Well-documented story of the Ecumenical Councils of the Catholic Church. The second part of this work analyzes Vatican II and its effect on our world today. The turbulent history of the Catholic Church will come alive as the centuries unfold before the reader. God's tender care for His children amid life's storms and tumultuous times is evident and unmistakable.
Violence disturbs. And violent depictions, when encountered in the biblical texts, are all the more disconcerting. Isaiah 63:1-6 is an illustrative instance. The prophetic text presents the "Arriving One" in gory details ('trampling down people'; 'pouring out their lifeblood' v.6). Further, the introductory note that the Arriving One is “coming from Edom” (cf. v.1) may suggest Israel's unrelenting animosity towards Edom. These two themes: the "gory depiction" and "coming from Edom" are addressed in this book. Irudayaraj uses a social identity reading to show how Edom is consistently pictured as Israel's proximate and yet 'other'-ed entity. Approaching Edom as such thus helps situate the animosity within a larger prophetic vision of identity construction in the postexilic Third Isaian context. By adopting an iconographic reading of Isaiah 63:1-6, Irudayaraj shows how the prophetic portrayal of the 'Arriving One' in descriptions where it is clear that the 'Arriving One' is a marginalised identity correlates with the experiences of the "stooped" exiles (cf 51:14). He also demonstrates that the text leaves behind emphatic affirmations ('mighty' and 'splendidly robed' cf. v.1; “alone” cf. v.3), by which the relegated voice of the divine reasserts itself. It is in this divine reassertion that the hope of the Isaian community's reclamation of its own identity rests.
A collection of chilling true crime stories that lift the lid on the world's most infamous serial killers, unpicking their means, motives and methods - and how they were finally brought to justice.
From St Augustine in the sixth century to Rowan Williams in the twenty-first, the archbishops of Canterbury have provided leadership for the English Church. Those called to the office have included saints and scholars, men of faith and men of action. More than a hundred archbishops of Canterbury have offered spiritual leadership and political influence, whether in co-operation with the secular power or as its critics. Royal dynasties have come and gone, but the succession of the Canterbury primates has provided a remarkably continuous thread running through the history of England. The Mitre and the Crown draws upon a wealth of recent scholarly literature to relate the story of the archbishops against a backdrop of more than fourteen centuries of English ecclesiastical history. It examines the social and cultural experiences that shaped the holders of the archiepiscopal office, together with the personal talents they brought to the service of both Church and State.
From the conversion of the emperor Constantine in the early fourth century, vast sums of money were spent on the building and sumptuous decoration of churches. The resulting works of art contain many of the greatest monuments of late antique and early medieval society. But how did such expenditure fit with Christ's message of poverty and simplicity? In attempting to answer that question, this 1998 study employs theories on the use of metaphor to show how physical beauty could stand for spiritual excellence. As well as explaining the evolving attitudes to sanctity, decorum and display in Roman and medieval society, detailed analysis is made of case studies of Latin biblical exegesis and gold-ground mosaics so as to counterpoint the contemporary use of gold as a Christian image in art and text.
Gestures of Music Theater: The Performativity of Song and Dance offers new, cutting-edge essays focusing on song and dance as performative gestures that not only entertain but also act on audiences and performers. The chapters range across musical theater, opera, theater, and other artistic practices, from Glee to Gardzienice, Beckett to Disney, Broadway to Turner-Prize-winning sound installation. The chapters draw together these diverse examples of vocality and physicality by exploring their affect rather than through considering them as texts. The book's contributors derive methodologies from many disciplines. Resisting discrete discipline-based enquiry, they share methodologies and performance repertoires with discipline-based scholarship from theater studies, musicology, and cultural studies, among other approaches. Together, they view these as neighboring voices whose dialogue enriches the study of contemporary music theater.
Did Christianity once teach secret knowledge? Dominic White argues that the early Church in fact taught a wonderful wisdom about the cosmos. Christian cosmology offers resources for us to speak to many of the problems, questions, and issues we face both in the church and in society. It does not provide instant answers; rather, it is in some ways more like the parables of Jesus, stories that challenge our view of the world and invite us to reflection and contemplation. This “lost knowledge” sheds new light on many biblical teachings and areas of controversy within Christianity: the meaning of repentance; the mystery of the cross; Jesus’ ascent through the heavens; angels and stars; the body and the feminine; justice and ecology; and liturgy, art, music, and dance. The Lost Knowledge of Christ shares the cosmic, psychological, and artistic focus of today’s nonreligious spiritualities and offers some surprising responses. Images, music, and videos that correspond with the chapters can be found at lostknowledgeofchrist.wordpress.com.
