Determined to bring utilities and small-building construction to rural areas, William R. Carter joined with Dick Farrar and John Williams to form the CFW Construction Company in Fayetteville, Tennessee, 1952. Named for the partners, CFW expanded into building plants, roads, tunnels, bridges, and more. Within forty years the company grew to five offices, 14 subsidiaries, a thousand pieces of equipment, and a proud workforce of more than 1,500 across a dozen states. Then came the scandals. By the end of the 20thcentury, CFW was gone, and the lives of everybody had changed. Dick Farrar’s son was there for the best and the worst. Now he’s written the definitive history, not just about a company, but a region and its people. With nearly a hundred restored photos, most in color, Farrar, Jr., tells the true story, naming names and documenting the details. The Rise and Fall of a Construction Giantis a keepsake, a historical record, the chronicle of an era, a compelling story told by the man at its center in the end.
Ben Hecht called him "White Fang," and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a part of Hollywood lore that it is hard to believe there were other Harry Cohns: the only studio president who was also head of production; the ex-song plugger who scrutinized scripts and grilled writers at story conferences; a man who could see actresses as either "broads" or goddesses. Drawing on personal interviews as well as previously unstudied source material (conference notes, memos, and especially the teletypes between Harry and his brother, Jack), Bernard Dick offers a radically different portrait of the man who ran Columbia Pictures—and who "had to be boss"—from 1932 to 1958.
Americans have an idea of what the Great Plains did to the people who settled there but know little about the analogous process north of the 49th parallel, or how it was reflected in fiction. Dick Harrison's Unnamed Country fills this gap. Harrison traces the varying literary responses to the Canadian prairies, from the bewilderment of the first English-speaking visitors, who saw the country in essentially negative terms -- no wood, no water -- down to the contemporary novelists who are employing sophisticated modem fictional techniques to reinterpret the whole experience from a new perspective. Between these two ends of the literary continuum he finds the early writers of fiction too loaded down with what he calls "excess cultural baggage" brought from Britain or eastern Canada to see the country as it was; the early twentieth-century writers, bemused by the myth of the garden, who portrayed the prairies subdued and fruitful; the prairie realists of the 1920s and 1930s, akin to O. E. Rolvaag in their tragic view; and their contemporaries, the popular novelists, who depicted the pioneering process in more affirmative tones.
Since the invention of the telescope 400 years ago, astronomers have rapidly discovered countless celestial objects. But how does one make sense of it all? Astronomer and former NASA Chief Historian Steven J. Dick brings order to this menagerie by defining 82 classes of astronomical objects, which he places in a beginner-friendly system known as "Astronomy’s Three Kingdoms.” Rather than concentrating on technicalities, this system focuses on the history of each object, the nature of its discovery, and our current knowledge about it. The ensuing book can therefore be read on at least two levels. On one level, it is an illustrated guide to various types of astronomical wonders. On another level, it is considerably more: the first comprehensive classification system to cover all celestial objects in a consistent manner. Accompanying each spread are spectacular historical and modern images. The result is a pedagogical tour-de-force, whereby readers can easily master astronomy’s three realms of planets, stars, and galaxies.
In an often shallow and fast-paced world, how can we really know and be known by another person? How do we make true friends? The Digital Age is all about change, but the need for true friendship never changes. You are designed for real engagement with others---for affirmation that goes beyond a simple “like” on social media, for connection over meals, for hope and excitement about the future. Above all, you need to be known and accepted for who you are. But how do you find and maintain this kind of friendship in a fluid and frenetic culture? In Known, Dick and Ruth Foth offer inspiration and proven practices to build relationships through personal storytelling and affirmation. They draw on years of mentoring, rich relationships, and the model of Jesus to show you why friendship is one of the keys to a full life and the greatest gift we can give to each other.
Claudette Colbert's mixture of beauty, sophistication, wit, and vivacity quickly made her one of the film industry's most famous and highest-paid stars of the 1930s and 1940s. Though she began her career on the New York stage, she was beloved for her roles in such films as Preston Sturges's The Palm Beach Story, Cecil B. DeMille's Cleopatra, and Frank Capra's It Happened One Night, for which she won an Academy Award. She showed remarkable prescience by becoming one of the first Hollywood stars to embrace television, and she also returned to Broadway in her later career. This is the first major biography of Colbert (1903–1996) published in over twenty years. Bernard F. Dick chronicles Colbert's long career, but also explores her early life in Paris and New York. Along with discussing how she left her mark on Broadway, Hollywood, radio, and television, the book explores Colbert's lifelong interests in painting, fashion design, and commercial art. Using correspondence, interviews, periodicals, film archives, and other research materials, the biography reveals a smart, talented actress who conquered Hollywood and remains one of America's most captivating screen icons.
