Pioneering eighteenth-century feminist Mary Wollstonecraft lived a life as radical as her vision of a fairer world. She overcame great disadvantages - poverty (her abusive, sybaritic father squandered the family fortune), a frivolous education, and the stigma of being unmarried in a man's world. Her life changed when Thomas Paine's publisher, Joseph Johnson, determined to make her a writer. Wollstonecraft lived as fully as a man would, socializing with the great painters, poets, and revolutionaries of her era. She traveled to Paris during the French Revolution; fell in love with Gilbert Imlay, a fickle American; and, unmarried, openly bore their daughter, Fanny. This biography of Mary Wollstonecraft gives a balanced view. Diane Jacobs also continues Wollstonecraft's story by concluding with those of her daughters.
The Gothic Ideology argues that in order to modernize and secularize, the British Protestant imaginary needed an 'other' against which it could define itself as a culture and a nation with distinct boundaries. The 'Gothic ideology' is identified as an intense religious anxiety, produced by the aftershocks of the Protestant reformation, the Catholic Counter-Reformation, and the dynastic upheavals produced by both events in England, Germany, and France, and was played out in hundreds of Gothic texts published throughout Europe between the mid-eighteenth century and 1880. This book is the first to read the Gothic ideology through the historical context of both King Henry VIII's dissolution of the monasteries and the extensive French anti-clerical and pornographic works that were well-known to Horace Walpole and Matthew Lewis. The book argues that Gothic was thoroughly invested in a crude form of anti-Catholicism that fed lower class prejudices against the passage of a variety of Catholic Relief Acts that had been pending in Parliament since 1788 and finally passed in 1829.
As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Bront&ës to show how these writers helped define femininity for women of the British middle class. Hoeveler argues that a female-created literary ideology, now known as &"victim feminism,&" arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that &"professional femininity&"&—a cultivated pose of wise passiveness and controlled emotions&—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters&—and readers&—fictitious mastery over an oppressive social and political system. Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.
On July 13, 2011, Laura Jean Ackerson of Kinston, North Carolina, went to pick up her two toddler sons. It would be the last time she was seen alive. Two weeks later, detectives searching for the missing mother made a gruesome discovery on the shores of Oyster Creek near Richmond, Texas; the dismembered body parts of a young woman whom they were able to identify as Laura Ackerson. Laura's ex, Grant Hayes, and his wife Amanda each pointed the finger at each other... --
This volume is a comprehensive, critical introduction to vertebrate zooarchaeology, the field that explores the history of human relations with animals from the Pliocene to the Industrial Revolution. The book is organized into five sections, each with an introduction, that leads the reader systematically through this swiftly expanding field. Section One presents a general introduction to zooarchaeology, key definitions, and an historical survey of the emergence of zooarchaeology in the Americas, Europe, Asia, and Africa, and introduces the conceptual approach taken in the book. This volume is designed to allow readers to integrate data from the book along with that acquired elsewhere within a coherent analytical framework. Most of its chapters take the form of critical “review articles,” providing a portal into both the classic and current literature and contextualizing these with original commentary. Summaries of findings are enhanced by profuse illustrations by the author and others.
A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.
In this compilation of Dimond’s most thought-provoking columns, readers will be introduced to crime and justice situations they likely had no idea existed and encouraged to think outside the box about solutions to thorny issues. No true crime topic is off-limits for Dimond: from prisons to playgrounds, human trafficking to horrific serial killers, heroes to heroin addicts, Dimond’s keen eye for the compelling human stories at the core of crime often result in unforgettable columns.
Caroline Norton, born in 1808, was a society beauty, poet and pamphleteer. Her good looks and wit attracted many male admirers, first her husband, the Honourable George Norton, and then the Prime Minister, Lord Melbourne. After years of simmering jealousy, George Norton accused Caroline and the Prime Minister of a ‘criminal conversation’ (adultery) resulting in a trial referred to as ‘the scandal of the century’. Cut off and bankrupted by George Norton, she went on to become one of the most important figures in changing the law for wives and mothers.