Many people dream of commissioning an architect to design their perfect home. It is a commitment that takes time and money, but having a bespoke space built around your specific needs, interests and desires can be life-changing. So, what makes an award-winning, 21st-century house? The Royal Institute of British Architects (RIBA) has been championing outstanding work for over 180 years, and the internationally recognised RIBA awards celebrate the very best in British architecture. The winning houses, featured here, showcase truly innovative design, contemporary materials and techniques, and inspired responses to historical and urban settings, as well as areas of natural beauty. By working closely with clients every step of the way, the architects’ extraordinary buildings redefine what ‘home’ looks like. This compilation of some of the best RIBA award-winning houses from the last ten years offers an essential source of ideas and inspiration for the contemporary British home. From a sustainable townhouse to a modern cottage, a hillside home to a lakeside escape, these houses are show-stopping examples of architects surpassing their clients’ loftiest dreams. Featuring: The best RIBA award-winning houses from the last decade Houses from each region of the UK A rich variety of projects – from new builds to conversions to extensions Case studies from esteemed practices, including: Alison Brooks Architects, Chris Dyson Architects, Foster Lomas, Henning Stummel Architects, Mole Architects and Tonkin Liu Guidance for working with architects.
As theologians across confessional divides try to say something significant about human dignity in our contemporary society, there is fresh interest in the ancient Christian doctrine that the human being is created in the 'imago Dei'. Robinson examines the 'imago Dei' debate through three giants of twentieth century theology - Karl Barth, Hans Urs von Balthasar, and Jürgen Moltmann. Fresh analysis of ecumenical contributions places the development of the doctrine in the context of the ongoing process of ecumenical dialogue on the dignity of the human person.
A brilliantly fun and informative read. Dominic Selwood has taken the juiciest bits of history from the past two thousand years and put them together in one marvellous volume. Selwood is a rare blend of insightful historian and thrilling writer. Cracking along at a breakneck pace reminiscent of Dan Brown,Spies, Sadists and Sorcerers is as perfect for the beach as it is for serious historical background reading." Claudia Gold author of The King's Mistress: The True and Scandalous Story of the Woman Who Stole the Heart of George I and Women Who Ruled: History's 50 Most Remarkable Women Spies, Sadists and Sorcerers unveils the history you were never taught at school. With a breath-taking sweep spanning Rome to the modern day, popular historian and author Dominic Selwood challenges the traditional version of some of the best-known events of the past. From ancient Christianity to the voyages of Columbus, and from the medieval Crusades to ISIS and the modern Middle East, this book debunks dozens of historical myths. You will learn that: – Magna Carta was an infamous failure in medieval times – Richard the Lionheart was a cruel and dreadful king – The Knights Templar were heretical, and have left a genuinely baffling mystery – The painter of the Turin Shroud was found in the 1300s – Christopher Columbus never saw America – The first computer coder was a woman, a century before Alan Turing – The man who unleashed mustard gas in the World War One trenches won the Nobel Prize for chemistry – One incredible Spanish spy saved D-Day ... and lots more. This book will challenge everything you think you know about history!
After spending many years in a religious order, Dominic Kirkham describes how he was driven to meet the challenge of modern thinking, an exercise that has proved both freeing and frightening. He says this has been "something of a personal odyssey, which now spans a lifetime of over six decades and is still ongoing." He adds that "the presumption of the book is that this is of more than personal interest because the subject matter affects everyone; my personal journey will no doubt reflect that of many others." In a broad sweep from Neolithic times to the twenty-first century, he considers our human quest for meaning and a good life, and how we can engage in it today.
