Her mission was to recover the Mysteries... the Secret Knowledge of All Time. In order to do this, Sara Springtree had to step out of this present realm of time itself... and into dimensions unexplored. Sidestepping time opened the door to the Theater of All Possibility... and a new history was told at the same hour that a new world was being born. An explosion of immense proportion was about to happen, and nothing could stop it. History will tell us that Truth stands as testimony unto itself... and we will all live to see the power behind that punch as these days unfold. For the story is out now... and everything is soon to change in this world we all live in... Pandora's Box is Open!
American classic films noir, beginning with 1941's The Maltese Falcon and ending with 1950's Sunset Boulevard, and the neo-noir films made from the 1970s onward, share certain thematic aspects, stylistic qualities, and cultural contexts. Their concern with politics, their depiction of con artists, and the way their characters are shaped by America's puritanical religious roots show that these films are examples of a unique American genre, even when the films' directors are German emigres with artistic roots in European Expressionism. The films' psychological depth is revealed stylistically through complex narratives, with select directors generating visual poetry as they deal with sex, violence and betrayal. Some films are based on popular novels inspired by true crime cases. A unique approach to film noir scholarship, this book discusses the genre's thematic aspects, cultural contexts and stylistic qualities. For those films based upon novels, in-depth analysis of the fiction is provided alongside the film version, resulting in a fuller, more thorough understanding of the genre.
Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the IntroductionFocusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate.Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture.
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