A lively and provocative history of the contested landscapes where the majority of Americans now live. From rustic cottages reached by steamboat to big box stores at the exit ramps of eight-lane highways, Dolores Hayden defines seven eras of suburban development since 1820. An urban historian and architect, she portrays housewives and politicians as well as designers and builders making the decisions that have generated America’s diverse suburbs. Residents have sought home, nature, and community in suburbia. Developers have cherished different dreams, seeking profit from economies of scale and increased suburban densities, while lobbying local and federal government to reduce the risk of real estate speculation. Encompassing environmental controversies as well as the complexities of race, gender, and class, Hayden’s fascinating account will forever alter how we think about the communities we build and inhabit.
Based on her extensive experience in the urban communities of Los Angeles, historian and architect Dolores Hayden proposes new perspectives on gender, race, and ethnicity to broaden the practice of public history and public art, enlarge urban preservation, and reorient the writing of urban history to spatial struggles. In the first part of The Power of Place, Hayden outlines the elements of a social history of urban space to connect people's lives and livelihoods to the urban landscape as it changes over time. She then explores how communities and professionals can tap the power of historic urban landscapes to nurture public memory. The second part documents a decade of research and practice by The Power of Place, a nonprofit organization Hayden founded in downtown Los Angeles. Through public meetings, walking tours, artists's books, and permanent public sculpture, as well as architectural preservation, teams of historians, designers, planners, and artists worked together to understand, preserve, and commemorate urban landscape history as African American, Latina, and Asian American families have experienced it. One project celebrates the urban homestead of Biddy Mason, an African American ex-slave and midwife active betwen 1856 and 1891. Another reinterprets the Embassy Theater where Rose Pesotta, Luisa Moreno, and Josefina Fierro de Bright organized Latina dressmakers and cannery workers in the 1930s and 1940s. A third chapter tells the story of a historic district where Japanese American family businesses flourished from the 1890s to the 1940s. Each project deals with bitter memories—slavery, repatriation, internment—but shows how citizens survived and persevered to build an urban life for themselves, their families, and their communities. Drawing on many similar efforts around the United States, from New York to Charleston, Seattle to Cincinnati, Hayden finds a broad new movement across urban preservation, public history, and public art to accept American diversity at the heart of the vernacular urban landscape. She provides dozens of models for creative urban history projects in cities and towns across the country.
In a provocative critique of American housing patterns that perpetuate Victorian stereotypes of the home as "woman's place" and the city as "man's world", urban historian and architect Dolores Hayden tallies the personal and social costs that an "architecture of gender" creates for the two-earner family, the single-parent family, and single people. She traces three models of home in historical perspective to document innovative alternatives for reconstructing neighborhoods.
In a provocative critique of American housing patterns that perpetuate Victorian stereotypes of the home as "woman's place" and the city as "man's world", urban historian and architect Dolores Hayden tallies the personal and social costs that an "architecture of gender" creates for the two-earner family, the single-parent family, and single people. She traces three models of home in historical perspective to document innovative alternatives for reconstructing neighborhoods.
Based on her extensive experience in the urban communities of Los Angeles, historian and architect Dolores Hayden proposes new perspectives on gender, race, and ethnicity to broaden the practice of public history and public art, enlarge urban preservation, and reorient the writing of urban history to spatial struggles. In the first part of The Power of Place, Hayden outlines the elements of a social history of urban space to connect people's lives and livelihoods to the urban landscape as it changes over time. She then explores how communities and professionals can tap the power of historic urban landscapes to nurture public memory. The second part documents a decade of research and practice by The Power of Place, a nonprofit organization Hayden founded in downtown Los Angeles. Through public meetings, walking tours, artists's books, and permanent public sculpture, as well as architectural preservation, teams of historians, designers, planners, and artists worked together to understand, preserve, and commemorate urban landscape history as African American, Latina, and Asian American families have experienced it. One project celebrates the urban homestead of Biddy Mason, an African American ex-slave and midwife active betwen 1856 and 1891. Another reinterprets the Embassy Theater where Rose Pesotta, Luisa Moreno, and Josefina Fierro de Bright organized Latina dressmakers and cannery workers in the 1930s and 1940s. A third chapter tells the story of a historic district where Japanese American family businesses flourished from the 1890s to the 1940s. Each project deals with bitter memories—slavery, repatriation, internment—but shows how citizens survived and persevered to build an urban life for themselves, their families, and their communities. Drawing on many similar efforts around the United States, from New York to Charleston, Seattle to Cincinnati, Hayden finds a broad new movement across urban preservation, public history, and public art to accept American diversity at the heart of the vernacular urban landscape. She provides dozens of models for creative urban history projects in cities and towns across the country.