Considers how dangerous beasts in horror films illuminate the human-animal relationship. It’s always been a wild world, with humans telling stories of killer animals as soon as they could tell stories at all. Movies are an especially popular vehicle for our fascination with fierce creatures. In Brute Force, Dominic Lennard takes a close look at a range of cinematic animal attackers, including killer gorillas, sharks, snakes, bears, wolves, spiders, and even a few dinosaurs. Lennard argues that animal horror is not so much a focused genre as it is an impulse, tapping into age-old fears of becoming prey. At the same time, these films expose conflicts and uncertainties in our current relationship with animals. Movies considered include King Kong, Jaws, The Grey, Them!, Arachnophobia, Jurassic Park, Snakes on a Plane, An American Werewolf in London, and many more. Drawing on insights from film studies, art history, cognitive science, and evolutionary psychology, Brute Force is an engaging critical exploration—and appreciation—of cinema’s many bad beasts. “The brilliance of Dominic Lennard’s Brute Force is not only that it is long overdue, but one didn’t realize it was due in the first place! Yet upon reflection and, of course, through Lennard’s engaging book, one realizes not only the ubiquity of animals in horror, but their utter centrality to so many classic horror films. In reading this, we can hear the distant rumble of footsteps of a genetically reborn Tyrannosaurus or the hurried pounding of our beloved Rover who has decided that he wants more than kibbles and bits for dinner—and we look mighty appetizing. ‘Groundbreaking’ is often overused, but in this case it truly fits.” — David Desser, coeditor of Tough Ain’t Enough: New Perspectives on the Films of Clint Eastwood
The military and religious orders of the Templars and the Hospitallers were a driving force throughout the long history of the crusades. Here, their daily business of recruitment, fund raising, farming, shipping and communal life is explored.
Spiritual Grammar identifies a genre of religious literature that until now has not been recognized as such. In this surprising and theoretically nuanced study, F. Dominic Longo reveals how grammatical structures of language addressed in two medieval texts published nearly four centuries apart, from distinct religious traditions, offer a metaphor for how the self is embedded in spiritual reality. Reading The Grammar of Hearts (Nahw al-qulūb) by the great Sufi shaykh and Islamic scholar 'Abd al-Karīm al-Qushayrī (d. 1074) and Moralized Grammar (Donatus moralizatus) by Christian theologian Jean Gerson (d. 1429), Longo reveals how both authors use the rules of language and syntax to advance their pastoral goals. Indeed, grammar provides the two masters with a fresh way of explaining spiritual reality to their pupils and to discipline the souls of their readers in the hopes that their writings would make others adept in the grammar of the heart.
Philosophers say what art is and then scientists and then other scholars study how we are equipped, cognitively and socially, to make art and appreciate it. This time-honoured approach will not work. Recent science reveals that we have poor intuitive access to artistic and aesthetic phenomena. Dominic McIver Lopes argues for a new approach that mandates closer integration, from the start, between aesthetics and the human sciences. In these eleven essays he proposes a methodology especially suited to aesthetics, where problems in philosophy are addressed principally by examining how aesthetic phenomena are understood in the human sciences. Since the human sciences include much of the humanities as well as the social, behavioural, and brain sciences, the methodology promises to integrate arts research across the academy. Aesthetics on the Edge opens with a four essays outlining the methodology and its potential. The following essays put the methodology to work, shedding light on the perceptual and social-pragmatic capacities that are implicated in responding to works of art, especially images, but also music, literature, and conceptual art.
The French wife and muse of Charles I was central to the narrative of the English Civil War and the Stuart Restoration. Henrietta Maria was an exceptionally courageous and spirited woman and a misunderstood Queen of England
These nine stories, scenes from faraway youth, would have been misremembered, truncated, and come into the present morphed into something distinct from what they once were; yet they still bear the better telling. It is warranted, since all nine tales taken from Mercury do knit and meld themselves together to form a better whole to create a most pleasing portrait of the distant past.
The essays in this book discuss a number of the central metaphysical and ethical themes that engaged the minds of Platonist philosophers during late Antiquity and the early Middle Ages. One particular theme is that of the structure of reality, with the associated questions of the relations between soul and body and between intelligible and sensible reality, and the existence of mathematical objects. Other topics relate to evil and beauty, political life and its purpose, the philosophical search for the absolute Good, and how one can speak about this Absolute and have union with it. Going from Plato to Eriugena, the ways in which Platonist philosophers understood and developed these themes are analysed and compared.
The Catechism of the Catholic Church gives Catholics everything they need to have a greater understanding of the faith. But reading the Catechism cover to cover can be difficult and intimidating. A Year with the Catechism: 365 Day Reading Plan brings the treasures of the Catechism to aspiring readers in manageable, bite-sized pieces. Each day, a brief reflection breaks open the selected text, explains unfamiliar terms, and unlocks the spiritual and pastoral meaning. This collaborative commentary, written by internationally respected experts, makes the Catechism accessible to those seeking to deepen their own faith as well as to those teaching the faith to others. Whether used alone or in a group setting, A Year with the Catechism provides a manageable and enjoyable experience. This practical handbook can be read alongside any version of the Catechism of the Catholic Church. Readers will discover the treasures of the Catholic faith and learn to appreciate the wealth of information and inspiration the Catechism has to offer.
