In The Secret Love Letters: A Family History, the author delves into the history of her Spanish ancestors, the once-illustrious San Miguels, and uncovers the forbidden love affair that tore the family apart. Fay Johnston told her daughter of a collection of letters she had kept hidden away for over 60 years, promising to show them to her when the time was right. It was only after her mother died that Dolores found the letters, concealed beneath a large piece of wood deep within a storage cupboard. Through endless research and close analysis, Dolores pieced together nearly a hundred letters, newspaper ads, doctors' notes, and postcards to unravel the story of her parents' romance, kept secret for over two decades. Dolores San Miguel, acclaimed author of The Ballroom: The Melbourne Punk and Post-punk Scene delivers a luminous, tightly woven account that places her own family saga in the wider context of early European immigration to Australia, as well as offering a fascinating glimpse into Melbourne life in the lead-up to World War 2.
The Ballroom is a brutally frank memoir of what has become known as one of the most pivotal, fascinating and influential periods of Australian musical and cultural history. The story is illustrated with original flyers and candid photos, some never before seen or published.
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Dolores Moyano Martin, of the Library of Congress Hispanic Division, has been the editor since 1977, and P. Sue Mundell was assistant editor from 1994 to 1998. The subject categories for Volume 56 are as follows: ∑ Electronic Resources for the Humanities ∑ Art ∑ History (including ethnohistory) ∑ Literature (including translations from the Spanish and Portuguese) ∑ Philosophy: Latin American Thought ∑ Music
This is an original project about the experiences of people who lived in the borderlands of Northern New Mexico and Southern Colorado. These individuals were of Spanish and indigenous Pueblo and Plains Indian ancestry. The reader to this book will experience the historical background of New Mexico and Colorado. If the reader is unfamiliar with the migration of the Spanish to the Southwest, they will have a better understanding of the shared ancestry many from this region share. Oral history is lost through generations, and this book captures much of the oral history that could be lost. Some people will gain insight to their family history that will help in their own genealogical research. The historical analysis includes a genealogical mapping of families who lived in this region. The early experiences in the historical borderlands of northern New Mexico and southern Colorado give new meaning to life in the Southwest.
During the time he spent in the Portuguese islands of Porto Santo and Madeira, Cristopher Columbus, a navigator from Genoa, was in charge of a dying sailor, from Castile whose caravel had been carried by the current from the Gulf of Guinea to a remote sea, possibly the Caribean. On his deathbed, this man had told Columbus the secret of some lands where Siberians had arrived during the Pleistocene and some documents about some possible previous trips. This sailor assured that such lands he had achieved carried by the currents were the same ones he was referring to. When Columbus arrived in Spain, he tried to convince the Crown of Castile about his projects, which were precisely the same ones that Isaiah had prophesied as destined for getting the limits of the horizons. During his description, Columbus looked so sure that both the Queen Isabel and the King Fernando wondered whether he was trying to conceal a proved reality, a mistery he took to his grave. When Columbus asked them for a subsidy, Fernando el Catlico commented him that coffers were empty at that point as they had just subjugated the whole Al-Andalus after the seizure of Granada and therefore the defeat of the most unlucky Nasrid king, Boabdil, known as the little man. Due to the Spanish explorers of the 15th century, Spain became the biggest commercial power amongst the European countries. They built up settlements which would last until three centuries later in a colonizing expansive process; until the loss of Spanish power on such territories from the decade of 1810s on, when the Independence began. Since the late 18th century, until the early 19th Century, the West witnessed a series of chain revolutions which affected Western Europe and Spanish America at the same time. The invasin of Napoleon, Francisco de Miranda, Simon Bolivar, Masonic lodges, together with envies, betrayals or lovers make this book to be a thrilling adventure based on historic real.
