Whether you're a first-timer on a drive with all the kids to your state's highest spot or you're a veteran climber seeking the ultimate challenge of Alaska's Mount McKinley -- it's all right here, packed with the information you need!" - From back cover.
* Guidebook to hiking, biking, or climbing in the stunning Sangre de Cristo Mountains. * Details unlimited recreational opportunities for the park's 225,000 annual visitors * 210 color photographs and 40 color maps * Color-coded tabs and activity symbols for quick reference Nowhere else in North America do alpine tundra, tall forests of evergreen and aspen, and massive desert dunes meet so dramatically as in our nation's newest crown jewel. This book is the essential guide to one of the nation's newest national parks. Great Sand Dunes National Park and Preserve earned this status in 2003, and became an instant treasure both for Coloradans and vacationers everywhere.
The history of the Academy Award ceremonies and awards is captured here for each passing year. Important themes and movies of lasting value are examined for additional ideas, sights, dialogue, stars, cast selections, racial issues, inside relationships, and musical impacts. Keep this book close by to re-watch important movies.
Ten years after Hurricane Katrina, this thoughtful collection of essays reflects on the relationship between the disaster and a range of media forms. The assessments here reveal how mainstream and independent media have responded (sometimes innovatively, sometimes conservatively) to the political and social ruptures "Katrina" has come to represent. The contributors explore how Hurricane Katrina is positioned at the intersection of numerous early twenty-first century crisis narratives centralizing uncertainties about race, class, region, government, and public safety. Looking closely at the organization of public memory of Katrina, this collection provides a timely and intellectually fruitful assessment of the complex ways in which media forms and national events are hopelessly entangled.
Employs the foodways paradigm to analyze the ideological dimensions of food imagery and food behavior in fiction and documentary films. Cinema is a mosaic of memorable food scenes. Detectives drink alone. Gangsters talk with their mouths full. Families around the world argue at dinner. Food documentaries challenge popular consumption-centered visions. In Appetites and Anxieties: Food, Film, and the Politics of Representation,authors Cynthia Baron, Diane Carson, and Mark Bernard use a foodways paradigm, drawn from the fields of folklore and cultural anthropology, to illuminate film's cultural and material politics. In looking at how films do and do not represent food procurement, preparation, presentation, consumption, clean-up, and disposal, the authors bring the pleasures, dangers, and implications of consumption to center stage. In nine chapters, Baron, Carson, and Bernard consider food in fiction films and documentaries-from both American and international cinema. The first chapter examines film practice from the foodways perspective, supplying a foundation for the collection of case studies that follow. Chapter 2 takes a political economy approach as it examines the food industry and the film industry's policies that determine representations of food in film. In chapter 3, the authors explore food and food interactions as a means for creating community in Bagdad Café, while in chapter 4 they take a close look at 301/302,in which food is used to mount social critique. Chapter 5 focuses on cannibal films, showing how the foodways paradigm unlocks the implications of films that dramatize one of society's greatest food taboos. In chapter 6, the authors demonstrate ways that insights generated by the foodways lens can enrich genre and auteur studies. Chapter 7 considers documentaries about food and water resources, while chapter 8 examines food documentaries that slip through the cracks of film censorship by going into exhibition without an MPAA rating. Finally, in chapter 9, the authors study films from several national cinemas to explore the intersection of food, gender, and ethnicity. Four appendices provide insights from a food stylist, a selected filmography of fiction films and a filmography of documentaries that feature foodways components, and a list of selected works in food and cultural studies. Scholars of film studies and food studies will enjoy the thought-provoking analysis of Appetites and Anxieties.
