“Fabre speaks to us of luck and misfortune, of the accidents that make a man or defeat him . . . [He] is the discreet megaphone of the man in the crowd” (Elle). Lifelong Parisian Dominique Fabre—author of The Waitress Was New—exposes the shadowy, anonymous lives of many who inhabit the French capital. In this quiet, subdued tale, a middle-aged office worker, divorced and alienated from his only son, meets up with two childhood friends who are similarly adrift, without passions or prospects. He’s looking for a second act to his mournful life, seeking the harbor of love and a true connection with his son. Set in palpably real Paris streets that feel miles away from the City of Light, Guys Like Me is a stirring novel of regret and absence, yet not without a glimmer of hope. “Fabre’s unexpectedly touching novel has a laugh of its own behind its low-key, smoothly translated narrative voice . . . The city it evokes isn’t the Paris of tourists but of local people.” —The New York Times “Fabre is a genius of these nuanced, interior moments . . . The story Fabre tells is that of every one of us: looking for meaning in the mundane, moving through our lives, our interactions, as if through the fabric of a dream.” —Los Angeles Times “A short, arresting tale that . . . not only offers keen insights into the mind of its middle-aged protagonist, but also provides the reader with a unique tour of what everyday life in the low-key suburbs of Paris must truly be like.” —Typographical Era
A sensitive portrait of one boy’s travels from earliest consciousness through his salad days in the countryside and onward by a “genius” of “nuanced interior moments” (Los Angeles Times) Fabre’s ability to act as a “discreet megaphone of the man in the crowd” (Elle Magazine) will take you by surprise and leave an immutable mark on your heart. Edgar loves nothing more than listening to the birds in the trees, the squeaking of moles in nearby chalk quarries, the conversations trickling out of the carpeted offices surrounding his favorite park in the suburbs of Paris. He also listens to the hushed conversations of passersby, strangers who whisper that he is “not all there.” But what constitutes the supposedly insufficient character of Edgar’s interior life? Dominique Fabre gives himself over to Edgar’s way of seeing, his sensitivity, his innocence and wisdom, his longings and perceptions, his tentative interpolations into the social fabric of 1960s France, and in each passage we find a stirring answer.
“Fabre speaks to us of luck and misfortune, of the accidents that make a man or defeat him . . . [He] is the discreet megaphone of the man in the crowd” (Elle). Lifelong Parisian Dominique Fabre—author of The Waitress Was New—exposes the shadowy, anonymous lives of many who inhabit the French capital. In this quiet, subdued tale, a middle-aged office worker, divorced and alienated from his only son, meets up with two childhood friends who are similarly adrift, without passions or prospects. He’s looking for a second act to his mournful life, seeking the harbor of love and a true connection with his son. Set in palpably real Paris streets that feel miles away from the City of Light, Guys Like Me is a stirring novel of regret and absence, yet not without a glimmer of hope. “Fabre’s unexpectedly touching novel has a laugh of its own behind its low-key, smoothly translated narrative voice . . . The city it evokes isn’t the Paris of tourists but of local people.” —The New York Times “Fabre is a genius of these nuanced, interior moments . . . The story Fabre tells is that of every one of us: looking for meaning in the mundane, moving through our lives, our interactions, as if through the fabric of a dream.” —Los Angeles Times “A short, arresting tale that . . . not only offers keen insights into the mind of its middle-aged protagonist, but also provides the reader with a unique tour of what everyday life in the low-key suburbs of Paris must truly be like.” —Typographical Era
The interaction of poetry and politics has shaped Joan into a transnational myth dedicated to the most contradictory causes. No other character has inspired a more impressive list of writers, but no other myth possesses the malleability required to serve rival camps. Whatever their distortions of fact for art's sake, these famed authors deployed an extensive knowledge of known records. The quality of the exchanges between the best creative and philosophical minds of preceding centuries, their capacity for reading, range of interests, literary judgment, critical shrewdness, all offer priceless models of investigation for our times. A close inquiry into the makings of the legendary heroine brings to light various false impressions still endorsed today by a number of noteworthy historians and literary critics. This collection of essays, updated for the English language edition, follows Joan of Arc in the Western consciousness, throughout