Artist David Schutter is an associate professor in the Department of Visual Studies at the University of Chicago. Schutter's project constitutes drawings he created in response to renderings of the human emotions ("passions") by the great French artist Charles Lebrun: these renderings have been used by artists and students for centuries as models of facial expressions. Schutter's practice involves deep engagement with the history of art, memory, the body, affect theory, and more. The book features an introductory essay by the artist himself as well as essays on the work by critics Barry Schwabsky and Dieter Roelstraete"--
This exhibition catalog for Italian artist Luca Bertolo (born 1968) features multimedia works created between 2012 and 2017, essays and a conversation with the artist. Paintings, neon signs and videos explore connections between word and image, building upon a theme from Feuerbach explored by the Situationists and Susan Sontag.
Over the past two decades, Roy Arden has become one of Canada's most respected artists. Along with that of Jeff Wall, Ian Wallace, Rodney Graham and Stan Douglas, his work has contributed to Vancouver's reputation as a vital centre for contemporary photographic art. This important book looks at Arden's unique approach to photography and his investigations into modern city life. Arden's work can be divided into three periods. From 1981 to 1985 he produced Fragments, lyrical colour portraits and urban details. The years 1985 to 1990 were dedicated to what Arden calls his meta-photography, art about photography and its history. Since 1990 he has focused on the landscape of the economy in images of the city and its never-ending transformations. This handsome catalogue includes two major scholarly texts about Arden's work along with shorter texts by six artists, curators and critics. This book was published in partnership with the Vancouver Art Gallery.
Zin Taylor's (born 1978) Lavender Glass explores how the subjects of growth and formation develop into a series of conceptual forms surfacing through investigative elements of inquiry, exchange and abstraction. Copublished with the Southern Alberta Art Gallery in Lethbridge, the monograph gathers nearly a decade of the Canadian artist's multifaceted narrative work across sculpture, installation, artist's books, and writing. A text by Belgian curator and writer Dieter Roelstraete serves as a contextual introduction to a five-day conversation between Roelstraete and Taylor that took place while both were in Chicago. The meandering discussion explores the trail of influence between a work's concept, the language it develops, and the form it produces, as well as the individual pieces or concepts involved; associative links to cooking, music, botany, stones, and the city of Brussels arise along the way. The Belgian graphic designer Boy Vereecken, together with Antoine Begon, developed a sensitive design for the publication, integrating images of Taylor's work into the elongated conversation. The layout functions not only to illustrate the subjects as they are discussed, sometimes literally and other times editorially, but to reflect Taylor's interest in how ideas have a way of developing into visual form as they unfold over a duration--or a discussion.
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