A fifteenth-century portrait painter, grieving the untimely death of his unrequited love, takes refuge at the monastery at Mont Saint-Michel, an island off the coast of France. He haunts the halls until the monks assign him the task of copying manuscripts – though he is illiterate. His work heals him and grows the monastery's library into a beautiful city of books, all under the shadow of the invention of the printing press. Dominique Fortier is an editor and translator living in Montreal. She is the author of five books, including On the Proper Use of Stars and Wonder. Rhonda Mullins is an award-winning translator and writer living in Montreal, Quebec.
FEATURED ON LITHUB CBC BOOKS: 2024 SPRING FICTION PREVIEW Dickinson after her death: a novel of the trio of women who brought Emily Dickinson’s poems out of the shadows When she died, Emily Dickinson left behind hundreds of texts scribbled on scraps of paper. She also left behind three formidable women: her steadfast sister, Lavinia; her brother’s ambitious mistress, Mabel Loomis Todd; and his grief-stricken wife, Susan Gilbert Dickinson. With no clear instructions from Emily, these three women would, through mourning and strife, make from those scraps of paper a book that would change American literature. From the author of Paper Houses, this is the improbable, almost miraculous, story of the birth of a book years after the death of its author. In these sensitive and luminous pages, Dominique Fortier explores, through Dickinson’s poetry, the mysterious power that books have over our lives, and the fragile and necessary character of literature.
A fifteenth-century portrait painter, grieving the untimely death of his unrequited love, takes refuge at the monastery at Mont Saint-Michel, an island off the coast of France. He haunts the halls until the monks assign him the task of copying manuscripts – though he is illiterate. His work heals him and grows the monastery's library into a beautiful city of books, all under the shadow of the invention of the printing press. Dominique Fortier is an editor and translator living in Montreal. She is the author of five books, including On the Proper Use of Stars and Wonder. Rhonda Mullins is an award-winning translator and writer living in Montreal, Quebec.
A sparkling, inventive debut novel inspired by Sir John Franklin's grand — but ultimately failed — quest to discover the Northwest Passage and by his extraordinary wife, Lady Jane. Originally published in Quebec as Du bon usage des etoiles, Dominique Fortier's debut On the Proper Use of Stars is as fresh and imaginative as anything published in recent years. It weaves together the voices of Francis Crozier, Sir John Franklin's second in command, who turns a sceptical eye on the grandiose ambitions and hubris of his leader, and of Lady Jane Franklin and her niece Sophia, both driven to uncommon actions by love and by frustration as months then years pass with no word from the expedition. Fortier skilfully accents the main narratives with overheard conversations and snippets from letters and documents that bring two entirely different worlds — the frozen Arctic and busy Victorian London — alive.
This second work from critically acclaimed Quebec novelist Dominique Fortier, whose debut was shortlisted for a Governor General's Award in both French and English, is an enthralling shell-game of a novel. Composed of three stories linked by theme and image, it brings alive a captivating cast of characters both historical and fictional. For lovers of boldly original literary fiction such as David Mitchell's Cloud Atlas, Peter Carey's Oscar and Lucinda, and Michael Cunningham's The Hours. In Wonder past and present, science and emotion, speak to each other to create a brilliant whole from three distinct parts. Readers are swept from a devastating volcanic eruption in 1902 to today's Montreal by way of a scientific love story in Victorian England. Along the way we follow Baptiste Cyparis, "The Man who Lived Through Doomsday," who traveled the length and breadth of the United States with Barnum & Bailey's circus, and meet Edward Love, the mathematician who discovered the mysterious waves that shake the earth. This luminous novel confirms Fortier as both a first-rate storyteller and as a master stylist.
Emily Dickinson is as famous for being a recluse as she is for her poetry. In this stunning novel, we see her struggling to reconcile spirit and flesh, preferring letters and reflecting that the only way to have books and life is to live through one’s own writing. Dominique Fortier brings Dickinson vividly to life, as if reanimating a flower that had been pressed in a book, through her reflections on language and what it feels like to be home.
FEATURED ON LITHUB CBC BOOKS: 2024 SPRING FICTION PREVIEW Dickinson after her death: a novel of the trio of women who brought Emily Dickinson’s poems out of the shadows When she died, Emily Dickinson left behind hundreds of texts scribbled on scraps of paper. She also left behind three formidable women: her steadfast sister, Lavinia; her brother’s ambitious mistress, Mabel Loomis Todd; and his grief-stricken wife, Susan Gilbert Dickinson. With no clear instructions from Emily, these three women would, through mourning and strife, make from those scraps of paper a book that would change American literature. From the author of Paper Houses, this is the improbable, almost miraculous, story of the birth of a book years after the death of its author. In these sensitive and luminous pages, Dominique Fortier explores, through Dickinson’s poetry, the mysterious power that books have over our lives, and the fragile and necessary character of literature.
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
Emily Dickinson is as famous for being a recluse as she is for her poetry. In this stunning novel, we see her struggling to reconcile spirit and flesh, preferring letters and reflecting that the only way to have books and life is to live through one’s own writing. Dominique Fortier brings Dickinson vividly to life, as if reanimating a flower that had been pressed in a book, through her reflections on language and what it feels like to be home.