Take flight with these dazzling persona poems telling the stories of daredevil pilots in the early days of aviation—from the author of American Yard. Daredevil pilots Lincoln Beachey, Betty Scott, Harriet Quimby, Ruth Law, Ormer Locklear, Bessie Coleman, and Clyde Pangborn fly at carnival altitudes to thrill millions of spectators who have never seen an airplane. In a lyrical sequence of persona poems, the pilots in Exuberance wonder how the experience of moving through the air will transform life on the ground. They learn to name the clouds, size up the winds, mix an Aviation Cocktail, perform a strange field landing, and make an emergency jump. “Intoxicated with the history of aviation, Dolores Hayden has written a work of historical imagination that is vocally energetic, psychologically acute, and musically sophisticated. . . . The movement between lyrical speech and historical reflection gives us not only a portrait of the early years of the twentieth century, but a book in which technological advance is given a profoundly human voice.” —Tom Sleigh, poet, dramatist, essayist, author of House of Fact, House of Ruin “Exuberance is the word for this expansive and exciting collection, and also the word for the vanished earliest days of aviation it evokes, when flying was entertainment and adventure, not everyday transportation. Hayden brings to life a rollicking cast of birdmen and birdwomen, showmen and stunt pilots, producers and profiteers—and their entranced audiences and riders too. . . . Hayden’s lush and energetic poems give us earthbound readers, used to shuttling from airport to airport, a sense of what that intoxication must have felt like.” —Katha Pollitt, poet and columnist, author of The Mind-Body Problem
A lively and provocative history of the contested landscapes where the majority of Americans now live. From rustic cottages reached by steamboat to big box stores at the exit ramps of eight-lane highways, Dolores Hayden defines seven eras of suburban development since 1820. An urban historian and architect, she portrays housewives and politicians as well as designers and builders making the decisions that have generated America’s diverse suburbs. Residents have sought home, nature, and community in suburbia. Developers have cherished different dreams, seeking profit from economies of scale and increased suburban densities, while lobbying local and federal government to reduce the risk of real estate speculation. Encompassing environmental controversies as well as the complexities of race, gender, and class, Hayden’s fascinating account will forever alter how we think about the communities we build and inhabit.
This is a book that is full of things I have never seen before, and full of new things to say about things I thought I knew well. It is a book about houses and about culture and about how each affects the other, and it must stand as one of the major works on the history of modern housing." - Paul Goldberger, The New York Times Book Review Long before Betty Friedan wrote about "the problem that had no name" in The Feminine Mystique, a group of American feminists whose leaders included Melusina Fay Peirce, Mary Livermore, and Charlotte Perkins Gilman campaigned against women's isolation in the home and confinement to domestic life as the basic cause of their unequal position in society.The Grand Domestic Revolution reveals the innovative plans and visionary strategies of these persistent women, who developed the theory and practice of what Hayden calls "material feminism" in pursuit of economic independence and social equality. The material feminists' ambitious goals of socialized housework and child care meant revolutionizing the American home and creating community services. They raised fundamental questions about the relationship of men, women, and children in industrial society. Hayden analyzes the utopian and pragmatic sources of the feminists' programs for domestic reorganization and the conflicts over class, race, and gender they encountered. This history of a little-known intellectual tradition challenging patriarchal notions of "women's place" and "women's work" offers a new interpretation of the history of American feminism and a new interpretation of the history of American housing and urban design. Hayden shows how the material feminists' political ideology led them to design physical space to create housewives' cooperatives, kitchenless houses, day-care centers, public kitchens, and community dining halls. In their insistence that women be paid for domestic labor, the material feminists won the support of many suffragists and of novelists such as Edward Bellamy and William Dean Howells, who helped popularize their cause. Ebenezer Howard, Rudolph Schindler, and Lewis Mumford were among the many progressive architects and planners who promoted the reorganization of housing and neighborhoods around the needs of employed women. In reevaluating these early feminist plans for the environmental and economic transformation of American society and in recording the vigorous and many-sided arguments that evolved around the issues they raised, Hayden brings to light basic economic and spacial contradictions which outdated forms of housing and inadequate community services still create for American women and for their families.
