Based on the unrivaled collections of the British Museum, this extensively illustrated book is a superb introduction to the art of the ancient Near East from the eighth millennium B.C. to Alexander the Great. Often described as the cradle of civilization, the ancient Near East was the birthplace of writing, monumental sculpture, and wheel-made pottery. Dominique Collon provides a unique view into this ancient world, from village settlements to grand palaces to burial sites. Collon situates the Museum's most beautiful and interesting artifacts against their historical and cultural background. Among the works featured are painted pottery, figurines, cylinder seals, and stone amulets from the earliest village cultures before 3000 B.C. Also here are magnificent finds from graves at Alaca Huyuk in Turkey and the Royal Cemetery at Ur, including jewelry, musical instruments, and the famous Royal Standard. Sculpted reliefs from Assyrian palaces and Sasanian metalwork round out the collection. In her final chapter, Collon shows how art from the ancient Near East resonates in our own world today. A welcome addition is a Mesopotamian chronology summarizing recent astronomical and textual data, compiled by C.B.F. Walker especially for this book. Based on the unrivaled collections of the British Museum, this extensively illustrated book is a superb introduction to the art of the ancient Near East from the eighth millennium B.C. to Alexander the Great. Often described as the cradle of civilization, the ancient Near East was the birthplace of writing, monumental sculpture, and wheel-made pottery. Dominique Collon provides a unique view into this ancient world, from village settlements to grand palaces to burial sites. Collon situates the Museum's most beautiful and interesting artifacts against their historical and cultural background. Among the works featured are painted pottery, figurines, cylinder seals, and stone amulets from the earliest village cultures before 3000 B.C. Also here are magnificent finds from graves at Alaca Huyuk in Turkey and the Royal Cemetery at Ur, including jewelry, musical instruments, and the famous Royal Standard. Sculpted reliefs from Assyrian palaces and Sasanian metalwork round out the collection. In her final chapter, Collon shows how art from the ancient Near East resonates in our own world today. A welcome addition is a Mesopotamian chronology summarizing recent astronomical and textual data, compiled by C.B.F. Walker especially for this book.
A rich source of pictorial information about the Ancient Near East comes to us in the form of miniature reliefs, created from the impressions made in clay by tiny engraved stone seals. Originally used for sealing goods and writing tablets, these seals now provide important evidence for administrative practices, technical development, and long-distance trade. The designs themselves record religious beliefs, mythical characters, architectural styles, musical instruments, festivals, sport, warfare, transportation, and fashions in dress. In this first comprehensive introduction to pre-Islamic Near Eastern seals, Dominique Collon discusses cylinder seals--a form unique to the Ancient Near East--as well as stamp seals, the earliest dating from the fifth millennium B.C. As a reflection of how their owners saw the world around them, Near Eastern seals are an essential tool for archaeologists in interpreting the past. A rich source of pictorial information about the Ancient Near East comes to us in the form of miniature reliefs, created from the impressions made in clay by tiny engraved stone seals. Originally used for sealing goods and writing tablets, these seals now provide important evidence for administrative practices, technical development, and long-distance trade. The designs themselves record religious beliefs, mythical characters, architectural styles, musical instruments, festivals, sport, warfare, transportation, and fashions in dress. In this first comprehensive introduction to pre-Islamic Near Eastern seals, Dominique Collon discusses cylinder seals--a form unique to the Ancient Near East--as well as stamp seals, the earliest dating from the fifth millennium B.C. As a reflection of how their owners saw the world around them, Near Eastern seals are an essential tool for archaeologists in interpreting the past.
