The youngest correspondent to cover the Civil War and a pioneer in newspaper syndication, George Alfred Townsend came from modest circumstances. Using the pen name of GATH, he rose to fame and fortune after the war, and his career brought him into contact with sitting presidents and luminaries such as Mark Twain. Though almost forgotten today in the canon of Maryland authors, GATH left a lasting legacy of literature and a most unique monument. He created a lavish summer estate near Boonsboro, Maryland, named Gapland--now called Gathland. He also famously erected the War Correspondents Memorial Arch, a monument to fellow wartime journalists. Today, GATH's estate is preserved and interpreted by a state park and its museums. His commanding arch remains a bold reminder of the creative genius of George Alfred Townsend.
Tiefensee contends that Kroetsch and his critics have, to some degree, misunderstood the implications of Derrida's "deconstruction" and adhere to a Bloomian "misreading" which is firmly grounded in traditional philosophy. She addresses the metaphysical presuppositions that govern Kroetsch's criticism, literary theory, and novels and considers the extent to which his theoretical pronouncements have determined his critics' readings of his work, concluding that Kroetsch reaffirms the very values, conventions, and attitudes he claims to resist.
This book offers an engaging and accessible introduction to data visualization for communicators, covering everything from data collection and analysis to the creation of effective data visuals. Straying from the typical "how to visualize data" genre often written for technical audiences, Big Data in Small Slices offers those new to data gathering and visualization the opportunity to better understand data itself. Using the concept of the "data backstory," each chapter features discussions with experts, from marine scientists to pediatricians and city government officials, who produce datasets in their daily work. The reader is guided through the process of designing effective visualizations based on their data, delving into how datasets are produced and vetted, and how to assess their weaknesses and strengths, ultimately offering readers the knowledge needed to produce their own effective data visuals. This book is an invaluable resource for anyone interested in data visualization and storytelling, from journalism and communications students to public relations professionals. A detailed accompanying website features additional material for readers, including links to all the original datasets used in the text, at www.bigdatainsmallslices.com
This insightful and beautifully illustrated book offers the first feminist analysis of the phenomenon of women art collectors in America. Dianne Sachko Macleod brings a surprising paradox to light, showing that collecting, which provided wealthy women with a private sense of solace, also liberated them to venture into the public sphere and make a lasting contribution to the emerging American culture. Beginning in the antebellum period, continuing through the Gilded Age, and reaching well into the twentieth century, Macleod shows how elite women enlisted the objets d'art and avant-garde paintings in their collections in causes ranging from the founding of modern museums to the campaign for women's suffrage.
This book tells about a frontier region in economic transition. Its focus is the successful adoption of new technology to the particular economic and engineering circumstances associated with the newness or frontier nature of Ontario mining to 1890.
The youngest correspondent to cover the Civil War and a pioneer in newspaper syndication, George Alfred Townsend came from modest circumstances. Using the pen name of GATH, he rose to fame and fortune after the war, and his career brought him into contact with sitting presidents and luminaries such as Mark Twain. Though almost forgotten today in the canon of Maryland authors, GATH left a lasting legacy of literature and a most unique monument. He created a lavish summer estate near Boonsboro, Maryland, named Gapland--now called Gathland. He also famously erected the War Correspondents Memorial Arch, a monument to fellow wartime journalists. Today, GATH's estate is preserved and interpreted by a state park and its museums. His commanding arch remains a bold reminder of the creative genius of George Alfred Townsend.
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