Take flight with these dazzling persona poems telling the stories of daredevil pilots in the early days of aviation—from the author of American Yard. Daredevil pilots Lincoln Beachey, Betty Scott, Harriet Quimby, Ruth Law, Ormer Locklear, Bessie Coleman, and Clyde Pangborn fly at carnival altitudes to thrill millions of spectators who have never seen an airplane. In a lyrical sequence of persona poems, the pilots in Exuberance wonder how the experience of moving through the air will transform life on the ground. They learn to name the clouds, size up the winds, mix an Aviation Cocktail, perform a strange field landing, and make an emergency jump. “Intoxicated with the history of aviation, Dolores Hayden has written a work of historical imagination that is vocally energetic, psychologically acute, and musically sophisticated. . . . The movement between lyrical speech and historical reflection gives us not only a portrait of the early years of the twentieth century, but a book in which technological advance is given a profoundly human voice.” —Tom Sleigh, poet, dramatist, essayist, author of House of Fact, House of Ruin “Exuberance is the word for this expansive and exciting collection, and also the word for the vanished earliest days of aviation it evokes, when flying was entertainment and adventure, not everyday transportation. Hayden brings to life a rollicking cast of birdmen and birdwomen, showmen and stunt pilots, producers and profiteers—and their entranced audiences and riders too. . . . Hayden’s lush and energetic poems give us earthbound readers, used to shuttling from airport to airport, a sense of what that intoxication must have felt like.” —Katha Pollitt, poet and columnist, author of The Mind-Body Problem
A visual lexicon of the colorful slang, from alligator investment to zoomburb, that defines sprawl in America. May well establish Ms. Hayden as the Roger Tory Peterson of Sprawl. --New York Times
A visual lexicon of the colorful slang, from alligator investment to zoomburb, that defines sprawl in America. May well establish Ms. Hayden as the Roger Tory Peterson of Sprawl. --New York Times
Theater has always been the site of visionary hopes for a reformed national future and a space for propagating ideas, both cultural and political, and such a conceptualization of the histrionic art is all the more valuable in the post-9/11 era. The essays in this volume address the concept of «Americanness» and the perceptions of the «alien» - as ethnic, class or gendered minorities - as dealt with in the work of American playwrights from Anna Cora Mowatt, through Rachel Crothers or Susan Glaspell, and on to Sam Shepard, David Mamet, Nilo Cruz or Wallace Shawn. The authors of the essays come from a multi-national university background that includes the United States, the United Arab Emirates and various countries of the European Community. In recognition of the multiple components of drama, the essays for the volume were selected in order to exemplify different aspects and theories of theater studies: the playwright, the play, the audience and the actor are all examined as part of the theatrical experience that serves to formulate American national identity.
Diabetic retinopathy (DR) is the leading cause of acquired blindness in working age adults worldwide. Biochemical changes in DR contribute to both the microscopic structural and functional changes in the retina. All these alterations result in macroscopic retinal damage that can be assessed by funduscopy. The overproduction of reactive oxygen species (ROS) in the mitochondria is considered a causal link between elevated glucose and biochemical abnormalities in the pathophysiology of DR. Moreover, oxidatively induced pathways also seem to provide positive feedback to ROS production, resulting in a vicious cycle. ROS can directly damage lipids, proteins and DNA, leading to cell death. To make the situation worse, antioxidant defenses are also impaired in diabetes. Otherwise, ROS are involved in the production of inflammatory cytokines and growth factors such as interleukins or vascular endothelial growth factor (VEGF). In addition, ROS not only contribute to the development of DR, but also play a role in its progression when the hyperglycemic insult is controlled. This phenomenon is called metabolic memory.
THE MALIBU COOKBOOK is not only a cookbook but a colorful memoir filled with angels and many magical moments. From the streets of the Bronx, New York to the beaches of Malibu, California, the Godmother takes you a delightful rollercoaster ride with warm and wonderful stories about people and food... ...stories that say over and over again...."LIFE IS A BANQUET AND MOST POOR SOB'S ARE STARVING TO DEATH" ..** For the first time in 27 years, The Godmother reveals her famous recipes, some of which originated in dreams and family cupboards and have made The Godmother of Malibu a legend." Quote **From Mame, The Musical......book by Jerome Lawrence & Robert E. Lee based upon the novel "Auntie Mame" by Patrick Dennis
This is a story about a beautiful young woman who left her husband and teenage son living the quiet life on the Seneca River, in up-state New York. She travelled to New York City, searching for a life of fame and fortune. Fascinated by the beautiful, the rich and the powerful. She found all three, but at what cost? Would the Mafia stop at nothing to get what they wanted from her?
Chester County was one of the three original counties established by William Penn, giving it a long history of settlement and growth. Around Avondale and West Grove features historic postcards from Avondale, Baker's Station, Chatham, West Grove, and the surrounding area. Jennersville, located in Penn Township, has close ties to the rose industry begun in London Grove. This area was a rich agricultural district that had many nurseries (including one of world renown), creameries, mushroom farms, horse farms, an experimental farm for research, and other agricultural ventures. White Clay Creek, now a federally designated wild and scenic river, supported many mills. Granite and marble supplied the quarry industry. The township's location along the main highways between Lancaster, Wilmington, Philadelphia, and Baltimore made it an important route for commerce.
This is a methodological guide to the use of plant opal phytolith analysis in paleoenvironmental and paleoecological reconstruction. It is the first book-length treatment of this promising technique, which has undergone rapid development within the past few years and is now beginning to be used with considerable success by paleobotanists who serve the archaeological and paleontological research communities. It will be mandatory reading for all paleobotanists, paleoecologists, and archaeological scientists.
