FINDING GOD’S GRACE is a primer on the Grace of God. FINDING GOD’S GRACE challenges its readers to consider the following: • What is grace and why is it so important? • Is God’s grace liberally bestowed upon ALL, or reserved for a select few? • Is grace something we can control? • How is grace manifested in the world? FINDING GOD’S GRACE presents the Grace of God from a biblical perspective. In it we find: • Grace by definition • Biblical Grace in the original Hebrew and Greek root words • God’s Grace and notable Old & New Testament Saints • Finding God’s Grace in times of despair • Every appearance of the word: GRACE in the entire Bible No serious student of the Bible should be without this valuable reference.
NEW YORK TIMES BESTSELLER They were the family with everything. Money. Influence. Glamour. Power. The power to halt a police investigation in its tracks. The power to spin a story, concoct a lie, and believe it was the truth. The power to murder without guilt, without shame, and without ever paying the price. They were the Bradleys, America's royalty. But an outsider refuses to play his part. And now, the day of reckoning has arrived. Praise for A Season in Purgatory “Highly entertaining.”—Entertainment Weekly “Stunning.”—Liz Smith “Compelling.”—New York Daily News “Mesmerizing.”—The New York Times “Potent characterization and deftly crafted plotting.”—Publishers Weekly
In History, Literature, Critical Theory, Dominick LaCapra continues his exploration of the complex relations between history and literature, here considering history as both process and representation. A trio of chapters at the center of the volume concern the ways in which history and literature (particularly the novel) impact and question each other. In one of the chapters LaCapra revisits Gustave Flaubert, pairing him with Joseph Conrad. Other chapters pair J. M. Coetzee and W. G. Sebald, Jonathan Littell's novel, The Kindly Ones, and Saul Friedlander's two-volume, prizewinning history Nazi Germany and the Jews. A recurrent motif of the book is the role of the sacred, its problematic status in sacrifice, its virulent manifestation in social and political violence (notably the Nazi genocide), its role or transformations in literature and art, and its multivalent expressions in "postsecular" hopes, anxieties, and quests. LaCapra concludes the volume with an essay on the place of violence in the thought of Slavoj Zizek. In LaCapra's view Zizek's provocative thought "at times has uncanny echoes of earlier reflections on, or apologies for, political and seemingly regenerative, even sacralized violence.
NEW YORK TIMES BESTSELLER • “Murder most swank . . . required reading.”—Vanity Fair When Navy ensign Billy Grenville, heir to a vast New York fortune, sees showgirl Ann Arden on the dance floor, it is love at first sight. And much to the horror of Alice Grenville—the indomitable family matriarch—he marries her. Ann wants desperately to be accepted by high society and become the well-bred woman of her fantasies. But a gunshot one rainy night propels Ann into a notorious spotlight—as the two Mrs. Grenvilles enter into a conspiracy of silence that will bind them together for as long as they live. . . . “This is a candy box of a book. . . . Composed of just the right measure of sex, glamour, [and] passion.”—Cosmopolitan
The Redemption of Professor EvelynThe Redemption of Professor Evelyn off ers both a discussion of the unseen spirit world and a parable of the supernatural as it affects one individual, Professor Horace Evelyn. Mankind, in all generations and cultures, has debated the existence of spirits and angelic beings. Weve wondered if angels and demons actually are myth or reality. A belief in evil spirits has always been inherent in the cultures of man. For example, the exterior facades of cathedrals built during medieval times incorporated gargoyles in their design in the belief that the ugly, grotesque features of their carved faces would scare away evil or unclean spirits. In contrast, angels are good spirits. Th e Creator endowed them with innate, independent life. They were given immortality. Spirits live forever, because they dont have a body to wear down, sustain damage or injury, or die. Enter Professor Horace Evelyn, who is being treated for severe schizophrenia. Professor Evelyn has not been able to fi nd a medical cure, but he soon realizes that he does not need a doctorhe needs an exorcist. His soul has become the site of a cataclysmic struggle between the forces of good and evil. Th is story is not about regaining his mental health; its about the salvation of his soul.
