The German 'Blitz' that followed the Battle of Britain killed tens of thousands and laid waste to large areas of many British cities. And although the destruction of 1940-1 was never repeated on the same scale, fears that Hitler possessed a secret weapon of mass destruction never entirely died, and were partially realized in the VI and V2 raids of 1944-5. The British and American response to the 'Blitz', especially from 1943 onwards, was massive and incomparably more devastating - with apocalyptic consequences for German cities such as Hamburg, Dresden, and Berlin, to name but the most prominent. In this ground-breaking new book, German historian Dietmar Süss investigates the effects of the bombing on both Britain and Nazi Germany, showing how these two very different societies sought to withstand the onslaught and keep up morale amidst the material devastation and psychological trauma that was visited upon them. And, as he reflects in the conclusion, this is not a story that is safely confined to the past: the debate over the rights and the wrongs of the mass bombing of British and German cities during World War II remains a highly emotional subject even today.
The 50th volume of Progress in Botany appears in new guise. In cooperation with Springer-Verlag we have changed from the less attractive typewriter composition to the direct reproduction of a manuscript which was writ ten by means of a text editing system and produced by a laser printer. We, the editors, should like to take the appearance of Volume 50 as the occasion for a few short remarks. Our younger readers are perhaps not aware that our Book Series was founded in 1931 by Fritz von Wettstein, based on the following thoughts and considerations, aptly formulated by him in the Preface to the first volume. "One of the greatest dangers threatening progress in the science of botany is the absolutely unbelievable growth in volume of the literature. The quality of journals, books and individual works that are daily sent to us makes it impossible for anyone person to maintain a general view of the progress made in botany in all the specialized fields, let alone to find time for results from associated su bjects. For varying reasons, every botanist must find this state of matters insupportable. Let us endeavor, in the general interest, to retain a wide background of knowledge, and not become limited specialists. The vitally necessary connections between the specialized fields can only flourish, or even exist, if the general view of botany as a whole can be maintained.
From the flint tool to the stylus, from the quill pen to the fountain pen and felt-tip marker, this book invites one to develop anew or deepen one's love for beautiful old writing instruments. Hundreds of contemporary engravings, illustrations, advertisements, photos, and catalog and brochure excerpts accompany the reader through the written history of the quill pen, pencil fountain pen and paper and their use. Here editors and journalists, salespeople, architects, students, and above all, collectors of historic writing instruments, will find facts about the origin, variations, and further development of one of the most important and personal of our useful tools-the writing instrument. Beginning with the origins of writing, Geyer covers the early writing instruments, steel pens, pencil, fountain pens, ball-point pens, and even the felt-tip marker. The greatest emphasis is on beautiful historical fountain pens. The major brands studied include Conway-Stewart, Cross, Edding, Faber-Castell, Geha, Kaeco, Lamy, Montblanc, Onoto, Parker, Pelikan, Senator, Schwan-Stabilo, Sheaffer, Soennecken, Staedtler, Swan Wahl-Eversharp, Waterman
With one new volume each year, this series keeps scientists and advanced students informed of the latest developments and results in all areas of botany. The present volume includes reviews on plant physiology, genetics, taxonomy and geobotany.
Tom's premier work on carving Santa Claus, elves, gnomes, and wizards. These fanciful, delightful characters come to life at his hands. He shares skills and projects that are perfect for the beginning carver, the person who likes to whittle for fun and relaxation, or the experienced carver.
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