According to Websters definition, defective means something or someone not operating normally or properly. A teacher is a person who provides education for all students. In this book, we examine the classroom practices of five different types of teachers. We focus on the newbie, the veteran, the boastful, the international, and the unorganized teacher. These teachers work in a dysfunctional school environment, and they have attributes that need some improvements to help the school run smoother. As an educator, you will be prone to relate to each of these teachers. You may even have encountered one of them before or even been one of them. You will also be able to take advantage of the strategies implemented to help them become successful instructors in their classroom and school unit. With that said, get comfy and follow along as these teachers enhance their craft. The Five Defective Teachers and Staff incorporates and provides research-based strategies.
This book, which is the first major text in the field directed to both legal practitioners and law students, contains a detailed analysis of Australian anti-discrimination law as well as extracts from all of the major cases and the writings of leading commentators. It incorporates the many changes to the law since the first edition was published in 2008 and includes new chapters dealing with positive duties, victimisation and protections against discrimination in industrial relations laws.The book includes a comprehensive examination of the difficult concepts of direct and indirect discrimination as well as coverage of the major grounds of unlawful discrimination, such as race, sex and disability.The book records the history of the major pieces of anti-discrimination legislation, examines important international developments and includes numerous suggestions for reform. The book will be of interest to legal and human rights practitioners as well as students. The chapters in the areas of procedure and remedies will be particularly important to those people practicing in the field.
“A great actress, who puts life into the dialogue. Her acting is very natural, her face so expressive. She doesn't act, she is.” Woody Allen The teenager who saw herself as dull and timid and who wanted to be invisible for fear that she would seem like a show-off has become, in a career spanning twenty years, a quintessential artist of the Seventh Art. Sometimes nicknamed "Marion the kid," the “French Siren” in the United States, her notoriety has led her to be known by the simple, tradittional name of "Cotillard," just as other famous and appreciated actresses are called "Adjani," "Binoche" or "Deneuve." Passionate about cinema, Dominique Choulant lets us better understand a rich and endearing personality, a dedicated woman and an exceptional artist who, by the virtue of going to the limits of each character, succeeded in being herself. A former student of the Cours Florent, Dominique Choulant is passionate about the great female figures of cinema. He has already published books on other actresses, such as Martine Carol - L'Étoile aux cheveux d'Or (1997), CinéMarilyn (2006), Brigitte Bardot, le mythe éternel (2009), Marilyn Monroe, d'hier à aujourd'hui (2012) (Mon petit éditeur) and Isabelle Adjani, la magnifique (2014). He is also the author of novels: Un pas dans le vide published by Gaies et lesbiennes and Même si published by Bénévent, as well as a play, Muriel ou le temps d'aimer, Mon petit éditeur, 2014.
This new edition of Australia's most comprehensive book on anti-discrimination law has been fully revised and updated, re-written and reformatted to enhance its accessibility. It continues to offer both a substantial text for a specialist audience, and a powerful critique of anti-discrimination law in Australia. The authors support their analysis and explanation of legislation and case law with carefully selected extracts from a broad range of decisions, law reform reports, and academic writers and commentators."[T]his encyclopaedic work is simply indispensable. The authors are acknowledged experts and seasoned campaigners, and their lucid exposition is enriched by extensive quotation from the work of other expert commentators. The coverage is breathtaking in its scope and depth, the attention to detail astonishing. To identify the differences between State, Territory and Commonwealth provisions, topic by topic, is a work of herculean proportions, requiring meticulous care." - The Hon Justice Chris Maxwell AC (from the foreword)Key Features of the New EditionRevised introduction to and overview of Australian anti-discrimination law.New standalone chapters for Protected Attributes: Race Discrimination, Sex Discrimination, Disability Discrimination, Age Discrimination, Carers' Responsibilities and Other Protected Attributes.Detailed account of legislative reform and developments in case law, in all nine jurisdictions, up to late 2017.An account of changed complaints procedures under the Australian Human Rights Commission Act, and of the case law and public debate that triggered the changes.Comprehensive analysis of the operation of special measures provisions in all of the anti-discrimination statutes.Integrated discussion of the exceptions to the prohibition of discrimination for each attribute and in each area.
Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature. Countering these facile dismissals of Derrida and deconstruction, Herman Rapaport explores the incoherence that has plagued critical theory since the 1960s and the resulting legitimacy crisis in the humanities. Against the backdrop of a rich, informed discussion of Derrida's writings -- and how they have been misconstrued by critics and admirers alike -- The Theory Mess investigates the vicissitudes of Anglo-American criticism over the past thirty years and proposes some possibilities for reform.
Everyone wants to know: How does Dominique do it? Dominique Ansel is the creator of the Cronut pastry, the croissant-doughnut hybrid that has taken the world by storm. But he's no one-hit wonder. Classically trained in Paris, leader of a three-Michelin-starred pastry kitchen in New York and now the proprietor of New York's highest-rated bakery, Dominique has become a modern-day Willy Wonka: the creator of wildly innovative, extraordinarily delicious and unbelievably popular desserts. Presented here are some of Dominique's most coveted recipes, organised by skill level and catering to both amateur and professional bakers. Beginners can conquer the Chocolate Pecan Cookies with the molten chocolate centre; more experienced bakers will learn the secrets to the exquisite caramelised crust of this Cannele de Bordeaux; and the most adventurous will tackle The At-Home Cronut. In this, his first cookbook, Dominique reveals not only the secrets to his hit desserts but he describes the stories of inspiration behind each of them. The most important element in any dish is not a particular brand of chocolate or a type of salt but rather the spark of imagination. At heart, Dominique Ansel is a book about innovation: how a cook can transform flour, sugar and butter into memories that last a lifetime; and how anyone, from any field, can try to add a little magic to their work.
1916. Au crépuscule d’un été ardent, Walter Eldridge, dit "Red" à cause de sa tignasse rouge comme un feu de brousse, vagabond issu d’une famille du Mississippi jadis fortunée puis ruinée au lendemain de la guerre civile américaine, parvient à se faire engager par le Sparks World Famous Shows Circus. C’est à lui qu’est confiée la tâche de s’occuper des éléphants. Mary, la vedette de la troupe, exerce un puissant ascendant sur ses congénères. Bien décidé à ne pas se laisser dicter sa loi par une bête, Red lui mène la vie dure. En plein spectacle, alors qu’il la roue une nouvelle fois de coups, Mary, excédée, se retourne contre lui et le tue en lui écrasant la tête. Aux cris de "à mort l’éléphant tueur" proférés par la foule en délire, le directeur doit se résigner à perdre son étoile. Condamnée par la vindicte populaire, Mary sera pendue à Erwin le lendemain, accrochée au câble d’une gigantesque grue. Mary est le récit de cet incroyable fait-divers qui défraya en son temps la chronique, dans le Sud rural, ségrégationniste et haineux des États-Unis, aux plaies et stigmates plus vifs que jamais. En relatant cette épouvantable mise à mort, il nous convie à une exploration vertigineuse des passions et de la cruauté humaine.
Many of us view the world of science as a firm bastion of knowledge, with each new discovery and further illumination adding to an unshakable foundation of natural truths. Weak Knowledge aims to rattle our faith, not in core certainties of scientific findings but in their strength as accessible resources. The authors show how, throughout history, many bodies of research have become precarious due to a host of factors. These factors have included cultural or social disinterest, feeble empirical evidence or theoretical justifications, and a lack of practical applications in a given field's findings. This book brings together cases from a range of historical periods and disciplines, ranging from personal medicine to climatology, to illuminate the specific forms, functions, and dynamics of so-called "weak" bodies of knowledge.
This book explores how the cultural distinctions and conflicts between Anglo-Saxons and Normans originating with the Norman Conquest of 1066 prevailed well into the fourteenth century and are manifest in a significant number of Middle English romances including King Horn, Havelok the Dane, Sir Orfeo, Sir Gawain and the Green Knight, and others. Specifically, the study looks at how the material culture of these poems (architecture, battle tactic, landscapes) systematically and persistently distinguishes between Norman and Anglo-Saxon cultural identity. Additionally, it examines the influence of the English Outlaw Tradition, itself grounded in Anglo-Saxon resistance to the Norman Conquest, as expressed in specific recurring scenes (disguise and infiltration, forest exile) found in many Middle English romances. In the broadest sense, a significant number of Middle English romances, including some of the most well-read and often-taught, set up a dichotomy of two ruling houses headed by a powerful lord, who compete for power and influence. This book examines the cultural heritage behind each of these pairings to show how poets repeatedly contrast essentially Norman and Anglo-Saxon values and ruling styles.
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