Dominick LaCapra's History and Its Limits articulates the relations among intellectual history, cultural history, and critical theory, examining the recent rise of "Practice Theory" and probing the limitations of prevalent forms of humanism. LaCapra focuses on the problem of understanding extreme cases, specifically events and experiences involving violence and victimization. He asks how historians treat and are simultaneously implicated in the traumatic processes they attempt to represent. In addressing these questions, he also investigates violence's impact on various types of writing and establishes a distinctive role for critical theory in the face of an insufficiently discriminating aesthetic of the sublime (often unreflectively amalgamated with the uncanny). In History and Its Limits, LaCapra inquires into the related phenomenon of a turn to the "postsecular," even the messianic or the miraculous, in recent theoretical discussions of extreme events by such prominent figures as Giorgio Agamben, Eric L. Santner, and Slavoj Zizek. In a related vein, he discusses Martin Heidegger's evocative, if not enchanting, understanding of "The Origin of the Work of Art." LaCapra subjects to critical scrutiny the sometimes internally divided way in which violence has been valorized in sacrificial, regenerative, or redemptive terms by a series of important modern intellectuals on both the far right and the far left, including Georges Sorel, the early Walter Benjamin, Georges Bataille, Frantz Fanon, and Ernst Jünger. Violence and victimization are prominent in the relation between the human and the animal. LaCapra questions prevalent anthropocentrism (evident even in theorists of the "posthuman") and the long-standing quest for a decisive criterion separating or dividing the human from the animal. LaCapra regards this attempt to fix the difference as misguided and potentially dangerous because it renders insufficiently problematic the manner in which humans treat other animals and interact with the environment. In raising the issue of desirable transformations in modernity, History and Its Limits examines the legitimacy of normative limits necessary for life in common and explores the disconcerting role of transgressive initiatives beyond limits (including limits blocking the recognition that humans are themselves animals).
The story I am going to tell may seem fantastic, yes, even crazy. But it must be told because it is true, and because the world desperately needs to know the real meaning of King Kongs death. Let the mockers mock, let the scoffers scoff. I am confident that the truth will eventually triumph.
In The Jersey Shore, Dominick Mazzagetti provides a modern re-telling of the history, culture, and landscapes of this famous region, from the 1600s to the present. The Shore, from Sandy Hook to Cape May, became a national resort in the late 1800s and contributes enormously to New Jersey’s economy today. The devastation of Hurricane Sandy in 2012 underscored the area’s central place in the state’s identity and the rebuilding efforts after the storm restored its economic health. Divided into chronological and thematic sections, this book will attract general readers interested in the history of the Shore: how it appeared to early European explorers; how the earliest settlers came to the beaches for the whaling trade; the first attractions for tourists in the nineteenth century; and how the coming of railroads, and ultimately automobiles, transformed the Shore into a major vacation destination over a century later. Mazzagetti also explores how the impact of changing national mores on development, race relations, and the environment, impacted the Shore in recent decades and will into the future. Ultimately, this book is an enthusiastic and comprehensive portrait by a native son, whose passion for the region is shared by millions of beachgoers throughout the Northeast.
Dominick Dunne's mesmerizing tales of justice denied and justice affirmed. For more than two decades, Vanity Fair published Dominick Dunne’s brilliant, revelatory chronicles of the most famous crimes, trials, and punishments of our time. Whether writing of Claus von Bülow’s romp through two trials; the Los Angeles media frenzy surrounding O.J. Simpson; the death by fire of multibillionaire banker Edmond Safra; or the Greenwich, Connecticut, murder of Martha Moxley and the indictment—decades later—of Michael Skakel, Dominick Dunne tells it honestly and tells it from his unique perspective. His search for the truth is relentless.
Throughout history there have been recorded incidents of angels visiting earth. The Archangel Gabriel is credited with the most interactions with mortals. He is written about by diverse numbers of religions and cultures throughout the ages, and his identity is unmistakable. Gabriel is The Reluctant Warrior. He is reflective, reserved and sensitive and is heaven’s leading musician and musical director. Gabriel would prefer to spend his existence leading the choirs of angels in song and celestial music. However, he must respond to the call of duty out of loyalty and obedience to God and Michael, commander of the Heavenly Host. Whenever God requires a fighting force of angels or an emissary to earth Gabriel is called to action. Although completely opposite in personality and motivation to the Archangel Michael, it is Gabriel whom God designates as Michael’s second in command and it is Gabriel who most often gets the nod when God wishes to intervene in the affairs of man. This narrative chronicles events such as Satan’s great rebellion and the expulsion of the fallen angels from heaven, Gabriel’s relationships with other angels in heaven and his frequent interactions with us on Earth. Here he writes of his role in the ongoing history of God’s creation and gives first hand reports of his experiences as God emissary to man. The Reluctant Warrior takes us through all of Gabriel the Archangel’s recorded experiences throughout history right up to his ultimate role as leader against the antichrist during the Apocalypse. The Reluctant Warrior presents the history of God’s creation from its early stages until the Second Coming through the voice of God’s most celebrated Archangel.