the chain of texts, fictions, comments, from the time of her launching into celebrity by Jean Gerson and Christine de Pizan to the most recent stage and film versions. D. Goy-Blanquet investigates the exchanges between England, France and Germany, down to Joan's nationalisation by Michelet. Francoise Michaud-Frejaville studies, through little known seventeenth-century versions, a period of decline in the heroine's popularity, with Jean Chapelain's much decried Pucelle at its lowest ebb. Nadia Margolis picks up the thread from Michelet to explore the background of frenzied political quarrels, and personal self-identifications, for possession of the nineteenth-century heroine, down to their ultimate appropriation, that by the National Front. Jacques Darras questions Peguy and the warmongers who used Joan as a firebrand against pacifists like Jean Jaures, down to the singular fate of Anouilh's L'Alouette, and beyond them the nationalistic strains which continue to infect the French political scene. An essay composed especially for this
Digital information, particularly for online newsgathering and reporting, is an industry fraught with uncertainty and rapid innovation. Digital Information Ecosystems: Smart Press crosses academic knowledge with research by media groups to understand this evolution and analyze the future of the sector, including the imminent employment of bots and artificial intelligence. The book adopts an original and multidisciplinary approach to this topic: combining the science of media economics with the experience of a practicing journalist of a major daily newspaper. The result is an essential guide to the opportunities of the media to respond to a changing global digital landscape. Independent news reporting is vital in the contemporary democracy; the media must itself become a new “smart press”.
It is a complete training in digital communications in the same book with all the aspects involved in such training: courses, tutorials with many typical problems targeted with detailed solutions, practical work concretely illustrating various aspects of technical implementation implemented. It breaks down into three parts. The Theory of information itself, which concerns both the sources of information and the channels of its transmission, taking into account the errors they introduce in the transmission of information and the means of protect by the use of appropriate coding methods. Then for the technical aspects of transmission, first the baseband transmission is presented with the important concept and fundamental technique of equalization. The performance evaluation in terms of probability of errors is systematically developed and detailed as well as the online codes used. Finally, the third part presents the Transmissions with digital modulation of carriers used in radio transmissions but also on electric cables. A second important aspect in learning a learner's knowledge and skills is this book. It concerns the "Directed Work" aspect of a training. This is an ordered set of 33 typical problems with detailed solutions covering the different parts of the course with practical work. Finally, the last aspect concerns the practical aspects in the proper sense of the term, an essential complement to training going as far as know-how. We propose here a set of 5 practical works.
The use of digital information and communication technologies would be the traces of a social acceptability of the exploitation of all data, in the context of negotiations of uses. This is the reason why the users present themselves actors and contributors of the hyperconnectivity. We would thus witness a new form of dissemination, inviting user experience and social innovations. It is thus the victory of subordination by negotiated renunciation; A new form of serving, no longer that of the 1980s, with the counters and other services, which have become uncontrolled services - excepted when the users are overcome by restrictive ergonomics, revealing too much the subordination device - which joins the prescription apparently without an injunction. The lure is at its height when users and broadcasters come together to produce the services and goods, composing the business model, until the very existence of the companies, in particular the pure players. Crowdsourcing becomes legitimate: consumers create the content, deliver the data, the basis of the service sold (in a painless way because free access most of the time, indirect financing), the providers make available and administer the service, networks , Interfaces (representing considerable costs), also reputation to attract the attention of other consumers or contributors. In these conditions, the environmental stakes are considerable, so we propose another way of considering them, not as they are dealt with - material and pollution - but according to the prism of the relational practices analyzed in this volume.
