This book is the result of a study carried out in Guangzhou (Canton), financed by the European Union and focusing on the perceptions that the Chinese have of Europe and Europeans. The perceptions tell us nothing or little about the social reality and the real behaviour of others. They are above all an implicit confrontation with the values of those who pronounce them. They act as a projection. Here, they express the framework of thought and implicit values of the Chinese, at the same time as they give a true idea of what the Chinese think of Europeans. It is the role of the social sciences to deconstruct these perceptions in order to objectivize them, that is to say put into perspective their link with the reality described. This done, it is possible to create a certain distance in relation to what is expressed, a certain relativism, the existence of which is necessary in an intercultural perspective.
This book shows how human rights became the primary language for social change in Canada and how a single decade became the locus for that emergence. The author argues that the 1970s was a critical moment in human rights history—one that transformed political culture, social movements, law, and foreign policy. Human Rights in Canada is one of the first sociological studies of human rights in Canada. It explains that human rights are a distinct social practice, and it documents those social conditions that made human rights significant at a particular historical moment. A central theme in this book is that human rights derive from society rather than abstract legal principles. Therefore, we can identify the boundaries and limits of Canada’s rights culture at different moments in our history. Until the 1970s, Canadians framed their grievances with reference to Christianity or British justice rather than human rights. A historical sociological approach to human rights reveals how rights are historically contingent, and how new rights claims are built upon past claims. This book explores governments’ tendency to suppress rights in periods of perceived emergency; how Canada’s rights culture was shaped by state formation; how social movements have advanced new rights claims; the changing discourse of rights in debates surrounding the constitution; how the international human rights movement shaped domestic politics and foreign policy; and much more. In addition to drawing on secondary literature in law, history, sociology, and political science, this study looked to published government documents, litigation and case law, archival research, newspapers, opinion polls, and materials produced by non-governmental organizations.
Façon de Parler 1 is the first of a two-volume, communicative course, specially designed for the adult beginner. Angela Aries and Dominique Debney guide you step by step through all the basic language skills you need for holiday, business or exams and there is plenty of opportunity to practise what you have learned as you go along. Each of the units contains the following: - lively, illustrated dialogues and comprehension questions - structured pair-work and group-work activities - basic vocabulary and useful expressions - grammar notes - listening comprehension (for work with the recordings, sold separately) There are also regular revision sections to consolidate the main topics and grammar points, while a useful reference section is followed by a French-English end vocabulary Façon de Parler 1 is ideal for group work and can also be used for individual study and revision purposes. This ebook contains the content from the course book. If you wise to purchase the audio component of the course it is available separately in the form of an Audio and Support Book Pack (9781444168457), a pack which contains three CDs featuring dialogues, passages and exercises from the coursebook, and a support booklet which includes an answer key and recording transcripts.
Political, poetic, committed, profound: Jean-Michel Alberola’s oeuvre is an artist’s reaction to reality, human feelings and the state of the world. His exhibition at the Palais de Tokyo triggers a voyage that stimulates the eye and the mind as it maps the underappreciated diversity of his work. Associating bodily and geographical fragments with ambiguous statements and injunctions, this major and utterly distinctive figure on the French art scene shapes rebuses that challenge both our way of seeing and the role of art in society. And yet, in its intermingling of artistic speculation and political questioning, and of conceptualism, abstraction and figuration, Alberola’s unique, hard-hitting oeuvre is never without its touch of humour. Book contents - “Adding Up the Details: Chapter 1”: A text by Jean-Michel Alberola. - “The Crossing and the Passeur”: A conversation between Jean-Michel Alberola and Katell Jaffrès, curator of Jean-Michel Alberola’s solo exhibition at the Palais de Tokyo. - “He Who is Taking Himself by Surprise”: An essay by Dominique Païni. About the authors - Katell Jaffrès is a curator at the Palais de Tokyo. - Dominique Païni is a critic, a writer and a curator. He has written numerous publications focusing on the connection between cinema and fine arts. Book published on the occasion of Jean-Michel Alberola’s solo exhibition at the Palais de Tokyo, “L’Aventure des détails” 19.02 – 16.05 2016
The little-known story of the Situationist International’s struggle against the automation of everyday life No other art movement has so profoundly influenced radical politics as the Situationist International. But beyond the clichés about its purported leader Guy Debord, the "society of the spectacle," détournement and dérive, lies a more complex story about key historical shifts in the composition of capital, work, labor, art, and revolutionary theory during the 1950s and 60s. With and Against reframes the history of the Situationist International as a struggle to come to terms with the then-emerging ideologies of cybernetics and automation. Through each of the book's four chapters, Dominique Routhier dissects Situationist pamphlets, documents, artworks, and objects that refract elements of a "cybernetic hypothesis": the theoretically hyperbolic belief that technological progress, computers and automation make class struggle and the idea of revolution obsolete. With equal attention to aesthetic detail and to the broader contours of political economy, this book serves as a critical intervention in art history as well a call to reconsider, more broadly, the contemporary lessons of the most political of all artistic avantgardes.