Between the Masks articulates a study of representation and the 'politics of place' through a pedagogy of narrative-performing inquiry and a critical reflection on identity. As a resistance to essentialist politics, the text focuses on the identity making/marking role of cultural materials in the recovery of different and overdetermind histories. It proposes a multicultural revision of knowledge that displaces the binarisms of insider/outside rather than simply shifting the margin to the center. By combining perspectives that produce strong readings with a semiotic method of analysis, the essentialist representations of racial, ethnic, sexual, and class biases will be revealed as strategies of power that employ appearance in their seduction. By this method, Brunner suggests a view of reflexive performance that seeks not to legitimate, but to critique, displace, and liberate these illusions of identity. Between the Masks promotes critical teaching that can bring together the literary, the historic, the theoretical, and the sociological. Brunner suggests the combined study of cultural studies and education as a theoretical and pedagogical site which embraces curriculum theory, teacher preparation, and policy. This book marks a move toward intertextual, interdisciplinary study which will help educators modulate the complicated conversations and contexts of todayOs schools.
When the dying mother of a dead friend contacts her wanting answers about his murder, Kate Mayfield, a retired teacher, is forced to relive the events that led to it during the summer of 1972.
This book vividly encapsulates the absurdities, heartbreaks, and possibilities of contemporary child rearing. The book shows how parents today are all too often caught up in a guilt-driven pendulum swing between parenting too little and parenting too much. Dr. Ehrensaft suggests innovative ways to overcome the treacherous balancing acts of work and family demands. She invites us to replace perfect parenting with 'good-enough, ' trade harriedness for harmony, and give our children a healthier environment in which to grow.
From domestic goddess to desperate housewife, What a Girl Wants? explores the importance and centrality of postfeminism in contemporary popular culture. Focusing on a diverse range of media forms, including film, TV, advertising and journalism, Diane Negra holds up a mirror to the contemporary female subject who finds herself centralized in commodity culture to a largely unprecedented degree at a time when Hollywood romantic comedies, chick-lit, and female-centred primetime TV dramas all compete for her attention and spending power. The models and anti-role models analyzed in the book include the chick flick heroines of princess films, makeover movies and time travel dramas, celebrity brides and bravura mothers, ‘Runaway Bride’ sensation Jennifer Wilbanks, the sex workers, flight attendants and nannies who maintain such a high profile in postfeminist popular culture, the authors of postfeminist panic literature on dating, marriage and motherhood and the domestic gurus who propound luxury lifestyling as a showcase for the ‘achieved’ female self.
TRUE CRIME DOESN'T PAY...TAXES. IRS Special Agent Tara Holloway has risked her life to take down drug cartels and other dangerous tax frauds. But going after the mob is one offer she can't refuse... He's no Tony Soprano. Still, local crime boss Giustino "Tino" Fabrizio is one shady character that Tara would love to see behind bars. He operates a security business-or so he claims on his tax forms-but his clients don't feel so secure when it's time to pay up. Problem is, no one can get close enough to nail this wiseguy for extortion. No one, that is, except Tara... "WITTY, REMARKABLE, AND EVER SO ENTERTAINING." -Affaire de Coeur Going undercover, Tara lands a waitress job at Benedetta's Bistro-which is owned and operated by Tino's wife. Being surrounded by cream-filled cannolis could be hazardous to Tara's waistline...even though the way to a man's heart is through his stomach, right? Only thing Tara can't afford to do now is blow her cover. Because serving Tino his just desserts will surely come with a price... "TARA HOLLOWAY IS THE IRS'S ANSWER TO STEPHANIE PLUM-SMART, SASSY, AND SO MUCH FUN."-New York Times bestselling author Gemma Halliday
Provides an objective and effective bridge between 2 separate institutions: the criminal justice system community and the treatment community. Community-based treatment is made available to drug-dependent offenders who would otherwise burden the criminal justice system with their acknowledged and persistent criminality. Glossary, directory and bibliography.
