Journalist Marisa Grimaldi, wife of an Italian painter and mother of three, is living a pleasantly chaotic life in Paris when she wins a prize that will take her back to her native New York for the first time in 15 years. She looks forward to a trip down memory lane – only to discover the city has considerably changed in that period, and mostly not for the better. In the meantime, the prize turns out to be fraught with controversy and plunges her at the center of a web of international intrigue. To further complicate matters, a love affair develops with a most unexpected partner. Set in the 1980s with flashbacks to the 1960s, the novel explores the lifelong imprint that childhood leaves on us – from our parents, our friends, and our neighborhood.
DOLORES PALA was born and grew up in New York. She first went to Paris at the age of twenty where she still lives. She worked with the United Nations and with an organization dealing with exiles from Central Europe during the icy early years of the Cold War from which she derived the colorful, taut atmosphere of Vienna that is the background to Run A Hollow Road. She describes young Americans abroad then, so different from Hemingway's characters, in a Europe dangerously torn by conflicting ideologies, a long way from the Charleston. And she shows how the fifties bore little resemblance to the twenties. Yet the young Americans abroad she introduces us to are endearing, even flamboyant, enjoying the freedom of Europe, bent on fulfilling themselves no matter what the social climate of the times. Each in his own way and in radically different voices, introduce us to a yesterday we have almost forgotten and an innocence barely lost. RUN A HOLLOW ROAD is her third novel. It takes place in Vienna and spans a decade of international intrigue and contending ideologies at a nerve center in our divided world. The characters are young and American, the background is old and very European. It is a novel of contrasts, tenderness and tension, commitment and elusiveness. It introduces us to life-sized characters and a few who prove to be outsized and everlasting. It is a portrait of a period and after reading it we are enriched.
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Dolores Moyano Martin, of the Library of Congress Hispanic Division, has been the editor since 1977, and P. Sue Mundell was assistant editor from 1994 to 1998. The subject categories for Volume 56 are as follows: ∑ Electronic Resources for the Humanities ∑ Art ∑ History (including ethnohistory) ∑ Literature (including translations from the Spanish and Portuguese) ∑ Philosophy: Latin American Thought ∑ Music
Grace and Favors tells the story of two unusual young people, victims in different ways of the times they were born into yet with the courage and the capacity to breach the barriers and thus become icons of a special moment. Paris in the wake of the Second World War was such a place at such a time. It was an anything is possible moment. New bridges, strong ideals, renewed strengthall seemed within reach. The two young protagonists are Riccardo, a gifted young Italian painter who had suffered fascism and the fight against it almost from birth, and Marisa, an even younger American girl who finds herself alone in every sense but who comes to Paris to learn to be a journalist and thus to make sense of the world that had orphaned her while no one was looking. Grace and Favors tells the story of how two attractive loners come together like pieces of a puzzle and prevail against the strictures of the past in a Paris ready for redemption. This is a cautionary tale told with humor and indulgence by the author of In Search of Mihailo, who remembers the sites, the scents, the places, and the tastes of a world reborn, the postwar years in Paris.
The breadth and richness of themes and styles in Dolores PridaÕs theater make this collection a reading experience almost as wonderful as seeing the plays themselves. Prida has mapped the urban landscape and covered many of the most important topics of her timeÑfeminism, racism, classism, bilingualism and biculturalismÑquite often tempering their seriousness with humor, pathos and music. This anthology includes: Beautiful Se–oritas (1977), a musical satire of womenÕs roles and images in Hispanic culture; Coser y Cantar (1981), a bilingual one-act play for two women which explores culture clash, especially as it concerns womenÕs roles; Savings (1985), a musical comedy about ÒgentrificationÓ; Pantallas (1986), a ÒblackÓ comedy on the subject of TV soap operas and nuclear disasters; and Bot‡nica (1990), a play about three generations of Puerto Rican women grappling with gaps and discrepancies in time and culture. Dolores Prida is ranked among the most important playwrights of the contemporary Hispanic theater in the United States. She has written for the stage and television and taught play-writing techniques.
Fascinating anthropological study of a group of Kickapoo Indians who left their Wisconsin homeland for Mexico over a century ago. "...an excellent work..." — American Indian Quarterly. 26 illustrations. Map. Index.
A police inspector [reluctantly returns] to her hometown in Basque Country--a place engulfed in mythology and superstition--to solve a series of eerie murders"--From Amazon.com.
DOLORES PALA was born and grew up in New York. She first went to Paris at the age of twenty where she still lives. She worked with the United Nations and with an organization dealing with exiles from Central Europe during the icy early years of the Cold War from which she derived the colorful, taut atmosphere of Vienna that is the background to Run A Hollow Road. She describes young Americans abroad then, so different from Hemingway's characters, in a Europe dangerously torn by conflicting ideologies, a long way from the Charleston. And she shows how the fifties bore little resemblance to the twenties. Yet the young Americans abroad she introduces us to are endearing, even flamboyant, enjoying the freedom of Europe, bent on fulfilling themselves no matter what the social climate of the times. Each in his own way and in radically different voices, introduce us to a yesterday we have almost forgotten and an innocence barely lost. RUN A HOLLOW ROAD is her third novel. It takes place in Vienna and spans a decade of international intrigue and contending ideologies at a nerve center in our divided world. The characters are young and American, the background is old and very European. It is a novel of contrasts, tenderness and tension, commitment and elusiveness. It introduces us to life-sized characters and a few who prove to be outsized and everlasting. It is a portrait of a period and after reading it we are enriched.
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