In early-nineteenth-century Missouri, the duel was a rite of passage for many young gentlemen seeking prestige and power. In time, however, social groups outside the ruling class engaged in a variety of violent acts and symbolic challenges under the rubric of the code duello. In Duels and the Roots of Violence in Missouri, Dick Steward takes an in-depth look at the evolution of dueling, tracing the origins, course, consequences, and ultimate demise of one of the most deadly art forms in Missouri history. By focusing on the history of dueling in Missouri, Steward details an important part of our culture and the long-reaching impact this form of violence has played in our society.
One-of-a-kind bibliography, research, and history resource containing explicit information about author Dick B.'s 16 years of research: (1) Collecting over 25,000 books and materials on the roots of A.A. (2) Using them in the publication of his 26 titles, more than 120 articles, and over 30 audio talks. (3) Describing where he went for the history, where it is located, who was interviewed, and what it contains. (4) It lists titles Dick used in his writing; all of the background titles involved in A.A.'s use of the Bible, Quiet Time, Oxford Group life-changing program, Anne Smith's Journal, Rev. Sam Shoemaker's teachings, religious literature AAs read, the United Christian Endeavor Movement, Carl Jung, William James, William D. Silkworth, Richard Peabody, Emmet Fox and many other New Thought influences. (5) It lists all the books in A.A. founder Dr. Bob's library and collections--a list found nowhere else. (6) It contains manuscripts from archives and libraries and personal collections all over the U.S. and England. (7) There is a huge collection of temperance books and literature described. (8) Topical books by A.A., about A.A., about alcoholism, about "spirituality," about the Bible, religion, and clergy. (9) Included are records of Dick's notes and interviews. (10 Almost this entire collection of materials has been donated to and can now be found and studied at Griffith Library, which is part of The Wilson House (birthplace of Bill W.) in East Dorset, Vermont. Taken together, this reference volume and the actual materials in the Griffith Library, constitute the largest and most complete record of early A.A. historical materials in the world today, other than the Library of Congress items.
In this comprehensive and interdisciplinary volume, former NASA Chief Historian Steven Dick reflects on the exploration of space, astrobiology and its implications, cosmic evolution, astronomical institutions, discovering and classifying the cosmos, and the philosophy of astronomy. The unifying theme of the book is the connection between cosmos and culture, or what Carl Sagan many years ago called the “cosmic connection.” As both an astronomer and historian of science, Dr. Dick has been both a witness to and a participant in many of the astronomical events of the last half century. This collection of papers presents his reflections over the last forty years in a way accessible to historians, philosophers, and scientists alike. From the search for alien life to ongoing space exploration efforts, readers will find this volume full of engaging topics relevant to science, society, and our collective future on planet Earth and beyond.
On October 30, 1947, the House Committee on Un-American Activities concluded the first round of hearings on the alleged Communist infiltration of the motion picture industry. Hollywood was ordered to "clean its own house," and ten witnesses who had refused to answer questions about their membership in the Screen Writers Guild and the Communist party eventually received contempt citations. By 1950, the Hollywood Ten (as they quickly became known), which included writers, directors, and a producer, were serving prison sentences ranging from six months to one year. Since that time, the members of the Hollywood Ten have been either dismissed as industry hacks or eulogized as Cold War martyrs, but never have they been discussed in terms of their professions. Radical Innocence: A Critical Study of the Hollywood Ten is the first study to focus on the work of the Ten: their short stories, plays, novels, criticisms, poems, memoirs, and, of course, their films. Drawing on myriad sources, including archival materials, unpublished manuscripts, black market scripts, screenplay drafts, letters, and personal interviews, Bernard F. Dick describes the Ten's survival tactics during the blacklisting and analyzes the contributions of these ten individuals not only to film but also to the arts. Radical Innocence captures the personality of each of the Ten, including the arrogant Herbert J. Biberman, the witty Ring Lardner Jr., the patriarchal Samuel Ornitz, the compassionate Adrian Scott, and the feisty Dalton Trumbo.
Determined to bring utilities and small-building construction to rural areas, William R. Carter joined with Dick Farrar and John Williams to form the CFW Construction Company in Fayetteville, Tennessee, 1952. Named for the partners, CFW expanded into building plants, roads, tunnels, bridges, and more. Within forty years the company grew to five offices, 14 subsidiaries, a thousand pieces of equipment, and a proud workforce of more than 1,500 across a dozen states. Then came the scandals. By the end of the 20thcentury, CFW was gone, and the lives of everybody had changed. Dick Farrar’s son was there for the best and the worst. Now he’s written the definitive history, not just about a company, but a region and its people. With nearly a hundred restored photos, most in color, Farrar, Jr., tells the true story, naming names and documenting the details. The Rise and Fall of a Construction Giantis a keepsake, a historical record, the chronicle of an era, a compelling story told by the man at its center in the end.
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