Through the lens of Akira Kurosawa's films, Martinez dissects the human tendency to make connections in a pioneering attempt to build a bridge out of diverse materials: the anthropology of Japan, film studies, and postmodern theory.
Described by his contemporaries as Daguerre's most dedicated follower, Thomas M. Easterly did most of his work in the relative obscurity of St. Louis. This lavishly illustrated account of his twenty-seven-year career established him as a new master in the ranks of nineteenth-century photographers. It will be an essential addition to the libraries of scholars and collectors. Easterly's subjects range far beyond the traditional daguerrean portrait. Of his surviving inventory of over 600 plates in the collection of the Missouri Historical Society, over 140 are views of St. Louis, his native New England, and the Niagara Falls region of New York. Three series of American Indian portraits constitute the earliest dated photographic record of Plains tribal members. A series of studio portraits of ordinary people and celebrities demonstrate a remarkable mastery of technique placing Easterly decades ahead of his time.
American Visions offers a rich sampling of literature for writing classes with a multicultural perspective, exploring the historical context and contemporary relevance of major themes that have shaped our consciousness as a nation.
The noted feminist theorist argues for a new conception of architectural design and outlines housing plans that will support new patterns of nurturing and opportunity for a range of individuals and families
This thematic reader focuses on contemporary American culture and offers over 120 provocative readings and images representing a broad range of genres and diverse authorial voices.
A full-color guide to the entire field of clinical endocrinology and its scientific underpinnings – updated with the latest breakthroughs and developments A Doody’s Core Title for 2021! Greenspan’s Basic & Clinical Endocrinology delivers a succinct, leading-edge overview of the underlying molecular biology of the endocrine system and the latest perspectives on the diagnosis and treatment of specific diseases and disorders. Featuring an enhanced design that includes hundreds of full-color illustrations and clinical photographs, Greenspan’s is a true must-have during traditional or integrated courses in endocrinology, endocrinology rotation, or exam prep in internal medicine and endocrinology and as reference for disease management. Greenspan’s provides clinically relevant coverage of metabolic bone disease, pancreatic hormones and diabetes mellitus, hypoglycemia, obesity, geriatric endocrinology, and many other diseases and disorders. Supporting this essential material is a handy appendix of normal hormone reference ranges across the lifespan. Here’s why Greenspan’s is an essential tool for learning how to manage endocrine patients: • The Tenth Edition is enhanced by updated content throughout each chapter • NEW CHAPTERS on Transgender Endocrinology and Disorders of Sexual Determination and Differentiation • Important chapter on Evidence-Based Endocrinology and Clinical Epidemiology • Concise, balanced coverage of both scientific and clinical principles that guide patient management • The best source for current concepts in endocrine pathophysiology to aid clinical decision making • The most practical, current insights into diagnostic testing • More than 270 full-color illustrations and clinical photographs If you are in need of a well-illustrated, completely up-to-date guide to the entire field of clinical endocrinology, this trusted classic belongs on your desk or computer.
Describes the strategies and innovations nineteenth century feminists hoped would socialize housework and child care and gain economic independence for women
From the time of its discovery, the new world was regarded by American settlers as a new Eden and a new Jerusalem. Although individual pioneers' visions of paradise were inevitably corrupted by reality, some determined ideatists carved out enclaves in order to develop collective models of what they believed to be more perfect societies. All such communitarian groups consciously attempted to express their social ideals in their buildings and landscapes; invariably, ideological predispositions can be inferred from a close study of the environments they created. The interplay between ideology and architecture, the social design and the physical design of American utopian communities, is the basis of this remarkable book by Dolores Hayden.At the heart of the book are studies of seven communitarian groups, collectively stretching over nearly two centuries and the full breadth of the American continent-the Shakers of Hancock, Massachusetts; the Mormons of Nauvoo, lllinois; the Fourierists of Phalanx, New Jersey; the Perfectionists of Oneida, New York; the Inspirationists of Amana, Iowa; the Union Colonists of Greeley, Colorado; and the Cooperative Colonists of Llano del Rio, California. Hayden examines each of these groups to see how they coped with three dilemmas that all socialist' societies face: conflicts betweeft authoritarian and participatory processes, between communal and private territory, and between unique and replicable community plans.The book contains over 260 historic and contemporary photographs and drawings which illustrate the communitarian processes of design and building. The drawings range in scale from regional plans showing land ownership, access to transportation, and availability of natural resources, through site plans of communal domains and building plans of dwellings and assembly halls, down to detailed diagrams of furniture configurations. To aid readers in making comparisons, a series of site and building plans drawn at constant scales has been provided for all seven case studies.
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