It is 1950s America and madness is in the air. In a world where the 'cures' for craziness include coma therapy, cyanide treatment and full-frontal lobotomies, Dr. William T. Friedrich, a young and ambitious psychology professor at Yale, stumbles upon a tropical plant that seems to possess the secret ingredient of happiness. In Casper Gedsic, a fiercely intelligent, socially inept, near-suicidal maths student, he seems to have found the perfect guinea pig. But when his experiments goes awry, Casper's thirst for revenge turns murderous and his actions have consequences that will haunt Friedrich and his family forever...
An honest, insightful , and ruefully funny look at the fate of one American family vis-à-vis the rise of modern psychopharmacology, Pharmakon, or The Story of a Happy Family is nothing less than a contemporary epic. The novel follows William Friedrich, an ambitious professor of psychology at Yale in the early 1950s, who has stumbled upon a drug that promises happiness to those who ingest it and fame and fortune to the man who can synthesize it. But when a brilliant and troubled research subject commits murder, the consequences will haunt Friedrich and his family for years to come.
The Stone Girl is a riveting tale of deception, vengeance, and power set against the haunting beauty of the Adirondack wilderness. Deep in the Adirondack Mountains lies a speck of a town called Rangeley. There isn’t much to this tiny town, but it is at the crossroads of serene fishing streams off the Mink River, pristine hunting grounds in the surrounding mountains, and vast estates of the extremely rich. It is also the gateway to the Mohawk Club, which houses the Lost Boys, an exclusive group of wealthy and powerful men with global influence and a taste for depravity. Raised wild and poor in the shadows of the Mohawk Club, Evie Quimby was a teenager when she first fell victim to the Lost Boys. Seventeen years later, she is now a world-renowned art restorer famous for repairing even the most-broken statues. After spending half her life in Paris, establishing her reputation and raising her daughter Chloé, Evie has come a long way from the girl who left Rangeley behind. But when Chloé receives a visit from an elegant stranger who claims to be an old friend of her mother’s, the ghosts of Evie’s past return in full force, pulling her back to the North Country of her girlhood and into the tangled, intricate web of the Lost Boys. Evie bands together with her formidable mother and an embattled heiress, both victims of the Lost Boys, in pursuit of an unusual and heart-stopping vengeance.
Welcome fledging Social Climbers! Allow us to show you the way. Birds do it, bees do it, even educated fleas do it, so what’s the big deal? You shouldn’t be punished for wanting to improve your lot in life! This is America, after all. Johnson & Johnson heiress Jazz Johnson is a lifelong insider in that rarefied world that fans of both Downton Abbey and Gossip Girl dream about. Raconteur Dirk Wittenborn is old enough to remember when sex was safe and cocaine wasn’t addictive. In short, Jazz belongs to some of the most exclusive clubs in the world, whereas Dirk has been kicked out of them. Who better to guide you? In the grand tradition of True Prep and The Hipster Handbook, The Social Climber’s Bible will teach you everything you need to know to become a pro Mountaineer: The Art of Social Climbing at gallery openings, cocktail parties, and funerals Social Climbing as a family How to handle sex, dating, marriage, and love Your social climbing IQ and how to improve it How to spot a Big Fish, Whale, Turtle or Unicorn, and what they can do for you
The Stone Girl is a riveting tale of deception, vengeance, and power set against the haunting beauty of the Adirondack wilderness. Deep in the Adirondack Mountains lies a speck of a town called Rangeley. There isn’t much to this tiny town, but it is at the crossroads of serene fishing streams off the Mink River, pristine hunting grounds in the surrounding mountains, and vast estates of the extremely rich. It is also the gateway to the Mohawk Club, which houses the Lost Boys, an exclusive group of wealthy and powerful men with global influence and a taste for depravity. Raised wild and poor in the shadows of the Mohawk Club, Evie Quimby was a teenager when she first fell victim to the Lost Boys. Seventeen years later, she is now a world-renowned art restorer famous for repairing even the most-broken statues. After spending half her life in Paris, establishing her reputation and raising her daughter Chloé, Evie has come a long way from the girl who left Rangeley behind. But when Chloé receives a visit from an elegant stranger who claims to be an old friend of her mother’s, the ghosts of Evie’s past return in full force, pulling her back to the North Country of her girlhood and into the tangled, intricate web of the Lost Boys. Evie bands together with her formidable mother and an embattled heiress, both victims of the Lost Boys, in pursuit of an unusual and heart-stopping vengeance.
It is 1950s America and madness is in the air. In a world where the 'cures' for craziness include coma therapy, cyanide treatment and full-frontal lobotomies, Dr. William T. Friedrich, a young and ambitious psychology professor at Yale, stumbles upon a tropical plant that seems to possess the secret ingredient of happiness. In Casper Gedsic, a fiercely intelligent, socially inept, near-suicidal maths student, he seems to have found the perfect guinea pig. But when his experiments goes awry, Casper's thirst for revenge turns murderous and his actions have consequences that will haunt Friedrich and his family forever...
An honest, insightful , and ruefully funny look at the fate of one American family vis-à-vis the rise of modern psychopharmacology, Pharmakon, or The Story of a Happy Family is nothing less than a contemporary epic. The novel follows William Friedrich, an ambitious professor of psychology at Yale in the early 1950s, who has stumbled upon a drug that promises happiness to those who ingest it and fame and fortune to the man who can synthesize it. But when a brilliant and troubled research subject commits murder, the consequences will haunt Friedrich and his family for years to come.
The first study to assess the importance of the marginalia, inscriptions, and other manuscript notes in the 750 volumes of Samuel Beckett's personal library.
Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discouraged the conventional and the consistent: he drew with both hands at once, preserved the discarded, and reveled in the transitory. Grease stains, mold formations, insect borings, and rotting foodstuffs were just some of the materials used, both out of a fascination with their painterly, textural aspects and for their innate ability to make time visible and play to chance. "More is better," he once said, and more there always was. Roth never stopped working, and he believed that everything could be art, from his sketch pad to the table he sat at, the telephone he talked on, or his friend's kitchen (the kitchen was later sold to a museum). Roth Time: A Dieter Roth Retrospective is published to mark the first major survey exhibition of the artist's work since his death in 1998. Five decades of drawings, graphics, books, paintings, objects, installations, films and video works are represented. The publication offers a window into Roth's creative world, reflecting him and his era. The exhibition is organized by the Schaulager with The Museum of Modern Art, New York and the Museum Ludwig, Cologne.
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