It is a complete training in digital communications in the same book with all the aspects involved in such training: courses, tutorials with many typical problems targeted with detailed solutions, practical work concretely illustrating various aspects of technical implementation implemented. It breaks down into three parts. The Theory of information itself, which concerns both the sources of information and the channels of its transmission, taking into account the errors they introduce in the transmission of information and the means of protect by the use of appropriate coding methods. Then for the technical aspects of transmission, first the baseband transmission is presented with the important concept and fundamental technique of equalization. The performance evaluation in terms of probability of errors is systematically developed and detailed as well as the online codes used. Finally, the third part presents the Transmissions with digital modulation of carriers used in radio transmissions but also on electric cables. A second important aspect in learning a learner's knowledge and skills is this book. It concerns the "Directed Work" aspect of a training. This is an ordered set of 33 typical problems with detailed solutions covering the different parts of the course with practical work. Finally, the last aspect concerns the practical aspects in the proper sense of the term, an essential complement to training going as far as know-how. We propose here a set of 5 practical works.
“A great actress, who puts life into the dialogue. Her acting is very natural, her face so expressive. She doesn't act, she is.” Woody Allen The teenager who saw herself as dull and timid and who wanted to be invisible for fear that she would seem like a show-off has become, in a career spanning twenty years, a quintessential artist of the Seventh Art. Sometimes nicknamed "Marion the kid," the “French Siren” in the United States, her notoriety has led her to be known by the simple, tradittional name of "Cotillard," just as other famous and appreciated actresses are called "Adjani," "Binoche" or "Deneuve." Passionate about cinema, Dominique Choulant lets us better understand a rich and endearing personality, a dedicated woman and an exceptional artist who, by the virtue of going to the limits of each character, succeeded in being herself. A former student of the Cours Florent, Dominique Choulant is passionate about the great female figures of cinema. He has already published books on other actresses, such as Martine Carol - L'Étoile aux cheveux d'Or (1997), CinéMarilyn (2006), Brigitte Bardot, le mythe éternel (2009), Marilyn Monroe, d'hier à aujourd'hui (2012) (Mon petit éditeur) and Isabelle Adjani, la magnifique (2014). He is also the author of novels: Un pas dans le vide published by Gaies et lesbiennes and Même si published by Bénévent, as well as a play, Muriel ou le temps d'aimer, Mon petit éditeur, 2014.
This book aims to pull together the main themes relevant to the relationship between sport and violence, using information from the media, court reports, statistics and research. The topics covered include: football grounds and violence; the links between sport, politics and violence; the way it is treated in the media; violence directed at minority groups; and the economic perspective.
During the French Revolution, hundreds of domestic and working-class women of Paris were interrogated, examined, accused, denounced, arrested, and imprisoned for their rebellious and often hostile behavior. Here, for the first time in English translation, Dominique Godineau offers an illuminating account of these female revolutionaries. As nurturing and tender as they are belligerent and contentious, these are not singular female heroines but the collective common women who struggled for bare subsistence by working in factories, in shops, on the streets, and on the home front while still finding time to participate in national assemblies, activist gatherings, and public demonstrations in their fight for the recognition of women as citizens within a burgeoning democracy. Relying on exhaustive research in historical archives, police accounts, and demographic resources at specific moments of the Revolutionary period, Godineau describes the private and public lives of these women within their precise political, social, historical, and gender-specific contexts. Her insightful and engaging observations shed new light on the importance of women as instigators, activists, militants, and decisive revolutionary individuals in the crafting and rechartering of their political and social roles as female citizens within the New Republic. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998. During the French Revolution, hundreds of domestic and working-class women of Paris were interrogated, examined, accused, denounced, arrested, and imprisoned for their rebellious and often hostile behavior. Here, for the first time in English translation,
Order and Exclusion is a rare and magnificent book of medieval history with clear relevance to today's headlines. Through the lens of the polemics of Peter the Venerable, abbot of Cluny, Dominique Iogna-Prat examines the process by which christianity transformed itself into Christendom, a powerful spiritual, social, and political system with pretensions to universality. Iogna-Prat's close examination of a set of writings central to the history of Catholicism resolves into a deeply troubling study of the origins of attitudes that continue to shape world events. Iogna-Prat writes that "versions of fundamentalism nourished by the soil of an often terrible common history" show that Christianity, Judaism, and Islam have all been capable of intolerance.Peter the Venerable's writings had a far-reaching impact: the powerful network of Clunaic houses expanded from the founding of the original monastery of Cluny to dominate Christendom by the twelfth century. This Christendom, Iogna-Prat demonstrates, defined itself in part through its increasingly bitter struggles against its perceived enemies both within and without. Peter the Venerable's all-pervasive logic pitted the "order" of the monastery and its hierarchical society against all those--heretics, Jews, Muslims, lepers--outside its bounds. In his proclamations against Jews and Muslims, Peter devised a Christian anthropology: in his view, to be non-Christian was to be non-human. The power of the Church came at a great and lasting price.
