people of Fiume wanted was prosperity, which they associated with the autonomy they had enjoyed under Habsburg sovereignty. In these twilight years between the world that was and the world that would be, many across the former empire sought to restore the familiar forms of governance that once supported them. To the extent that they turned to nation-states, it was not out of zeal for nationalist self-determination but in the hope that these states would restore the benefits of cosmopolitan empire. Against the too-smooth narrative of postwar nationalism, The Fiume Crisis demonstrates the endurance of the imperial imagination and carves out an essential place for history from below.
The shock of history: we live it, neither knowing or comprehending it. France, Europe, and the world have entered into a new era of thought, attitudes, and powers. This shock of history makes clear the fact that there is no such thing as an insurmountable destiny. The time will come for Europe to awaken, to respond to the challenges of immigration, toxic ideologies, the perils of globalism, and the confusion that assails her. But under what conditions? That is the question to which this book responds. Conceived in the form of a lively and dynamic interview with a historian who, after taking part in history himself, never ceased to study and reflect upon it. In this text, the first of his major works to appear in English, Dominique Venner recounts the great movements of European history, the origin of its thought, and its tragedies. He proposes new paths and offers powerful examples to ward off decadence, and to understand the history in which we are immersed and in which we lead our lives.
Why does society allow, or even encourage, private appropriation of inventions? When do patents encourage competition, when do they hamper it? How should society design the compromise between the interest of the inventor and the interest of the users of patented inventions? How should the patent system adapt to new technological areas? These questions and many more are addressed by the authors in this groundbreaking analysis of the economics behind the European patent system. Beginning with the history and principles of the patent system, the book then examines the economic effects of patenting on innovation and the diffusion of technology and growth. Throughout the book the theory and the reality are discussed alongside real world examples and comparison between the European, USA, and Japanese patent systems.
Un Monde Sans Argent: Le Communisme was originally published in three parts, as three separate pamphlets, in France, between 1975-6. It was produced by Dominique Blanc, shortly after the dissolution of the Organisation des Jeunes Travailleurs révolutionnaires. The name Quatre Millions de Jeune Travailleurs was apparently 'adopted' from a 1971 PSU youth publication (Parti Socialiste Unifié - a French Socialist Party), presumably to satisfy French publishing laws, and texts continued to be published under this name through the 1970's including the widely distributed tract A Bas Le Proletariat/Vive Le Communisme. Whatever, though, the book speaks for itself. Just read it.
Learn to leverage privilege. Privilege is a social consequence of our unwillingness to reckon with and turn from sin. But properly stewarded, it can help us see and participate in God's inbreaking kingdom. Scripture repeatedly affirms that privilege is real and declares that, rather than exploiting it for selfish gain or feeling immobilized by it, Christians have a responsibility to leverage it. Subversive Witness asks us to grapple with privilege, indifference, and systemic sin in new ways by using biblical examples to reveal the complex nature of privilege and Christians' responsibility in stewarding it well. Dominique DuBois Gilliard highlights several people in the Bible who understood this kingdom call. Through their stories, you will discover how to leverage privilege to: Resist Sin Stand in Solidarity with the Oppressed Birth Liberation Create Systemic Change Proclaim the Good News Generate Social Transformation By embodying Scripture's subversive call to leverage--and at times forsake--privilege, readers will learn to love their neighbors sacrificially, enact systemic change, and grow more Christlike as citizens of God's kingdom.
Introduction to the Mystery of the Church is an ecclesiological survey presenting a doctrinal synthesis of the Church. The author's intention is to propose an overview of this mystery in connection with the entirety of the Christian mystery. The book is divided into two major parts, the first presenting the foundations in the Bible and the tradition up to our day, and the second being an explanatory proposal introducing the reader to the Church's definition and personality and concluding with an exposition of the four properties enunciated in the Creed (one, holy, catholic, and apostolic). The value of this way of proceeding is first and foremost in the proposal of a synthesis that allows one to situate each question in its rightful place, such study being oriented toward a better overall grasp of the subject. As the title suggests, the book is an introduction that should allow the reader to apprehend the mystery in its internal coherence in order subsequently, with the aid of other texts, to be able to enter more deeply into the study of one or other specific point. While this ecclesiology treatise is written from a Catholic point of view, an ecumenical perspective is often present, either through the presentation of divergent views from other Christian confessions or through the proposal for a theological convergence.
Grenada's Bianca C, Martinique's Roraima, British Virgin Island's Rhone, USVI's Wit Shoal, Aruba's Antilla, Bonaire's Windjammer... these are some of the most spectacular historic shipwrecks of the Caribbean. Bursting with colour, underwater fauna adorn these large metallic vessels. The glistening light from the surface transforms these wrecks into sunken cathedrals. With camera and paint brush in hand, the diving duo of Cathy Salisbury and Dominique Serafini search out and explore these legendary vessels. Through their paintings, photography and stories, they capture the mysterious beauty of these shipwrecks for scuba divers and non-divers alike.
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