This book will change the way you think about D. H. Lawrence. Critics have tried to define him as a Georgian poet, an imagist, a vitalist, a follower of the French symbolists, a romantic or a transcendentalist, but none of the usual labels fit. The same theme runs through all his work, beginning with his very first novel, The White Peacock, and ending with the last line of his final book, Apocalypse. Always it is nature. He said this over and over again, and no one - especially those who feared the "old ways" of harmonious and balanced living on the earth - understood him.
This book will change the way you think about D. H. Lawrence. Critics have tried to define him as a Georgian poet, an imagist, a vitalist, a follower of the French symbolists, a romantic or a transcendentalist, but none of the usual labels fit. The same theme runs through all his work, beginning with his very first novel, The White Peacock, and ending with the last line of his final book, Apocalypse. Always it is nature. He said this over and over again, and no one - especially those who feared the "old ways" of harmonious and balanced living on the earth - understood him.
..."" excellent work... "" --Musicological Research ""Dolores Pesce has now provided reliable and more comprehensive coverage of the available theoretical material, and her books should be consulted by all interested in the subject."" --David Hiley, Music and Letters For the first time, Dolores Pesce brings together theoretical perspectives on the concept of affinities, or pitch relationships, in musical treatises of the Middle Ages and the Renaissance.
During the time he spent in the Portuguese islands of Porto Santo and Madeira, Cristopher Columbus, a navigator from Genoa, was in charge of a dying sailor, from Castile whose caravel had been carried by the current from the Gulf of Guinea to a remote sea, possibly the Caribean. On his deathbed, this man had told Columbus the secret of some lands where Siberians had arrived during the Pleistocene and some documents about some possible previous trips. This sailor assured that such lands he had achieved carried by the currents were the same ones he was referring to. When Columbus arrived in Spain, he tried to convince the Crown of Castile about his projects, which were precisely the same ones that Isaiah had prophesied as destined for getting the limits of the horizons. During his description, Columbus looked so sure that both the Queen Isabel and the King Fernando wondered whether he was trying to conceal a proved reality, a mistery he took to his grave. When Columbus asked them for a subsidy, Fernando el Catlico commented him that coffers were empty at that point as they had just subjugated the whole Al-Andalus after the seizure of Granada and therefore the defeat of the most unlucky Nasrid king, Boabdil, known as the little man. Due to the Spanish explorers of the 15th century, Spain became the biggest commercial power amongst the European countries. They built up settlements which would last until three centuries later in a colonizing expansive process; until the loss of Spanish power on such territories from the decade of 1810s on, when the Independence began. Since the late 18th century, until the early 19th Century, the West witnessed a series of chain revolutions which affected Western Europe and Spanish America at the same time. The invasin of Napoleon, Francisco de Miranda, Simon Bolivar, Masonic lodges, together with envies, betrayals or lovers make this book to be a thrilling adventure based on historic real.
Liszt's Final Decade reveals in the composer's own words to his confidantes Carolyne von Sayn-Wittgenstein and Olga von Meyendorff how he resolved his conflicted self-image as a celebrated performer but underappreciated composer. Toward the end of his life Franz Liszt maintained extensive correspondence with two women who were at the time his closest confidantes, Carolyne von Sayn-Wittgenstein and Olga von Meyendorff. Liszt wrote to them regularly, expressing his intimate feelings about personal and career events and his conflicted self-image as a celebrated performer but underappreciated composer. Absent a diary, the letters offer the most direct avenue into Liszt's psyche in hisfinal years. Liszt's Final Decade explores through these letters the mind and music of one of the nineteenth century's most popular musicians, providing insight into Liszt's melancholia in his last years and his struggle to gain recognition for his music yet avoid criticism. The exchange indicates that Liszt ultimately resolved his inner conflict through a personally constructed Christian moral philosophy that embraced positive resignation to suffering, compassionate love, and trust in a just reward to come. The book also examines how Liszt's late sacred compositions affirm the yielding of suffering to joy and hope. Significantly, Liszt viewed these works, commonly overlooked today, as a major part of his compositional legacy. This volume thus challenges the idea of a single "late" Lisztian style and the notion that despair overwhelmed the composer in his final years. We are pleased to announce that Liszt's Final Decade is the winner of the 2017 Alan Walker Book Award, given by the American Liszt Society. Dolores Pesce is the Avis Blewett Professor of Music in Arts and Sciences at Washington University in St. Louis.
Prior to 1492, Jews had flourished on the Iberian Peninsula for hundreds of years. Marked by alternating cooperative coexistence and selective persecution alongside Christians and Muslims, this remarkable period was a golden age for Iberian Jews, with significant and culturally diverse advances in sciences, arts and government. This work traces the history of the Sephardic Jews from their golden age to their post-Columbian diaspora. It highlights achievements in science, medicine, philosophy, arts, economy and government, alongside a few less noble accomplishments, in both the land they left behind and in the lands they settled later. Several significant Sephardic Jews are profiled in detail, and later chapters explore the increasing restrictions on Jews prior to expulsion, the divergent fates of two diaspora communities (in Brazil and the Ottoman Empire), and the enduring legacy of Sephardic history.
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