This book follows the renunciation story in Borges and beyond, arguing for its centrality as a Borgesian compositional trope and as a Borgesian prism for reading a global constellation of texts. The renunciation story at the heart of Buddhism, that of a king who leaves his palace to become an ascetic, fascinated Borges because of its cross-cultural adaptability and metamorphic nature, and because it resonated so powerfully across philosophy, politics and aesthetics. From the story and its many variants, Borges’s essays formulated a 'morphological' conception of literature (borrowing the idea from Goethe), whereby a potentially infinite number of stories were generated by transformation of a finite number of 'archetypes'. The king-and-ascetic encounter also tells a powerful political story, setting up a confrontation between power and authority; Borges’s own political predicament is explored against the rich background of truth-telling renouncers. In its poetic variant, the renunciation archetype morphs into stories about art and artists, with renunciation a key requirement of the creative process: the discussion weaves in and out of Borges to highlight modern writers’ debt to asceticism. Ultimately, the enigmatic appeal of the renunciation story aligns it with the open-endedness of modern parables.
A simple but complete mindfulness meditation program for children ages 3-7 and their parents, designed to encourage kindness and empathy More and more children are experiencing the benefits of mindfulness practices at home and in school to reduce stress, regulate emotions, and improve concentration. But true mindfulness practice also opens the heart and increases compassion and empathy. The Magic of Meditation is really two books in one: a guide for parents to the basics and benefits of meditation for children, and a concise practice program of mindfulness meditation for children, ages three to seven. The program includes stories, bedtime rituals, and an audio download, featuring Yupsi, a magical dragon. Yupsi’s boundless optimism and good nature will inspire children to feel confidence in their emotions and help them develop natural kindness and altruism.
The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.
Beggars, outcasts, urchins, waifs, prostitutes, criminals, convicts, madmen, fallen women, lunatics, degenerates—part reality, part fantasy, these are the grotesque faces that populate the underworld, the dark inverse of our everyday world. Lurking in the mirror that we hold up to our society, they are our counterparts and our doubles, repelling us and yet offering the tantalizing promise of escape. Although these images testify to undeniable social realities, the sordid lower depths make up a symbolic and social imaginary that reflects our fears and anxieties—as well as our desires. In Vice, Crime, and Poverty, Dominique Kalifa traces the untold history of the concept of the underworld and its representations in popular culture. He examines how the myth of the lower depths came into being in nineteenth-century Europe, as biblical figures and Christian traditions were adapted for a world turned upside-down by the era of industrialization, democratization, and mass culture. From the Parisian demimonde to Victorian squalor, from the slums of New York to the sewers of Buenos Aires, Kalifa deciphers the making of an image that has cast an enduring spell on its audience. While the social conditions that created that underworld have changed, Vice, Crime, and Poverty shows that, from social-scientific ideas of the underclass to contemporary cinema and steampunk culture, its shadows continue to haunt us.
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
Dominique Perrault's architecture and urban designs are strictly modern, yet his simple and efficient shapes contain a classical and timeless element. He constantly manages to satisfy the need to be reasonable without sacrificing the aesthetic awareness
In the first major study of postwar social movement organizations in Canada, Dominique Clément provides a history of the human rights movement as seen through the eyes of two generations of activists. Drawing on newly acquired archival sources, extensive interviews, and materials released through access to information applications, Clément explores the history of four organizations that emerged in the sixties and evolved into powerful lobbies for human rights despite bitter internal disputes and intense rivalries. This book offers a unique perspective on infamous human rights controversies and argues that the idea of human rights has historically been highly statist while grassroots activism has been at the heart of the most profound human rights advances.