(Meredith Music Percussion). This fantastic new addition to the rudimental literature for snare drum offers traditional-style rudimental solos presented in not-so traditional ways. These solos are fun to play, and are sure to challenge even the finest drummers! Features jazz-influenced rudimental solos each with flexible tempos inspired by legendary drummers, plus a three-page Rudimental Interpretation Chart. Perfect for contests or competitions! Composer Dom Cuccia is a former member of the West Point Band's revered field group The Hellcats.
Winner of a Catholic Press Association Award: Family Life Books (First Place). In Intimate Graces, bestselling author and Catholic media personality Teresa Tomeo and her husband, Dominick Pastore, invite couples to enrich their marriages by practicing the fourteen Spiritual and Corporal Works of Mercy. Through their own story and that of other married couples, Tomeo and Pastore demonstrate how reciprocating the works of mercy brings out the best in a marriage. The Catholic Church encourages believers to perform Corporal and Spiritual Works of Mercy, tangible actions that show charity toward others. In Intimate Graces, Teresa Tomeo and her husband, Dominick Pastore, demonstrate how applying the fourteen traditional virtues of Catholic spirituality can foster deeper intimacy in any marriage. The couple uses personal stories and reflections, as well as the experiences of other Catholic couples, to show how a husband and wife can become, in a real way, a haven of compassion and virtue for each other. Tomeo and Pastore each write in their own voice and include reflection questions, practical suggestions, and a prayer at the end of each chapter.
The last two years have been monstrously unpleasant for high-society journalist Gus Bailey. When he falls for a fake story and implicates a powerful congressman in some rather nasty business on a radio program, Gus becomes embroiled in a slander suit. The stress makes it difficult for him to focus on his next novel, which is based on the suspicious death of billionaire Konstantin Zacharias. The convicted murderer is behind bars, but Gus is not convinced that justice was served. There are too many unanswered questions, and Konstantin’s hot-tempered widow will do anything to conceal the truth. Featuring favorite characters and the affluent world Dunne first introduced in People Like Us, Too Much Money is a mischievous, compulsively readable tale by the most brilliant society chronicler of our time—the man who knew all the secrets and wasn’t afraid to share them.
As a society, the Interstellar Web was dying. Enormous fortunes were amassed in the face of unspeakable want, and avarice thrived as sport. With no villains left to fight but each other, quarreling factions stood prepared to devour one another at the slightest provocation. None of this mattered to Zoeicelli K Galvin, Black Ops Commander, and ex-Marine. Exiled to a remote command on The Frontier, nobody was looking for him until he was ordered to investigate the disappearance of a fellow Black Ops commander. What starts as a routine search and recovery operation rapidly escalates into something more sinister as Galvin suddenly finds himself caught up in a web of deceit and corruption. On the very edge of civilization, from the coldest of barrens to blistering infernos, Galvin is not only forced to confront The Enemy, but also. . .The Enemy Within.
Before they had Too Much Money, the inhabitants of Dominick Dunne’s glitzy, gossipy New York Times bestselling novels were People Like Us. The way journalist Gus Bailey tells it, old money is always preferred, but occasionally new money sneaks in–even where it is most unwelcome. After moving from Cincinnati, Elias and Ruby Renthal strike it even richer in New York, turning their millions into billions. It would be impolite for high society to refuse them now. Not to mention disadvantageous. As long as the market is strong, there’s absolutely nothing to worry about–except for those nasty secrets from the past. Scandal, anyone?
Inanna, in heaven, gazes happily down at the city of Uruk. Inanna: How they sing praises to me! How the people of Uruk worship me, the Queen of Heaven and Earth! They make sacrifices to me! They pray to me! Day and night, the people of Uruk show how much they love the Queen of Heaven and— Mamtar, an angel, enters. She stands before Inanna and bows her head...
Little Nellie was not yet four and a half when God took her to Heaven; but she had already made her First Holy Communion. Before she died, she had received Our Lord 32 times. She knew that in Holy Communion she was receiving God; she always called Him "Holy God." When the Holy Father, Pope St. Pius X, heard about Little Nellie, he cried: "There! That is the sign for which I was waiting." Then the Holy Father said that children could receive Holy Communion when they were little, rather than waiting till age 12. Little Nellie is called the Little Violet of the Blessed Sacrament. Perfect to teach children love and reverence for Our Lord in the Holy Eucharist! 32 pgs. . Eccl. Approb.
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