Dripping with nostalgia, Jesus Shoes chronicles author Dominick Domingo's childhood in LA's San Fernando valley. Despite being next door to Tinseltown, Burbank was decidedly unromantic. This collection of memoirs takes the reader from the discovery of the author's sexual orientation in the late '70s through his time at Disney Feature, his live-action filmmaking stint and subsequent writing career, to the half-century mark. Its colorful characters make for a lot of laughs, and life itself provides the poignancy. The story is one of self-creation in defiance of society's negative messaging, and coming full circle to return to one's roots.
The pages of Far From the Thick of Things drip with incongruous, dreamlike images: a clever trollup braving an earthquake on a London street, a garage sale genie who takes wishes instead of granting them, a theater actress who meets her former self at a graffiti-strewn dead end. It's these absurd juxtapositions-the extraordinary in the ordinary-that reveal the mechanics of the universe, as well as the inner-workings of our own hearts. 83,535-word Far From the Thick of Things uses language itself to reveal the human condition, but only the spaces between can breathe metaphysical truth. Equal parts whimsy and poignancy, this collection of short stories is populated with colorful, diverse characters. We meet them at different stages of life, observing the dots that connect over time, weaving a mysterious tapestry of destiny, free will, and complete randomness. Some of the eccentric characters are cuddly, others prickly and rough around the edges. But all are-like us-redeemable.
Dominick Dunne's mesmerizing tales of justice denied and justice affirmed. For more than two decades, Vanity Fair published Dominick Dunne’s brilliant, revelatory chronicles of the most famous crimes, trials, and punishments of our time. Whether writing of Claus von Bülow’s romp through two trials; the Los Angeles media frenzy surrounding O.J. Simpson; the death by fire of multibillionaire banker Edmond Safra; or the Greenwich, Connecticut, murder of Martha Moxley and the indictment—decades later—of Michael Skakel, Dominick Dunne tells it honestly and tells it from his unique perspective. His search for the truth is relentless.
Dominick Dunne has met them all--stars and slugs, criminals and victims, the innocent and the hideously guilty. From posh Park Avenue duplexes to the extravagant mansions of Beverly Hills, from tasteful London town houses to the wild excesses of million-dollar European retreats, here are the movers and shakers--and the people who pretend to be. Among colorful profiles and revealing glimpses of Elizabeth Taylor, Claus von Bülow, Gloria Vanderbilt, and Aaron Spelling, discover who dumped an heiress the night before the wedding to run off with the best man . . . what happens when the ex-husband of a movie legend becomes president . . . why a beautiful singer fell in with the mob . . . and, in Dunne's most personal story, how a lying murderer and a limelight-loving judge denied justice to his family after his daughter's life was brutally destroyed. Filled with pathos and wit, insight and sass, this candid, controversial volume gives you an extraordinary peek into the rarefied world of the rich, the royal, and the ruined. For Dunne is the man who knows all their secrets--and now those secrets are out.
NEW YORK TIMES BESTSELLER • A “thoroughly absorbing” (Time) novel of love, rage, and ruin amidst the chaos in Los Angeles during the O.J. Simpson trial “Compulsively readable . . . deliciously wicked.”—Vogue Gus Bailey, journalist to high society, knows the sordid secrets of the very rich. Now he turns his penetrating gaze to a courtroom in Los Angeles, witnessing the trial of the century unfold before his startled eyes. By day, Gus is at the courthouse, the confidant of the Goldman and Simpson families, the lawyers, the journalists, the hangers-on, even the judge; at night he is the honored guest at the most dazzling gatherings in town as the movers and shakers of Los Angeles—from Kirk Douglas to Heidi Fleiss, from Elizabeth Taylor to Nancy Reagan—delight in the latest news from the corridors of the courthouse. As they share their own theories of the crime, Bailey bears witness to the ultimate perversion of principle and the most amazing gossip machine in Hollywood. A vivid, revealing achievement, Another City, Not My Own illuminates the meaning of guilt and innocence in America today.
Bestselling author Dominick Dunne, who chronicles the escapades, excesses, and eccentricities of high society for Vanity Fair, offers fifteen provocative portraits of some of the most luminous figures of the decade . . . profiles of the movie legend who remains the only divorced wife of a U.S. president; the pretty singing star who fell in love with a notorious mobster; the brilliant photographer who took Dunne's picture weeks before succumbing to AIDS . . . sketches that detail the lavish wedding-that-never-was between an heiress and a counterfeit prince; the incarceration of a high-flying financier; and the brutal slaying of a film mogul and his sife, allegedly by their own two sons. Filled with pathos and wit and the twenty-four-carat insight of a society insider, The Mansions of Limbo offers a peek into a rarified world there nothing is ever enough.