Drawn from insights of the past twenty years, the essays reflect the renewed approach of gender and sexuality as they relate to homosexuality and its representation, and they rely on models that differentiate between sexuality and gender and between natural inclinations and social constructs. Despite the wide variety of subjects, critical positions, and authors' backgrounds, what these essays have in common is the willingness of the contributors to go beyond a set of rhetorics, a set of limitations that were a defining moment in the struggle of gay liberation, and its reflection in both creative and critical writing.
Joyeux Noël: “[An]endearing collection of Christmas stories from ten of France’s most esteemed writers―past and present―skillfully translated.” ―Foreword Reviews This collection brings together the best French Christmas stories of all time, featuring classics by Guy de Maupassant and Alphonse Daudet, plus stories by the esteemed twentieth century authors Irène Némirovsky and Nobel Prize winner Anatole France and contemporary writers Dominique Fabre and Jean-Philippe Blondel. With a holiday spirit conveyed through sparkling Paris streets, opulent feasts, wandering orphans, kindly monks, homesick soldiers, oysters, crayfish, ham, bonbons, flickering desire, and more than a little wine, this collection encapsulates Christmas à la française—delicious, intense and unexpected.
First published in French in 1981 under the title Le declin du nationalisme au Québec, this classic has received considerable critical acclaim. Graham Fraser of the Montreal Gazette wrote, "a suberb book: provocative, ironic, stimulating, and analytical, with a sharp eye for the social meaning of public events. Clift covered Quebec politics as a daily journalist for almost 25 years. He has succeeded in sweeping across events he covered to reduce them to their most substantial conflict." Dominique Clift's perceptive analysis traces two antagonistic trends in recent Quebec history: the growth of nationalism, which reached its high point with the election of René Lévesque in 1967, and the development of individualism at the expense of group solidarity.
This “charming . . . short account of ordinary goings-on in a French café” explores love, work, loneliness, and aging as it follows the daily life of a middle-aged Parisian bartender (Lemony Snicket) Pierre is a veteran bartender in a café in the outskirts of Paris. He observes his customers as they come and go—the young man who drinks beer as he reads Primo Levi, the fellow who from time-to-time strips down and plunges into the nearby Seine, the few regulars who eat and drink there on credit—sizing them up with great accuracy and empathy. Pierre doesn’t look outside more than necessary; he prefers to let the world come to him. Soon, however, the café must close its doors, and Pierre finds himself at a loss. As we follow his stream of thoughts over three days, Pierre’s humanity and profound solitude both emerge. The Waitress Was New is a moving portrait of human anguish and weakness, of understated nobility and strength.
This “charming . . . short account of ordinary goings-on in a French café” explores love, work, loneliness, and aging as it follows the daily life of a middle-aged Parisian bartender (Lemony Snicket) Pierre is a veteran bartender in a café in the outskirts of Paris. He observes his customers as they come and go—the young man who drinks beer as he reads Primo Levi, the fellow who from time-to-time strips down and plunges into the nearby Seine, the few regulars who eat and drink there on credit—sizing them up with great accuracy and empathy. Pierre doesn’t look outside more than necessary; he prefers to let the world come to him. Soon, however, the café must close its doors, and Pierre finds himself at a loss. As we follow his stream of thoughts over three days, Pierre’s humanity and profound solitude both emerge. The Waitress Was New is a moving portrait of human anguish and weakness, of understated nobility and strength.
This book covers recent advances in the field of nucleon resonances presented at the IX International Workshop on the Physics of Excited Baryons, NSTAR2004. A complete overview of the most recent experimental results obtained worldwide on baryon spectroscopy is presented together with theoretical progress on related topics ranging from resonance parameters extraction to lattice-QCD calculations through effective field theory. Of particular interest, a large part of the book is devoted to exotic states with quantum numbers of pentaquarks, whose recent discovery represents a new chapter in hadronic physics. The proceedings have been selected for coverage in: . OCo Index to Scientific & Technical Proceedings (ISTP CDROM version / ISI Proceedings). OCo CC Proceedings OCo Engineering & Physical Sciences.
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