Since 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People’s Republic of China. This volume explores the development of Chinese film from 1949 to 1976. This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.
The Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era. As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history. The book will be an essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers to develop a comprehensive understanding of Chinese film.
The early years of the history of Chinese film have lately been the subject of resurgent interest and a growing body of scholarship has come to recognise and identify an extraordinarily diverse and complex period. This volume explores the development of Chinese film from 1896 to 1949. The volume covers the screening of foreign films in Shanghai, Hong Kong and other coastal cities in China, the technological and industrial development of Chinese national cinema, key filmmakers and actors of early Chinese cinema, changing modes of representation and narration, as well as the social and cultural contexts within which early Chinese films were produced and circulated. The relationship between the War of Resistance against Japan and the Chinese civil war and Chinese film is also explored. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.
“Three Agriculture-related problems” is a social problem of public concern in China since its reform and opening up program. Nowadays, people from all walks of life have realized the seriousness of the problem, the urgency of solving the problem and the great significance of solving the problem to the deepening of socialist economic market. So far, there have been great achievements in the economic and sociological circles, but the research in the legal field is relatively weak. In search for methods and approaches for solutions, many researchers stopped where the problems arose. Therefore, to solve the “three agriculture-related problems” fundamentally, more insightful research shall be made from a higher perspective, that is, the rule of law.
By empirically assessing the competitiveness of 505 cities around the world from regional, national and other perspectives, this book not only ranks these cities but also presents a treasure trove of information with regard to each city’s relative strengths and weaknesses. This unique resource draws on a wealth of data sources, all of which are described and assessed, and involve urban economics, geography, regional economics and many other fields. Using a concise indexing system, sophisticated methodology, and extensive figures and tables, it provides a comprehensive analysis of global urban competitiveness in 2015. Given the scope of its coverage, the book will be of great interest to readers such as local authorities, decision-makers and economic planners in cities throughout the world.
This volume explores the development of Chinese film from 1896 to 1949 and discusses topics such as the screening of foreign films, the technological development of Chinese national cinema as well as key filmmakers and actors of early Chinese cinema.
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