Les services internet, nécessitant des cycles de développement rapides, avec des fonctionnalités toujours plus nombreuses pour les utilisateurs, ont conduit au développement des méthodes de type agile en entreprise. En parallèle, les exigences à fournir des solutions utiles et utilisables par les usagers rendent la conception des systèmes, services et produits de plus en plus complexes. La méthode agile centrée utilisateurs est une solution d’intégration mutuelle de la conception centrée utilisateurs (où les notions d’itération et de recherche de feedbacks tiennent un rôle important) et de la méthode agile Scrum (orientée gestion de projet) en vue d’apporter plus de garanties sur le produit fini en termes d’utilisabilité. Elle est basée sur l’imbrication de ces deux méthodes, en phase de conception, et sur la réalisation de tests-utilisateurs courts qui permettent de prendre en compte les utilisateurs en phase de développement.
The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.
Inhalt: Maurice de Gandillac: Nicolas de Cues pr�curseur de Leibniz I. M�taphysique: Mit Beitr�gen von: Pierre Magnard, Adelino Cardoso, Claude Gaudin, Concha Roldan Panadero, Mark Kulstad, Christina Schneider, Alosye N'Diaye, Bruno Pinchard II. Morale, Th�ologie, Droit: Mit Beitr�gen von: Ursula Goldenbaum, Martine de Gaudemar, Hans Poser, Pierre Boucher, Edmond Ortigues, Didier Bessot III. Logique, Linguistique: Mit Beitr�gen von: Fr�d�ric Nef, Hans Burkhardt, Filipe Drapeau Viere Contim, S�bastien Madouas, Malte-Ludolf Babin, Patrice Bailhache IV. Connaissance: Mit Beitr�gen von: Javier Echeverria, Dominique Berlioz, Hide Ishiguro, Antonio Lamarra, Eberhard Knobloch, Hartmut Rudolph, Malte-Ludolf Babin / Heinz-Juergen Hess V. Math�matiques: Mit Beitr�gen von: Marc Parmentier, Emily Grosholz, Heinz-Juergen He�, Marie-Fran�oise Roy, Eberhard Knobloch, Herv� Barreau, Jean Petitot, J. Michel Salanskis VI. Sciences positives: Mit Beitr�gen von: Laurence Bouquiaux, Hartmut Hecht, Jean Petitot, Daniel Schultess, Annie Ibrahim, Andr� Robinet.
Du Trésor de Delphes à la Fronde, de la Chute de l'Empire Romain au derniers soubresauts des Guerres de Religion, des Invasions Wisigothes aux Cathares, des secrets de l'Égypte Pharaonique aux Templiers, des Mérovingiens aux Croisades, du Mythe des Géants à celui de l'Atlantide, des Mythes Celtes à ceux du Graal, une aventure haletante durant laquelle les Personnages sont entrainés malgré eux dans une chasse au Trésor, à la recherche d'un Secret enfoui au coeur de l'Histoire depuis l'Aube des Ages de l'Humanité. Une course effrénée durant laquelle Vampires et autres créatures Surnaturelles se déchirent pour mettre en oeuvre une Prophétie multimillénaire...Quand le Mythe rejoint l'Histoire, il y a un instant magique où la Réalité n'existe plus que pour être emportée par le souffle d'une légendaire épopée...
Designed to help beginning French students build their reading skills and expand their vocabulary base at an early stage of instruction. Contains 26 lessons, which are divided into four levels according to the structures used in the readings.
This book is the result of a study carried out in Guangzhou (Canton), financed by the European Union and focusing on the perceptions that the Chinese have of Europe and Europeans. The perceptions tell us nothing or little about the social reality and the real behaviour of others. They are above all an implicit confrontation with the values of those who pronounce them. They act as a projection. Here, they express the framework of thought and implicit values of the Chinese, at the same time as they give a true idea of what the Chinese think of Europeans. It is the role of the social sciences to deconstruct these perceptions in order to objectivize them, that is to say put into perspective their link with the reality described. This done, it is possible to create a certain distance in relation to what is expressed, a certain relativism, the existence of which is necessary in an intercultural perspective.
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