Each ring is illustrated with one or more black and white photograph, with 500 superb colour photos of the most important pieces. Major trends in ring design are outlined, and explanations and anecdotes are given on many of the individual rings. Supplementary images provide additional visual reference for the historical context. This deluxe book introduces the finest, most exhaustive private collection of finger rings in the world: the Hashimoto Collection. Organised chronologically by culture, it begins with the Ancient Mediterranean World, and progresses
Each ring is illustrated with one or more black and white photograph, with 500 superb colour photos of the most important pieces. Major trends in ring design are outlined, and explanations and anecdotes are given on many of the individual rings. Supplementary images provide additional visual reference for the historical context. This deluxe book introduces the finest, most exhaustive private collection of finger rings in the world: the Hashimoto Collection. Organised chronologically by culture, it begins with the Ancient Mediterranean World, and progresses
A new look at the beginning of James VI and I's reign in England, arguing for a reappraisal of his capabilities as a monarch. The early years of the reign of James VI and I have been much examined, but this book takes a new approach, via an overall survey rather than focussing on what are traditionally perceived as the most important moments, such as theHampton Court Conference and the Gunpowder Plot. This enables the author to show how circumstances and events immediately after James' accession were crucial to shaping his approach to ruling England, and provides a fresh understanding of his reign in England. Unusually, the book draws on both English and Scottish sources, governmental and ecclesiastical, and makes extensive use of central and local records, in order to illustrate how the king managed the Elizabethan legacy he inherited by reference to his Scottish experience. The author argues that after initial misunderstandings, James proved himself to be a king of real political acumen, as he supervised foreign policy, finance, local government and religious policy in England whilst simultaneously ruling Scotland as an absentee monarch. DIANA NEWTON is Research Fellow at the University of Teeside.
Fifty generations of Harper and Robinson families are represented in this volume. Travel back through time from the hills of Bath County, Kentucky to ancient England and Wales in 800 AD. Discover the names of your ancestors and learn about the time periods in which they lived. Scenes of mid-Wales where Druids ruled and ancient castles would have dotted the land and would have been familiar landscape for your ancestors. Enjoy the journey.
This volume contains the family group sheets for 50 generations of the Harper and Robinson families of Bath County, KY. These two families reach back to almost 800 AD in ancient England and Wales ..."--Back cover
Peter Kellett and Diana Dalton set out in this text to address the question: How do people manage conflict effectively? This is a simple question with an elusive and complex answer. To determine how to manage conflict one must first understand the meaning of conflict for those engaged in it. The authors do this by presenting a step-by-step guide to describing, interpreting, understanding and managing conflict. Using real life narratives, they explain how and why conflict occurs and strategies that one can deploy to manage the conflict. These interpretive and dialogic skills are illustrated clearly through the pairing of personal narratives with relevant discussion questions and challenging exercises. The first part of the book aims to equip readers with the ability to collect, analyze, and learn from conflicts from the perspective of developing more dialogic relationships. The second part enables the reader to apply this interpretive process to several communication contexts. With their thorough coverage of conflict management issues and their engaging writing style, Peter Kellett and Diana Dalton compel readers to examine their own conflicts for opportunities to learn, grow, communicate and change.
Drawing on extensive modern research, this book now supercedes Dr. Joan Evans' English Jewellery, published over 70 years ago. Covering a span of almost eight centuries, from the Norman Conquest to the accession of Queen Victoria, it is as instructive to the social historian as to the jewelry enthusiast, since it tells us not only what the pieces looked like but sets them in their social context. It is, too, a particular strength of the book that the author has been able to illustrate it with so many pieces from private collections which would otherwise not be readily accessible for study. Diana Scarisbrick has been steadily gaining a reputation in this field; Jewellery in Britain 1066-1837 will deservedly establish her as an authority.
One of the world's finest assemblages of rings and gemstones, the Guy Ladrière Collection in Paris is of major importance both to the collector and the art historian. This handsome volume, written and compiled by three of the foremost experts on gems and semi-precious stones, is the first to catalogue, illustrate and describe all the pieces in the Collection. Comprising some three hundred items, and including a rich and varied mixture of cameos and intaglios, the Collection ranges from ancient artefacts originating in the Minoan period to gemstones and rings of the nineteenth century. It also boasts many medieval pieces, Christian crystal plaques and Lombardic stones with inscriptions. Of special interest are the prize pieces in the Collection. These include the famous rhinoceros, most probably depicting an identifiable animal (the celebrated 'Madrid' rhinoceros, also known as the 'Marvel of Lisbon' and taken from Portugal to Spain in 1583); Queen Elizabeth I crowned with the mythological lionskin of Hercules, and presented as the power to tame the forces of evil; and some remarkable and varied pairs of heads.
The Collection was begun by the First Duchess of Northumberland in the early eighteenth century; but the greater part of it was made later in the century by Algernon Percy, First Earl of Beverley, during a tour of Europe while in the company of his mentor, Louis Dutens. Their success in France and Italy was such that it incited the jealousy of the Empress Catherine of Russia, herself a passionate collector. The range of objects - cameos, intaglios and finger rings of the highest quality - is considerable: Greek, Roman and Etruscan, as well as a notable assemblage of neoclassical signed gems by British artists. One jewel clearly provided inspiration for Michelangelo's painting of Adam on the Sistine Chapel ceiling. The Collection is little known, except by connoisseurs, but this volume brings to the attention of a broader audience many of the finest products of one of the oldest arts of the western world.
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