She has been called "the Julia Child of mystery writers." Now, Diane Mott Davidson, who masterfully served up The Last Suppers, Killer Pancake, and Dying for Chocolate, returns with an irresistible five-star helping of suspense. When caterer Goldy Schulz takes a job with a multimillion-dollar financial firm, she finds herself in a high-stakes world where someone is out to make a killing.... Goldy, owner of Goldilocks' Catering, barely weathered a disastrous spring in which relentless rains and driving snow put a real damper on her business. But now, thanks to her best friend, Marla, the Colorado caterer is suddenly cooking up a storm...lovingly preparing Crab Quesadillas, Tomato-Brie Pie, and Gold Foil-Wrapped Fudge Bars for her wealthy new client, Prospect Financial Partners. The Prospect Partners' financial whiz, Tony Royce, with whom Marla is having a tempestuous affair, and Albert Lipscomb, who is personally managing Marla's money, have hired Goldy to prepare a sumptuous party to kick off their latest venture: the reopening of the Eurydice Gold Mine. Anxious to take advantage of a golden opportunity, Goldy arrives at the mine site early, loaded down with goodies. Yet just when she thinks she can relax, all hell breaks loose--and the main culprit is Marla. Her best friend is sure the mine venture is a scam. And when, several days later, Albert ends up missing, it looks as if Marla was right. Why, then, is the police captain treating Goldy's best friend as if she had committed a crime? And how can Goldy keep her fourteen-year-old son Arch and his unreliable bloodhound from making matters worse? As Goldy works furiously to restore her business by whipping up hot, fragrant Sour Cream Cherry Coffeecake and featherlight Cinnamon Scones, she finds herself drawn into a most unusual situation of missing partners, stolen millions, and multiple homicides. And only when Goldy can discover which of the victims is the main corpse will she be able to unravel the mystery that threatens to cancel out her friend's dearest asset--her life.
A snappy tale with sweet undertones." -Kirkus Review Getting dumped is never easy, but there’s a special bonus sting if your ex-fiancé is a producer for a popular morning radio show. Jillian Atwood’s breakup with Nico has become the hosts’ number-one topic. They’re even running a competition to find him a new girlfriend. The entire population of Boston, it seems, is tuning in with an opinion about who Nico should date next—and what Jillian should do to get over him. Jillian’s co-worker, Ben, has his own ideas on that score. He hates seeing Jill depressed over a guy as unworthy as her ex. While he’s providing a friendly ear, he's also realizing how much more he’d like to offer. And if Jill could just get over the man who broke her heart, she might find the one who’s perfectly equipped to heal it... Praise for Diane Barnes’ Waiting for Ethan “The novel’s surprising twist gives the story a satisfying conclusion that makes Gina’s struggle to find Mr. Right worth the wait. Fans of romantic beach-reads will find that this book’s charismatic heroine makes it an engrossing page-turner.”--Kirkus Reviews
Joshua Road is the first young adult novel written by Diane Vetter Squires. Her story takes place in the mid-1980s and chronicles the coming-of-age path of Brianna Amatore, a teenaged girl with strong family ties, growing up in a Philadelphia suburb. A focal point of the story is her home, on Joshua Road, where many significant events originate as well as culminate. This story is a call-back to the days when home was more than just a place for teenagers to eat and sleep; where families came together in times of happiness as well as grief; success as well as failure. It is a poignant story of love, loss and fate, and the exploration of the relationships the main character has with her family and friends, as well as herself.
Growing up on the family tree of an American dynasty did not protect Diane Tate from the darker legacies of sexual abuse, addiction, and domestic violence. This story is one of survival in the face of peril, redemption despite self-hatred, and the impact that abusive legacy has on establishing the trajectory of a child's life. Whether she was walking the streets of her small hometown in North Carolina or being presented to American and international society in the Grand Ballroom of The Plaza Hotel in New York City, her truth was hiding from everyone, including herself. Not only does she trudge through the darkness of alcoholism and an abusive marriage; she takes the reader on a journey of healing, making the choice to stand up for herself when it mattered the most. Within these pages you will find inspiration in the poetry of Ms. Tate’s life. You will wince and cheer, laugh and cry, and walk away with the hope that even a life lived in the shadows of your own mind can be brought into the light.