The breadth and richness of themes and styles in Dolores PridaÕs theater make this collection a reading experience almost as wonderful as seeing the plays themselves. Prida has mapped the urban landscape and covered many of the most important topics of her timeÑfeminism, racism, classism, bilingualism and biculturalismÑquite often tempering their seriousness with humor, pathos and music. This anthology includes: Beautiful Se–oritas (1977), a musical satire of womenÕs roles and images in Hispanic culture; Coser y Cantar (1981), a bilingual one-act play for two women which explores culture clash, especially as it concerns womenÕs roles; Savings (1985), a musical comedy about ÒgentrificationÓ; Pantallas (1986), a ÒblackÓ comedy on the subject of TV soap operas and nuclear disasters; and Bot‡nica (1990), a play about three generations of Puerto Rican women grappling with gaps and discrepancies in time and culture. Dolores Prida is ranked among the most important playwrights of the contemporary Hispanic theater in the United States. She has written for the stage and television and taught play-writing techniques.
This book chronicles a 10-year journey to develop and sustain Adelante, a university-school-community partnership designed specifically to address public education’s failure to meet the needs of students of color, particularly Chicana/o students. The authors examine the persistent barriers, mistakes, challenges, and successes that emerged in their community-based partnership with elementary school students, college students, teachers, parents, and educational leaders. Intertwining critical race theories with Chicana feminist theories, they propose a “critical race feminista praxis” and provide real-world examples of what this praxis can look like in the context of a racialized, gendered, and colonial landscape. The book offers practical advice and theoretical insight to those interested in disrupting pervasive inequities that shape the (mis)education of marginalized students. Book Features: Fills a void about how to engage in activist scholarship by describing concrete strategies and practices employed by the authors. Offers theoretical contributions through the braiding together of critical race and Chicana feminist theories. Proposes a partnership model for working with communities of color that promotes pathways to higher education. “Theoretically cutting-edge and with practical on-the-ground application, Transforming Educational Pathways is a brilliant example of how university–school–community collaborations can be reshaped into transformative praxis in the education of Chicanx, Latinx students. The balanced combination of community-engaged work and scholar-activist research in this groundbreaking book powerfully move us further in the spiritual journey of reimagining and transforming the inequities of educational institutions for Chicanx, Latinx students and their families and communities.” —Luis Urrieta, professor, The University of Texas at Austin “Delgado Bernal and Aleman start and end with the transformative idea that all students should be expected to attend college from their earliest experiences in public education—kindergarten. By challenging the deficit notions surrounding Chicana/o students and their communities, the authors provide the most compelling asset-based and theoretically grounded university–community partnership program I’ve seen in the K–8 sector.” —Daniel G. Solorzano, professor, University of California, Los Angeles “Transforming Educational Pathways for Chicana/o Students is a compelling and intimate account of the development of Adelante, an innovative university–school partnership. It is also an inspiring story of the impact of culturally affirming and anticolonial education on Latina/o children and their teachers, university student mentors, and parents. The process of changing deficit-based school culture is a difficult one, as the book shows. Yet, drawing on Gloria Anzaldúa’s feminist theorizing, Delgado Bernal and Alemán offer a theory of school change where collisions, difficult solidarities, and transformative moments constitute a praxis of hope, imagination, and social justice.” —Sofia Villenas, professor, Cornell University
Through the lens of Akira Kurosawa's films, Martinez dissects the human tendency to make connections in a pioneering attempt to build a bridge out of diverse materials: the anthropology of Japan, film studies, and postmodern theory.
In The Secret Love Letters: A Family History, the author delves into the history of her Spanish ancestors, the once-illustrious San Miguels, and uncovers the forbidden love affair that tore the family apart. Fay Johnston told her daughter of a collection of letters she had kept hidden away for over 60 years, promising to show them to her when the time was right. It was only after her mother died that Dolores found the letters, concealed beneath a large piece of wood deep within a storage cupboard. Through endless research and close analysis, Dolores pieced together nearly a hundred letters, newspaper ads, doctors' notes, and postcards to unravel the story of her parents' romance, kept secret for over two decades. Dolores San Miguel, acclaimed author of The Ballroom: The Melbourne Punk and Post-punk Scene delivers a luminous, tightly woven account that places her own family saga in the wider context of early European immigration to Australia, as well as offering a fascinating glimpse into Melbourne life in the lead-up to World War 2.
The Ballroom is a brutally frank memoir of what has become known as one of the most pivotal, fascinating and influential periods of Australian musical and cultural history. The story is illustrated with original flyers and candid photos, some never before seen or published.
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