Christianity is a global phenomenon that has affected the lives of millions of people and expressed itself in many ways over the centuries. Often these expressions have been at odds with the core values of the gospel and teachings of Jesus. Imperialism, colonization, anti-Semitism, racism, misogyny—to name but some issues—have all been associated with this religion almost from the outset. They are part of a legacy that we can no longer evade in the face of the many questioning voices of the modern world. But how has this curious and conflicted situation come about? And did Jesus even intend to found a new religion? Drawing on modern scriptural studies, current academic thinking, and several decades of personal religious and monastic life the writer seeks to find answers, examining the historical record of the past two millennia. In a world that is increasingly secular and skeptical of religious claims the answer to how the Christian legacy is to be presented in a post-Christian world is crucial for the future and the challenge this book seeks to address.
We live in the age of the retouchable selfie. For those navigating the world of social media, the issue of how one presents oneself to the world has never been more critical. Psychological studies have shown the high impact of this selfie culture on the mental health of young people especially. How might the long tradition of the Christian gaze, found in scripture, art, theology and philosophy speak into this selfie generation? What, in this context, might be the significance of the doctrine of humankind’s creation in God’s image, or of the incarnation? On a more practical level, how might the monastic tradition of the ‘chaste gaze’ challenge or reinforce the selfie-culture? Putting such theological and ethical questions into dialogue with psychological studies and philosophical understandings, the book offers an important pastoral and scholarly resource for anyone seeking to understand theologically one of the most profound developments of the digital age.
Metaphorical Materialism: Art in New York in the Late 1960s is a volume of essays on the relationship between materiality and materialism in the work of Carl Andre, Robert Smithson, Richard Serra, Eva Hesse and Lawrence Weiner.
In this revolutionary work, John Dominic Crossan reveals that the Passion and Resurrection Narratives in the four canonical Gospels are radical revisions of an earlier Gospel account. He argues boldly that the apocryphal Gospel of Peter, discovered in the grave of a Christian monk in Egypt circa 1886, contains the earliest version of the death, burial, and resurrection of Jesus. He describes how the authors of the four Gospels revised the early account of how their revision predominated as Roman authority grew. Lacking in the revision, he suggests, is the very heart of the earlier Passion: its depiction of Jesus' death as the consummation of Israel's pain and the resurrection as the vindication of Israel's faith.
Garbage is a memoir of an exceptional trash collector from the streets and wharves of San Francisco. This is a rollicking first-person narrative that recounts an incredible life led and has amazing nuggets of wisdom scattered throughout its pages. Stefanelli was trained to be a scavenger by his uncles in the 1940s and 50s at a time when rampant discrimination prevented Italian immigrants and their families from pursuing any other career. From there, he became a ‘boss scavenger’, married a garbage man’s daughter, and climbed the ranks of the Sunset Scavenger Company where he eventually took part in a corporate shakeup that made him the company’s president at only 31 years old. As one of the men at the helm of this booming industry, he became the chief advocate for increasingly innovative recycling and waste management practices in the Bay Area, and a foremost leader of environmentally-conscious business in the world. Stefanelli’s lively memoir will enlighten readers to the waste management business, an industry that was once considered the lowest rung on the social ladder, but will also show his unparalleled capacity for transformation and vision.
A collection of essays answering a Reformed Baptist who claims that there is a conflict between what the Catechism of the Catholic Church teaches and the Bible.
From an obscure, misty archipelago on the fringes of the Roman world to history's largest empire and originator of the world's mongrel, magpie language - this is Britain's past. But, today, Britain is experiencing an acute trauma of identity, pulled simultaneously towards its European, Atlantic and wider heritages. To understand the dislocation and collapse, we must look back: to Britain's evolution, achievements, complexities and tensions. In a ground-breaking new take on British identity, historian and barrister Dominic Selwood explores over 950,000 years of British history by examining 50 documents that tell the story of what makes Britain unique. Some of these documents are well-known. Most are not. Each reveal something important about Britain and its people. From Anglo-Saxon poetry, medieval folk music and the first Valentine's Day letter to the origin of computer code, Hitler's kill list of prominent Britons, the Sex Pistols' graphic art and the Brexit referendum ballot paper, Anatomy of a Nation reveals a Britain we have never seen before. People are at the heart of the story: a female charioteer queen from Wetwang, a plague surviving graffiti artist, a drunken Bible translator, outlandish Restoration rakehells, canting criminals, the eccentric fathers of modern typography and the bankers who caused the finance crisis. Selwood vividly blends human stories with the selected 50 documents to bring out the startling variety and complexity of Britain's achievements and failures in a fresh and incisive insight into the British psyche. This is history the way it is supposed to be told: a captivating and entertaining account of the people that built Britain.