Volume 17 of the Australian Dictionary of Biography contains 658 biographies of individuals who died between 1981 and 1990. The first of two volumes for the decade, it presents a colourful mosaic of twentieth-century Australian life. It contains biographies of well-known identities such as Sir Henry Bolte, Sir Robert Askin, Sir Reginald Ansett, Sir Macfarlane Burnet, Sir Raphael and Lady Cilento, Sir Arthur Coles, Robert Holmes-O-Court, Sir Warwick Fairfax, Sir Edmund Herring, Albert Facey, Donald Friend, Sir Roy Grounds, Sir Bernard Heinze and Sir Robert Helpmann. Eminent Australian women in the volume include Dame Elizabeth Couchman, Dame Kate Campbell, Dame Doris Fitton, Dame Zara Holt and Lady (Maie) Casey. Although many of the women achieved prominence in those professions conventionally regarded as the preserve of women, othersandmdash;such as Ruby Boye-Jones, coast-watcher; Ellen Cashman, union organiser; Elsie Chauvel, film-maker; Dorothy Crawford, radio producer; Ruth Dobson, diplomat; Mary Hodgkin, anthropologist; Margaret Kelly, restaurateur; and Patricia Jarrett, journalistandmdash;demonstrate that some women at least were breaking free of the constraints of traditional expectations. The lives of fifteen Indigenous Australians are included, as are those of a number of immigrants who fled from persecution in Europe to establish a new life in Australia.
Every piece of baggage carries the tales of the lives it has touched.Aaliyah Johnson just wants to live a normal life - finish school, have a career, a family, a future. But when her father takes his own life after his return from the war in Afghanistan, she and her mother are plunged into poverty and a homeless struggle to survive.The unusual circumstances of her mother's acquisition of a small, green suitcase seem to mark a turnaround in their luck as they begin to rebuild their lives. Then, in a heartbeat, a devastating blow rocks her world, and young Aaliyah's baggage may be more than she can bear.
The Heart of a Stranger: Childhood sweethearts Susannah Pruitt and Justin Rossiter are reunited when Justin, a reformed outlaw, returns home to make peace with his family and friends. But can Susannah trust her heart to the man who may have murdered her father?
Her name is Diane Jones. Today her presence is calm and warm. I knew her as a quiet, terrified child struggling to grow up, nay, even to stay alive in a large violent matriarchal family. There was no father figure, only a sequence of men. Diane was thirteen years old when I first met her. Through a program in the California Department of Social Services, I had been assigned to be Big Sister to a younger sister of Diane. This younger sister was also badly abused both in maternal violence and in sexual abuse, as was Diane, but to a much lesser degree. I thought of Diane's mother as a raging bull with massive mood swings from manipulative and charming to a cruel, mean and evil woman. I myself was afraid of her. If I had known what was really going on during the years I worked with the family, I would not have had the power to do anything about it. My only hope and motivation at that time was to give them a view of what life was like from a different perspective and thus help them be kinder to their children. I am always appalled by the fact that Social Services felt it was best to keep children connected to their families no matter how monstrous the evil in the home. Twenty-six years later, we are all wiser." MELANIE TAYLOR
Because It's There takes us on a marvelous photographic journey with more than 90 adventurous and spectacular images from five continents. Authors/Photographers Charlie and Diane Winger believe there is no better reason to move beyond a familiar horizon, explore what lies around the next bend, and discover a world outside our previous experience than "Because it's there." Like George Mallory, who uttered that famous response when asked why he strove to be the first to climb Mount Everest, the Wingers are also inspired by mountains. Charlie is the mountaineer of the family, and nearly all the snow-covered, glaciated, massive peaks in this photographic journey were his passion (and obsession). Diane is the hiker and casual rock climber, but has ventured up a few of those more challenging mountains along the way. The Wingers draw on their extensive collection of photographs taken while writing guidebooks, climbing and trekking among some of the most beautiful peaks in the world, and enjoying time in special outdoor areas which they have come to love. Along the way, they tell a few stories and share a few laughs.
Whether you're a first-timer on a drive with all the kids to your state's highest spot or you're a veteran climber seeking the ultimate challenge of Alaska's Mount McKinley -- it's all right here, packed with the information you need!" - From back cover.
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