For decades retroviruses have been riding the crest of a wave of experimental research directed toward the identification of an infectious agent of human neoplastic diseases. In the early 1970s, several scientists successfully demonstrated the presence of retroviruses in numerous animal species and proved their etiological role in some related diseases. Corresponding findings in humans were somewhat discouraging. Although financial support for this line· of research declined, a few dedicated retrovirologists survived and continued to collect more biological information and technological expertise that opened a new approach to the search for a human retrovirus. The rewards came with the discovery that the genes responsible for neoplastic transformation (oncogenes) are of cellular origin and can be shuttled about by retroviruses, and with the identification of a new family of Human T-cell Lymphotrophic retroViruses (HTLV) from patients with diseases ranging from leukemia to the acquired immunodeficiency syndrome (AIDS). An understanding of the role and significance of retroviruses in human pathology requires basic knowledge of the major animal systems studied. With this perspective in mind, we present here a survey that includes general overviews, minireviews on each animal system studied with selected experimental reports and, finally, a stimulating review of the field of human retrovirology by many of the pioneer scientists who created it. We are especially grateful to Profs. C. A. Romanzi and G. C. Schito for promoting the organization of the Symposium. On behalf of the Sym posium Committee, we thank E. Soeri, L. Casarino, G. P. Gesu, M.
This Series provides the necessary elements to the development and validation of numerical prediction models for hydrodynamic bearings. This book describes the rheological models and the equations of lubrication. It also presents the numerical approaches used to solve the above equations by finite differences, finite volumes and finite elements methods.
A brilliant account of the politics of shit. It will leave you speechless." Written in Paris after the heady days of student revolt in May 1968 and before the devastation of the AIDS epidemic, History of Shit is emblematic of a wild and adventurous strain of 1970s' theoretical writing that attempted to marry theory, politics, sexuality, pleasure, experimentation, and humor. Radically redefining dialectical thought and post-Marxist politics, it takes an important—and irreverent—position alongside the works of such postmodern thinkers as Foucault, Deleuze, Guattari, and Lyotard. Laporte's eccentric style and ironic sensibility combine in an inquiry that is provocative, humorous, and intellectually exhilarating. Debunking all humanist mythology about the grandeur of civilization, History of Shit suggests instead that the management of human waste is crucial to our identities as modern individuals—including the organization of the city, the rise of the nation-state, the development of capitalism, and the mandate for clean and proper language. Far from rising above the muck, Laporte argues, we are thoroughly mired in it, particularly when we appear our most clean and hygienic. Laporte's style of writing is itself an attack on our desire for "clean language." Littered with lengthy quotations and obscure allusions, and adamantly refusing to follow a linear argument, History of Shit breaks the rules and challenges the conventions of "proper" academic discourse.
The Social Origins of the Welfare State traces the evolution of the first universal laws for Québec families, passed during the Second World War. In this translation of her award-winning Aux origines sociales de l ́État-providence, Dominique Marshall examines the connections between political initiatives and Québécois families, in particular the way family allowances and compulsory schooling primarily benefited teenage boys who worked on family farms and girls who stayed home to help with domestic labour. She demonstrates that, while the promises of a minimum of welfare and education for all were by no means completely fulfilled, the laws helped to uncover the existence of deep family poverty. Further, by exposing the problem of unequal access of children of different classes to schooling, these programs paved the way for education and funding reforms of the next generation. Another consequence was that in their equal treatment of both genders, the laws fostered the more egalitarian language of the war, which faded from other sectors of society, possibly laying groundwork for feminist claims of future decades. The way in which the poorest families influenced the creation of public, educational, and welfare institutions is a dimension of the welfare state unexamined until this book. At a time when the very idea of a universal welfare state is questioned, The Social Origins of the Welfare State considers the fundamental reasons behind its creation and brings to light new perspectives on its future.
A sparkling, inventive debut novel inspired by Sir John Franklin's grand — but ultimately failed — quest to discover the Northwest Passage and by his extraordinary wife, Lady Jane. Originally published in Quebec as Du bon usage des etoiles, Dominique Fortier's debut On the Proper Use of Stars is as fresh and imaginative as anything published in recent years. It weaves together the voices of Francis Crozier, Sir John Franklin's second in command, who turns a sceptical eye on the grandiose ambitions and hubris of his leader, and of Lady Jane Franklin and her niece Sophia, both driven to uncommon actions by love and by frustration as months then years pass with no word from the expedition. Fortier skilfully accents the main narratives with overheard conversations and snippets from letters and documents that bring two entirely different worlds — the frozen Arctic and busy Victorian London — alive.
This second work from critically acclaimed Quebec novelist Dominique Fortier, whose debut was shortlisted for a Governor General's Award in both French and English, is an enthralling shell-game of a novel. Composed of three stories linked by theme and image, it brings alive a captivating cast of characters both historical and fictional. For lovers of boldly original literary fiction such as David Mitchell's Cloud Atlas, Peter Carey's Oscar and Lucinda, and Michael Cunningham's The Hours. In Wonder past and present, science and emotion, speak to each other to create a brilliant whole from three distinct parts. Readers are swept from a devastating volcanic eruption in 1902 to today's Montreal by way of a scientific love story in Victorian England. Along the way we follow Baptiste Cyparis, "The Man who Lived Through Doomsday," who traveled the length and breadth of the United States with Barnum & Bailey's circus, and meet Edward Love, the mathematician who discovered the mysterious waves that shake the earth. This luminous novel confirms Fortier as both a first-rate storyteller and as a master stylist.
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