The Haskins Society presents papers from leading scholars on the political and social history of the Western European world through the Viking times via the Anglo-Saxon kingdoms to the break-up of the Carolingian state in the mid-13th century.
Now with a new afterword, the Pulitzer Prize-winning dramatic account of the civil rights era’s climactic battle in Birmingham as the movement, led by Martin Luther King, Jr., brought down the institutions of segregation. "The Year of Birmingham," 1963, was a cataclysmic turning point in America’s long civil rights struggle. Child demonstrators faced down police dogs and fire hoses in huge nonviolent marches against segregation. Ku Klux Klansmen retaliated by bombing the Sixteenth Street Baptist Church, killing four young black girls. Diane McWhorter, daughter of a prominent Birmingham family, weaves together police and FBI records, archival documents, interviews with black activists and Klansmen, and personal memories into an extraordinary narrative of the personalities and events that brought about America’s second emancipation. In a new afterword—reporting last encounters with hero Reverend Fred Shuttlesworth and describing the current drastic anti-immigration laws in Alabama—the author demonstrates that Alabama remains a civil rights crucible.
Originally part of the Bergen County area known as Godwinville and then Ridgewood, Glen Rock voted to become a borough in 1894. The rock from which the borough took its name was deposited at the end of the last ice age by a retreating glacier. Local folklore tells of Native Americans, the Lenni Lenape, holding meetings on the rock. Early settlers used the rock as a landmark in deeds for the farms they created out of the heavily wooded land. Local streams powered gristmills and sawmills. By 1842, trains brought goods to the area, and within a decade, passenger trains carried the first of the daily commuters to and from New York City. Glen Rock, a photographic journey, documents the growth of the community from the late 1880s through the late 1950s. The early strawberry fields, farms, mills, and hotels made way for today's stores and homes. The dirt roads once used by horse and buggy, stagecoach, and bicycle were paved for early automobiles. The original schools became too small to hold the growing number of children, and new schools were built. Glen Rock's leaders created municipal departments, civic organizations, emergency services, businesses, and places of worship. Parades, picnics, and pageants entertained Glen Rockers. Wars and the Great Depression brought citizens together, and residents gathered to help each other and the nation.
The celebrated debut novel of Diane Shah's acclaimed period mystery series. Rita Hayworth's filing for divorce again, Cary Grant's getting cozy with Ava Gardner at Chassen's, and the "Snipper" is attacking women on the streets of Los Angeles--young Paris Chandler's beat.
A daring Yankee persuades a young Southern widow into spying for the Union cause during the Civil War. But the dangers of deception frighten Laura Chandler less than the seductive hold her dashing spymaster has on her heart--in this deeply satisfying love story.
Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron, and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. Each section features individual essays providing critical re-readings of nine Romantic texts and four Romantic topoi. Whether writing on Charlotte Smith's The Old Manor House or Anne Brontë's Agnes Grey, on rescue operas or criminal drama, the contributors, who include Marjean Purinton, Kari Lokke, Rodney Farnsworth, and Jeffrey Cass, expand our understanding of Romantic modes of argumentation.
Over the last twenty years of his life, Mark Twain was a controversial figure. He evolved from the "clown prince of American literature" into a biting social critic and political observer. While some pundits hailed him as a satirist equal to Cervantes and Jonathan Swift, others excoriated him as a "degenerate literary freak" who wielded a "scurrilous and venomous pen." This volume traces the evolution of Mark Twain's public image between 1891 and his death in 1910. It features hundreds of reviews and other critical notices in magazines and newspapers across the U.S. and other English-speaking countries. The selected samples represent the full range of critical opinion, whether favorable or hostile, about his late writings. Sources reflect geographical differences in Twain's reputation, such as the conflicted responses in the British colonies towards his anti-imperialism and the pious disapproval in the American heartland of his attacks on foreign missions.
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