Debuting in its first edition, Communication Law is an engaging and accessible text that brings a fresh approach to the fundamentals of mass media law. Unique in its approach and its visually attractive design, this text differentiates itself from other current texts on the market while presenting students with key principles and landmark cases that establish and define communication law and regulation, providing a hands-on learning experience.
No values figure as pervasively and intimately in our lives as beauty and other aesthetic values. They animate the arts, as well as design, fashion, food, and entertainment. They orient us upon the natural world. And we even find them in the deepest insights of science and mathematics. For centuries, however, philosophers and other thinkers have identified beauty with what brings pleasure. Concerned that aesthetic hedonism has led us to question beauty's significance, Dominic McIver Lopes offers an entirely new theory of beauty in this volume. Beauty engages us in action, in concert with others, in the context of social networks. Lopes's 'network theory' explains the social dimension of aesthetic agency, the tie between beauty and pleasure, the importance of disagreement in matters of taste, and the reality of aesthetic values as denizens of the natural world. The two closing chapters shed light on why aesthetic engagement is so important to quality of life, and why it deserves (and gets) lavish public support. Being for Beauty offers a fresh contribution to aesthetics but also to thinking about metanormativity, the metaphysics of value, and virtue theory.
Civilization is often equated with the story of human advancement and progress. Yet it is also the story of human oppression, exploitation, war, and empire. In our own time, modern global civilization has brought us to the brink of planetary destruction. By offering an understanding of our past, this book aims to provide a stimulus to considering a different future. Our Shadowed World considers how we have been brought to this point. It describes how the fragmented and conflicted state of humanity has "progressed" from the earliest city-states to the devastation of world war and holocaust--how civilization has brought its own form of savagery. What beliefs have underlain and motivated human action? How have humans tried to understand their world? Driven by the relentless quest for power, by greed, and by extreme beliefs, the human enterprise today has placed the very idea of civilization under threat, the subject of radical questioning. Despite a new ecological awareness dedicated to saving the planet from civilization's carelessness, and a preoccupation with the nature of apocalyptic thinking, a question mark looms over the very survival of humanity in its present state--a question mark that now overshadows the world.
People look for God's presence in many places. They gather in the basilicas of Rome or at the red rocks in Sedona. I find God's presence quite nearby-in the magnificent complexity of the human person. -Dominic Grassi We bump into God's grace every day in all kinds of humorous, serious, mysterious, random, and sometimes completely unlikely ways. This charming collection of thirty-five stories reveals one person's myriad encounters with God in both the mundane and extraordinary moments that make up our days. This is not a book about ideologies, but about people. . . . There are miracles and ordinary moments to celebrate, grace and joy to share, silly folk and saints to relish. -Dominic Grassi A natrual storyteller, Dominic Grassi invites readers to share his warm memories of life in Chicago over the past five decades. He shows how God is reflected in the people we meet every day: a butcher, a bookstore owner, a short-order cook. With rich and often funny descriptions of human triumphs and struggles, laughter and tears, youthful pranks and quiet maturity, Grassi uncovers grace in the most unexpected places. Stories such as Wisdom Teeth and Window Washers and Thumping Watermelons help us see not only moments of grace in Grassi's life but also times when we too have unexpectedly bumped into God.
With more than 130 readings and 24 pages of visual arguments, Conversations offers an extraordinary variety of authors, genres, voices, and viewpoints on important contemporary civic issues. Touching on issues that affect students both as individuals and as citizens, the readings and visuals invite students to join important civic conversations through their own writing. For each issue addressed, Conversations offers not just one or two selections, but several--reminding students that no issue has just one or two sides, but usually involves a wide range of voices. Frequently, selections comment on and argue with other selections, demonstrating that writing is a social exchange, and that much writing is a response to what we read. The images included in this new edition also remind students that we regularly read--interpret and respond to--not only words, but visual arguments found in photographs, artworks, cartoons, advertisements, and websites.
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