Based on the unrivaled collections of the British Museum, this extensively illustrated book is a superb introduction to the art of the ancient Near East from the eighth millennium B.C. to Alexander the Great. Often described as the cradle of civilization, the ancient Near East was the birthplace of writing, monumental sculpture, and wheel-made pottery. Dominique Collon provides a unique view into this ancient world, from village settlements to grand palaces to burial sites. Collon situates the Museum's most beautiful and interesting artifacts against their historical and cultural background. Among the works featured are painted pottery, figurines, cylinder seals, and stone amulets from the earliest village cultures before 3000 B.C. Also here are magnificent finds from graves at Alaca Huyuk in Turkey and the Royal Cemetery at Ur, including jewelry, musical instruments, and the famous Royal Standard. Sculpted reliefs from Assyrian palaces and Sasanian metalwork round out the collection. In her final chapter, Collon shows how art from the ancient Near East resonates in our own world today. A welcome addition is a Mesopotamian chronology summarizing recent astronomical and textual data, compiled by C.B.F. Walker especially for this book. Based on the unrivaled collections of the British Museum, this extensively illustrated book is a superb introduction to the art of the ancient Near East from the eighth millennium B.C. to Alexander the Great. Often described as the cradle of civilization, the ancient Near East was the birthplace of writing, monumental sculpture, and wheel-made pottery. Dominique Collon provides a unique view into this ancient world, from village settlements to grand palaces to burial sites. Collon situates the Museum's most beautiful and interesting artifacts against their historical and cultural background. Among the works featured are painted pottery, figurines, cylinder seals, and stone amulets from the earliest village cultures before 3000 B.C. Also here are magnificent finds from graves at Alaca Huyuk in Turkey and the Royal Cemetery at Ur, including jewelry, musical instruments, and the famous Royal Standard. Sculpted reliefs from Assyrian palaces and Sasanian metalwork round out the collection. In her final chapter, Collon shows how art from the ancient Near East resonates in our own world today. A welcome addition is a Mesopotamian chronology summarizing recent astronomical and textual data, compiled by C.B.F. Walker especially for this book.
Originally published in French in 1907 by Bonvallot-Jouve and in 1912 by Librairie Paul Ollendorff Paris, La Petite Lotte by Simone Bodève (1876-1921) was nominated for the French Prix Goncourt. It has received critical acclaim by Romain Rolland, Octave Mirbeau, George de Bouhelier, Claire Geniaux. It is considered to be the first novel about the urban working class by a female working class author. It should be seen as an important social document. It follows the literary tradition of realism set by Emile Zola and tells the story of Charlotte Bugeot who was born in Paris in 1880 and worked in the fashion industry manufacturing artificial flowers. Now for the first time, this novel is available in English.
The talks given at the Arolla Conference on Algebraic Topology covered a broad spectrum of current research in homotopy theory, offering participants the possibility to sample and relish selected morsels of homotopy theory, much as a participant in a wine tasting partakes of a variety of fine wines. True to the spirit of the conference, the proceedings included in this volume present a savory sampler of homotopical delicacies. Readers will find within these pages a compilation of articles describing current research in the area, including classical stable and unstable homotopy theory, configuration spaces, group cohomology, K-theory, localization, p-compact groups, and simplicial theory.
Hammurabi was the sixth king of ancient Babylon and also its greatest. Expanding the role and influence of the Babylonian city-state into an imperium that crushed its rivals and dominated the entire fertile plain of Mesopotamia, Hammurabi (who ruled c. 1792-1750 BCE) transformed a minor kingdom into the regional superpower of its age. But this energetic monarch, whose geopolitical and military strategies were unsurpassed in his time, was more than just a war-leader or empire-builder. Renowned for his visionary Code of Laws, Hammurabi's famous codex - written on a stele in Akkadian, and publicly displayed so that all citizens could read it - pioneered a new kind of lawmaking. The Code's 282 specific legal injunctions, alleged to have been divinely granted by the god Marduk, remain influential to this day, and offer the historian fascinating parallels with the biblical Ten Commandments. Dominique Charpin is one of the most distinguished modern scholars of ancient Babylon. In this fresh and engaging appraisal of one of antiquity's iconic figures, he shows that Hammurabi, while certainly one of the most able rulers in the whole of prehistory, was also responsible for pivotal developments in the history of civilization.
Ancient Mesopotamia, the fertile crescent between the Tigris and Euphrates rivers in what is now western Iraq and eastern Syria, is considered to be the cradle of civilization—home of the Babylonian and Assyrian empires, as well as the great Code of Hammurabi. The Code was only part of a rich juridical culture from 2200–1600 BCE that saw the invention of writing and the development of its relationship to law, among other remarkable firsts. Though ancient history offers inexhaustible riches, Dominique Charpin focuses here on the legal systems of Old Babylonian Mesopotamia and offers considerable insight into how writing and the law evolved together to forge the principles of authority, precedent, and documentation that dominate us to this day. As legal codes throughout the region evolved through advances in cuneiform writing, kings and governments were able to stabilize their control over distant realms and impose a common language—which gave rise to complex social systems overseen by magistrates, judges, and scribes that eventually became the vast empires of history books. Sure to attract any reader with an interest in the ancient Near East, as well as rhetoric, legal history, and classical studies, this book is an innovative account of the intertwined histories of law and language.
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