In The Shadows of His Grace By: Dolores WM Fleming In The Shadows of His Grace is Dolores Fleming’s compelling, faith-driven life story. From her earliest years working alongside her siblings and parents as migrant farm workers in Morrisville, Pennsylvania, and attending a segregated school in Trenton, New Jersey, to her early adult years that were shaped by both the pain of infidelity, domestic violence, and divorce and the joy of giving birth, raising her sons, and achieving her personal goals, Fleming’s story is one of unwavering faith in the Lord. She details her struggles as a single mother, the fulfillment of her hard-won professional and educational accomplishments, and even the immeasurable pain of losing her son—all while declaring her love of the Lord and her commitment to church, describing it as the “foundation and the network for all things in family life.” Dolores’ memoir is about her love and faith in God, the joy of loving, giving, and serving others, and about staying focused and persevering, even in the face of grief and sorrow.
In The Shadows of His Grace By: Dolores WM Fleming In The Shadows of His Grace is Dolores Fleming’s compelling, faith-driven life story. From her earliest years working alongside her siblings and parents as migrant farm workers in Morrisville, Pennsylvania, and attending a segregated school in Trenton, New Jersey, to her early adult years that were shaped by both the pain of infidelity, domestic violence, and divorce and the joy of giving birth, raising her sons, and achieving her personal goals, Fleming’s story is one of unwavering faith in the Lord. She details her struggles as a single mother, the fulfillment of her hard-won professional and educational accomplishments, and even the immeasurable pain of losing her son—all while declaring her love of the Lord and her commitment to church, describing it as the “foundation and the network for all things in family life.” Dolores’ memoir is about her love and faith in God, the joy of loving, giving, and serving others, and about staying focused and persevering, even in the face of grief and sorrow.
Tarpon Springs, the South's Mediterranean port city named for the abundant fish found off its coast, is hailed as the "Sponge Capital of the World." The oldest town in Pinellas County, Tarpon is located along the Anclote River where the river flows into the Gulf of Mexico. History in this coastal community dates back to the 1800s with the arrival of the first settlers. The advent of the railroad and the building of the Anclote Key Lighthouse brought many positive changes to the area; wealthy Northerners flocked here creating a winter haven while numerous fishing vessels plied city waters. Enterprising entrepreneurs boosted the city's economy and reputation with the harvesting of sponges. The Greek immigrants who came to the area to continue their traditional trade of sponge diving forever enriched the city's cultural makeup with their families and customs. Today, the progressive community continues to be a shining example of historic preservation and cultural variety. Images of America: Tarpon Springs celebrates the fascinating history of "the Venice of the South" and invites readers to experience this breathtaking locale through words and vintage photographs. Rare images, including scenes of the early sponge divers, businesses, residents, festivals, and celebrations, abound in this unique volume. Natives, visitors, and history buffs alike will delight in this visual tour of a picturesque and historically interesting community.
Described by his contemporaries as Daguerre's most dedicated follower, Thomas M. Easterly did most of his work in the relative obscurity of St. Louis. This lavishly illustrated account of his twenty-seven-year career established him as a new master in the ranks of nineteenth-century photographers. It will be an essential addition to the libraries of scholars and collectors. Easterly's subjects range far beyond the traditional daguerrean portrait. Of his surviving inventory of over 600 plates in the collection of the Missouri Historical Society, over 140 are views of St. Louis, his native New England, and the Niagara Falls region of New York. Three series of American Indian portraits constitute the earliest dated photographic record of Plains tribal members. A series of studio portraits of ordinary people and celebrities demonstrate a remarkable mastery of technique placing Easterly decades ahead of his time.
TEA TIME ENTERTAINING" is a unique history of the Afternoon tea. This "Best Book Award" winner and finalist for "Cookbook of the Year 2004" captures your attention with its stunning cover and 29 full color photos. Once inside, you will enjoy the 16 Tea Theme Menus, the etiquette of the tea, the history of tea, types of tea and the growing of tea. "TEA TIME ENTERTAINING" is an excellent reference cookbook filled with fun, easy and entertaining recipes.
Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer an auteurist study this book interrogates the construction of Fernández as both a national and nationalist auteur (including racial and gender aspects e.g. as macho mexicano and indio). It also challenges auteurist readings of the films themselves in order to make new arguments about the significance of Fernández and his work. The aim of this book is to question Mexico’s fetishisation of its own position on the peripheries of the global cultural economy and the similar fetishisation of Fernández’s marginalisation as a mixed race (part white and part indigenous) director. This book argues that, as pictures in the margins, classical Mexican cinema and specifically Fernández’s films are not transparent reflections of dominant post Revolutionary Mexican culture, but annotations and re-inscriptions of the particularities of Mexican society in the post-Revolutionary era.
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Dolores Moyano Martin, of the Library of Congress Hispanic Division, has been the editor since 1977, and P. Sue Mundell was assistant editor from 1994 to 1998. The subject categories for Volume 56 are as follows: ∑ Electronic Resources for the Humanities ∑ Art ∑ History (including ethnohistory) ∑ Literature (including translations from the Spanish and Portuguese) ∑ Philosophy: Latin American Thought ∑ Music
Based on her extensive experience in the urban communities of Los Angeles, historian and architect Dolores Hayden proposes new perspectives on gender, race, and ethnicity to broaden the practice of public history and public art, enlarge urban preservation, and reorient the writing of urban history to spatial struggles. In the first part of The Power of Place, Hayden outlines the elements of a social history of urban space to connect people's lives and livelihoods to the urban landscape as it changes over time. She then explores how communities and professionals can tap the power of historic urban landscapes to nurture public memory. The second part documents a decade of research and practice by The Power of Place, a nonprofit organization Hayden founded in downtown Los Angeles. Through public meetings, walking tours, artists's books, and permanent public sculpture, as well as architectural preservation, teams of historians, designers, planners, and artists worked together to understand, preserve, and commemorate urban landscape history as African American, Latina, and Asian American families have experienced it. One project celebrates the urban homestead of Biddy Mason, an African American ex-slave and midwife active betwen 1856 and 1891. Another reinterprets the Embassy Theater where Rose Pesotta, Luisa Moreno, and Josefina Fierro de Bright organized Latina dressmakers and cannery workers in the 1930s and 1940s. A third chapter tells the story of a historic district where Japanese American family businesses flourished from the 1890s to the 1940s. Each project deals with bitter memories—slavery, repatriation, internment—but shows how citizens survived and persevered to build an urban life for themselves, their families, and their communities. Drawing on many similar efforts around the United States, from New York to Charleston, Seattle to Cincinnati, Hayden finds a broad new movement across urban preservation, public history, and public art to accept American diversity at the heart of the vernacular urban landscape. She provides dozens of models for creative urban history projects in cities and towns across the country.
This landmark work first published 20 years ago helped establish the field of African-American womanist theology. It is widely regarded as a classic text in the field. Drawing on the biblical figure of Hagar mother of Ishmael, cast into the desert by Abraham and Sarah, but protected by God Williams finds a proptype for the struggle of African-American women. African slave, homeless exile, surrogate mother, Hagar's story provides an image of survival and defiance appropriate to black women today. Exploring the themes implicit in Hagar's story poverty and slavery, ethnicity and sexual exploitation, exile and encounter with God Williams traces parallels in the history of African-American women from slavery to the present day. A new womanist theology emerges from this shared experience, from the interplay of oppressions on account of race, sex and class. Sisters in the Wilderness offers a telling critique of theologies that promote "liberation" but ignore women of color. This is a book that defined a new theological project and charted a path that others continue to explore.
A visual lexicon of the colorful slang, from alligator investment to zoomburb, that defines sprawl in America. May well establish Ms. Hayden as the Roger Tory Peterson of Sprawl. --New York Times
..."" excellent work... "" --Musicological Research ""Dolores Pesce has now provided reliable and more comprehensive coverage of the available theoretical material, and her books should be consulted by all interested in the subject."" --David Hiley, Music and Letters For the first time, Dolores Pesce brings together theoretical perspectives on the concept of affinities, or pitch relationships, in musical treatises of the Middle Ages and the Renaissance.
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