Dominick Dunne has met them all--stars and slugs, criminals and victims, the innocent and the hideously guilty--and now his two provocative collections of Vanity Fair portraits are in one irresistible volume. From posh Park Avenue duplexes to the extravagant mansions of Beverly Hills, from tasteful London town houses to the wild excesses of million-dollar European retreats, here are the movers and shakers--and the people who pretend to be. Among colorful profiles and revealing glimpses of Elizabeth Taylor, Claus von Bülow, Gloria Vanderbilt, and Aaron Spelling, discover who dumped an heiress the night before the wedding to run off with the best man . . . what happens when the ex-husband of a movie legend becomes president . . . why a beautiful singer fell in with the mob . . . and, in Dunne's most personal story, how a lying murderer and a limelight-loving judge denied justice to his family after his daughter's life was brutally destroyed. Filled with pathos and wit, insight and sass, this candid, controversial volume gives you an extraordinary peek into the rarefied world of the rich, the royal, and the ruined. For Dunne is the man who knows all their secrets--and now those secrets are out.
Pastoral Themes and Forms in Cervantes's Fiction explores the various pastoral dimensions of Cervantes's art, from his early Galatea, which is a pastoral novel, to his masterful Don Quijote de la Mancha. Dominick Finello here focuses on the pastoral's impact on the composition of Don Quijote: its rural backdrop of a rustic Spain; the literary inheritance of its characters and style; its dialogic structure, which reflects that of the pastoral novel; and the vital stimulus produced by Cervantes's direct observation of the effects of imaginative pastoral disguises and mimetic play on its characters, including bucolic games, the representation of eclogues and masques, and other such diversions. The blending of pastoral themes and forms into his fiction has led Cervantes to ring major changes on conventional patterns of the pastoral." "The pastoral's congenial interaction with the creativity of Don Quijote is apparent in the novel's settings and character conception. With regard to the settings, pastoral style in the Quijote focuses specifically on the geographical configuration and rural backdrop of Don Quijote's adventures and eventually places them in the context of the history of pastoral nomadism on the Iberian peninsula. With regard to characters, shepherds, goatherds, farmers, and other rural people appear everywhere in the Quijote; and Sancho Panza is the leading rustic personage from this group. Sancho's felicitous projection of pastoral life reflects his fundamental optimism. Don Quijote is linked to the literary shepherd through his discourse on the golden age, his imitation of the lovelord shepherd in the Sierra Morena episode of part 1, and the "Pastor Quijotiz" scheme, which signals his demise late in part 2. Dulcinea, Don Quijote's beloved, is conceived with both the rustic and literary dimensions of the pastoral heroine." "One of the essential features of the Quijote is its dialogic structure, which reflects that of the Renaissance academic colloquium and that of the pastoral novel. Another vital pastoral stimulus of Cervantes's art is his direct observation of the effects of imaginative pastoral disguises and mimetic play on his characters. The documented social customs involving pastoral mimesis (such as eclogues, masques, and games) indicate that pastoral expression and values have been integrated to a significant degree into the fabric of the lives of Cervantes's characters." "Cervantes's attitude toward the pastoral may be established through direct statements he made about pastoral authors, poems, and books. It may also be constituted through less direct means - such as the abrupt conclusion and subsequent disappearance of pastoral stories from the main narrative of the Quijote."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Before they had Too Much Money, the inhabitants of Dominick Dunne’s glitzy, gossipy New York Times bestselling novels were People Like Us. The way journalist Gus Bailey tells it, old money is always preferred, but occasionally new money sneaks in–even where it is most unwelcome. After moving from Cincinnati, Elias and Ruby Renthal strike it even richer in New York, turning their millions into billions. It would be impolite for high society to refuse them now. Not to mention disadvantageous. As long as the market is strong, there’s absolutely nothing to worry about–except for those nasty secrets from the past. Scandal, anyone?
Dripping with nostalgia, Jesus Shoes chronicles author Dominick Domingo's childhood in LA's San Fernando valley. Despite being next door to Tinseltown, Burbank was decidedly unromantic. This collection of memoirs takes the reader from the discovery of the author's sexual orientation in the late '70s through his time at Disney Feature, his live-action filmmaking stint and subsequent writing career, to the half-century mark. Its colorful characters make for a lot of laughs, and life itself provides the poignancy. The story is one of self-creation in defiance of society's negative messaging, and coming full circle to return to one's roots.
The pages of Far From the Thick of Things drip with incongruous, dreamlike images: a clever trollup braving an earthquake on a London street, a garage sale genie who takes wishes instead of granting them, a theater actress who meets her former self at a graffiti-strewn dead end. It's these absurd juxtapositions-the extraordinary in the ordinary-that reveal the mechanics of the universe, as well as the inner-workings of our own hearts. 83,535-word Far From the Thick of Things uses language itself to reveal the human condition, but only the spaces between can breathe metaphysical truth. Equal parts whimsy and poignancy, this collection of short stories is populated with colorful, diverse characters. We meet them at different stages of life, observing the dots that connect over time, weaving a mysterious tapestry of destiny, free will, and complete randomness. Some of the eccentric characters are cuddly, others prickly and rough around the edges. But all are-like us-redeemable.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.