Although Dickinson was a prolific private poet, fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Although most of her acquaintances were probably aware of Dickinson's writing, it was not until after her death in 1886-- when Lavinia, Emily's younger sister, discovered her cache of poems-- that the breadth of Dickinson's work became apparent.
The verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio," - something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts. In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without setting her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a very few friends; and it was with great difficulty that she was persuaded to print, during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiously indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness.
The Emily Dickinson Collection (2021) compiles some of the best-known works of an icon of American poetry. Out of nearly two-thousand poems discovered after her death, less than a dozen appeared in print during Dickinson’s lifetime. Drawn from such influential posthumous volumes as Poems (1902) and The Single Hound (1914), The Emily Dickinson Collection captures the spiritual depths, celebratory heights, and impenetrable mystery of Dickinson’s poetic gift. “Fame is a fickle food / Upon a shifting plate, / Whose table once a Guest, but not / The second time, is set.” Deeply aware of the fleeting nature of fame, Dickinson—whose reputation in life was as a lonely eccentric who rarely, if ever, left home—seems to provide some clarity as to why publication so often eluded her. Having published just ten poems in her lifetime, Dickinson continued to write in solitude until her final years. Her final word on fame is a warning, perhaps, for poets whose fate would differ from her own: “Men eat of it and die.” Despite her admonishing tone, she found space elsewhere to muse on the nature of literary achievement, recognizing that obscurity could incidentally produce the conditions for a poet to produce their most vital work: “Success is counted sweetest / By those who ne’er succeed. / To comprehend a nectar / Requires sorest need.” Throughout her life, Emily Dickinson showed a profound respect for the mysteries of worldly existence. In her poems, this creates an atmosphere of prayer and contemplation, a search for something beyond the simple answers: “Some things that fly there be, — / Birds, hours, the bumble-bee: / Of these no elegy.” Amid such fleeting things, she catches a glimpse of eternity. With a beautifully designed cover and professionally typeset manuscript, this edition of The Emily Dickinson Collection is a classic of American poetry reimagined for modern readers.
Let your children discover the works of poet Emily Dickinson in Poetry for Kids: Emily Dickinson. As the premier title in the Poetry for Kids series, Emily Dickinson introduces children to the works of poet Emily Dickinson. Poet, professor, and scholar Susan Snively has carefully chosen 35 poems of interest to children and their families. Each poem is beautifully illustrated by Christine Davenier and thoroughly explained by an expert. The gentle introduction, which is divided into sections by season of the year, includes commentary, definitions of important words, and a foreword.
The Complete Poems Emily Dickinson - Only eleven of Emily Dickinsons poems were published prior to her death in 1886; the startling originality of her work doomed it to obscurity in her lifetime. Early posthumously published collections-some of them featuring liberally edited versions of the poems-did not fully and accurately represent Dickinsons bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinsons extraordinary poetic genius.
This collection of Emily Dickinson's work contains 444 of the nearly 1,800 poems that the prolific yet reclusive American poet privately penned during her lifetime. Although her bold and non-traditional writing style met with mixed reviews when first published, Dickinson is now considered one of America's greatest poets. Included here are such famous poems as "Because I could not stop for Death", "I'm nobody! Who are you?", and "Hope is the thing with feathers". Themes of love, loss, death, and immortality imbue Dickinson's work with a timeless quality; her unconventional poetry continues to provide insight into the human condition. This is an unabridged compilation of three series of Dickinson's poetry edited and published by her friends after her death—the first series in 1890, the second in 1891, and the third in 1896.
A collection of poems by “one of America’s greatest and most original poets of all time” (Poetry Foundation). One of the nineteenth century’s leading poets, Emily Dickinson wrote nearly 1,800 poems during her lifetime, though only a handful were published. This collection includes some of Dickinson’s best-known works, reflecting her thoughts on nature, life, death, the mind, and the spirit. “Emily Dickinson is one of our most original writers, a force destined to endure in American letters. . . . Without elaborate philosophy, yet with irresistible ways of expression, Emily Dickinson’s poems have true lyric appeal, because they make abstractions, such as love, hope, loneliness, death, and immortality, seem near and intimate and faithful.” —The Atlantic “Emily Dickinson did not leave any poetics or treatise to explain her life’s work, so we can come to her poetry with minds and hearts open, and unearth whatever it is we need to find. Her oeuvre is a large one and most of her work was done in secret—she didn’t share most of what she wrote. Ten or so poems were published in her lifetime, mostly without her consent. She often included poems with letters but, after her death, the poet’s sister Vinnie was surprised to find almost eighteen hundred individual poems in Dickinson’s bedroom, some of them bound into booklets by the poet.” —Publishers Weekly “Dickinson found love, spiritual quickening and immortality, all on her own terms.” —The Guardian
First published in 1890, this volume contains all three series of “Poems by Emily Dickinson”, an extensive collection of Dickinson's very best poetry. Emily Elizabeth Dickinson (1830–1886) was an American poet commonly hailed as being among the most important figures in American poetry. Not much is known about her personal life, but evidence suggests that this is because she spent most of her time isolated from other people. Those who lived around her claimed that she took to wearing only white apparel and rarely left her bedroom in her later years. Despite being a prolific writer who produced a corpus of over 1,800 poems, only 10 were published during her lifetime. Her poetry was considered unusual for her time, incorporating a variety of odd features and breaking many of the conventional rules. Contents include: “First Series - I. Life, II. Love, III. Nature, IV. Time and Eternity”, “Second Series - I. Life, II. Love, III. Nature, IV. Time and Eternity”and “Third Series - I. Life, II. Love, III. Nature, IV. Time and Eternity." A fantastic collection of classic poetry not to be missed by fans and collectors of Dickinson's seminal work. Ragged Hand is proud to be republishing this collection of classic poetry now complete with an introductory excerpt by Martha Dickinson Bianchi.
This compact edition, designed for use in undergraduate courses, combines a substantial selection of Dickinson’s poems (including one complete fascicle) with a selection of letters and a range of contextual materials. In a number of cases several different versions of a poem are presented side by side. The texts are based on the handwritten manuscripts themselves, in the facsimile form in which the Emily Dickinson Archive now makes the vast majority of Dickinson’s manuscript versions available to the general public. The three major editions that are based directly on the manuscripts—those of Thomas H. Johnson (1955), R.W. Franklin (1998) and Cristanne Miller (2016)—have also been consulted; in many cases where the transcriptions of these editors differ from one another, this edition provides information in the notes as to those differences. Extensive explanatory footnotes are also provided, as is a concise but wide-ranging introduction to Dickinson and her work. The appendices include excerpts from numerous nineteenth-century reviews of Dickinson’s first published volume (including by William Dean Howells and Andrew Lang). Thomas Wentworth Higginson’s influential Atlantic Monthly article, “Emily Dickinson’s Letters,” is also included in its entirety.
For a decade, Amy Dickinson has been the Chicago Tribune's signature general advice columnist, helping readers with questions both personal and pressing. Ask Amy: Advice for Better Living is a collection of over 200 question-and-answer columns taken from 2011–2013. As the highly popular successor to the legendary Ann Landers, Dickinson answers readers' questions with care and attention, while also providing a plainspoken, straight-shooting dose of reality that often only comes to us from close friends. Dickinson's advice is rooted in honesty and trust, which is why so many readers turn to her for advice on their everyday lives and for maintaining healthy, lasting relationships. Ask Amy: Advice for Better Living is a testament to the empathetic counsel and practical common-sense tips that Dickinson has been distilling for years.
The 19th–century American poet’s uncensored and breathtaking letters, poems, and letter-poems to her sister-in-law and childhood friend. For the first time, selections from Emily Dickinson’s thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson’s life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson’s poetry, Open Me Carefully brings new light to the meaning of the poet’s life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. Praise for Open Me Carefully “With spare commentary, Smith . . . and Hart . . . let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters’ genre-defying form as the words unravel spectacularly down the original page.” —Renee Tursi, The New York Times Book Review
Long out of print, a uniquely intimate portrait of Emily Dickinson written by her niece. What would it be like to have Emily Dickinson as your babysitter? In this astonishing memoir, out of print for almost a century, Martha “Matty” Dickinson describes the childhood she spent next door to—and often in the care of—her Aunt Emily. We see Matty as a little girl, hiding from the other grownups in Emily’s upstairs rooms, helping Emily in the kitchen, venturing with her into the cellar for the gingerbread she wasn’t supposed to have. As Matty becomes a teenager, she finds a confidante in her aunt, who is fascinated by the latest youth fads, school gossip, and the recurring question of what to wear to a party (“her ‘vote’ was for my highest-heeled red slippers”)—not to mention the music, novels, and poems she and Matty both love. From an early age, Emily teaches Matty the joys of solitude and independence: “No one,” Emily said, “could ever punish a Dickinson by shutting her up alone.” First published in 1932, this is the most intimate record we have of Emily Dickinson, whose death sparked a long family struggle over her work and her image. In a foreword to this new edition, the poet and critic Anthony Madrid provides a biographical frame for Matty’s recollections, and explains how such a remarkable document could spend so long out of sight.
Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women—to encourage, challenge, and inspire. One of American’s most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection from her vast archive of poetry to inspire the writers, creatives, and leaders of today. Continue your journey in the Women’s Voices series with Jane Eyre, by Charlotte Bronte and The Feminist Papers by Mary Wollstonecraft.
Emily Dickinson's Poems: As She Preserved Them is a major new edition of Dickinson's verse intended for the scholar, student, and general reader. It foregrounds the copies of poems that Dickinson retained for herself during her lifetime, in the form she retained them. This is the only edition of Dickinson's complete poems to distinguish in easy visual form the approximately 1,100 poems she took pains to copy carefully onto folded sheets in fair hand--arguably to preserve them for posterity--from the poems she kept in rougher form or apparently did not retain. It is the first edition to include the alternate words and phrases Dickinson wrote on copies of the poems she retained. Readers can see, and determine for themselves, the extent to which a poem is resolved or fluid. With its clear and uncluttered pages, the volume recommends itself as a valuable resource for the classroom and to general readers. A Dickinson scholar, Cristanne Miller supplies helpful notes that gloss the poet's quotations and allusions and the contexts of her writing. Miller's Introduction describes Dickinson's practices in copying and circulating poems and summarizes contentious debates within Dickinson scholarship. Emily Dickinson's Poems: As She Preserved Them brings us closer to the writing practice of a crucially important American poet and provides new ways of thinking about Dickinson, allowing us to see more fully her methods of composing, circulating, and copying than previous editions have allowed. It will be valued by all readers of Dickinson's poetry.
Because I could not stop for Death- He kindly stopped for me- The carriage held but just ourselves- And Immortality. Bloomsbury Poetry Classics are selections from the work of some of our greatest poets. The series is aimed at the general reader rather than the specialist and carries no critical or explanatory apparatus. This can be found elsewhere. In the series the poems introduce themselves, on an uncluttered page and in a format that is both attractive and convenient. The selections have been made by the distinguished poet, critic, and biographer Ian Hamilton.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is the second volume of a new series of publications by Delphi Classics, the best-selling publisher of classical works. Many poetry collections are often poorly formatted and difficult to read on eReaders. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents the complete poetical works of Emily Dickinson, with beautiful illustrations and the usual Delphi bonus material. (Version: 1) * Beautifully illustrated with images relating to Dickinson’s life and works * Concise introductions to the poetry and other works * For the first time in digital print, all 1775 poems by Dickinson * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Dickinson’s letters – spend hours exploring the poet’s literary life * Scholarly ordering of texts into chronological order and literary genres CONTENTS: The Poetry Collections POEMS : SERIES ONE POEMS : SERIES TWO POEMS : SERIES THREE The Poems THE COMPLETE 1775 POEMS LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Letters THE LETTERS OF EMILY DICKINSON Please visit www.delphiclassics.com to browse through our range of exciting titles
The intellectual activity of Emily Dickinson was so great that a large and characteristic choice is still possible among her literary material, and this third volume of her verses is put forth in response to the repeated wish of the admirers of her peculiar genius. Much of Emily Dickinson's prose was rhythmic, --even rhymed, though frequently not set apart in lines. Also many verses, written as such, were sent to friends in letters; these were published in 1894, in the volumes of her Letters. It has not been necessary, however, to include them in this Series, and all have been omitted, except three or four exceptionally strong ones, as "A Book," and "With Flowers." There is internal evidence that many of the poems were simply spontaneous flashes of insight, apparently unrelated to outward circumstance. Others, however, had an obvious personal origin; for example, the verses "I had a Guinea golden," which seem to have been sent to some friend travelling in Europe, as a dainty reminder of letter-writing delinquencies. The surroundings in which any of Emily Dickinson's verses are known to have been written usually serve to explain them clearly; but in general the present volume is full of thoughts needing no interpretation to those who apprehend this scintillating spirit.
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