Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
This book presents an original way of articulating a discussion of Mircea Eliade’s journalism, a lesser-known chapter in the literary biography of the celebrated philosopher of religion. As it shows, Eliade’s articles serve as the starting point of interesting comments regarding the movement of ideas in the interwar era, historical and cultural contexts, Romania’s cultural life and its relation to European modernism, the dramatic destiny of Mircea Eliade and his generational colleagues under the pressure of a succession of totalitarian regimes, the post-war Romanian diaspora, and the reception of Eliade in Romania and abroad. It shows how Eliade’s approach to culture is subject to a phenomenological variation, examining it from a range of perspectives.
The present volume is the last in the Entangled Balkans series and marks the end of several years of research guided by the transnational, “entangled history” and histoire croisée approaches. The essays in this volume address theoretical and methodological issues of Balkan or Southeast European regional studies—not only questions of scholarly concepts, definitions, and approaches but also the extra-scholarly, ideological, political, and geopolitical motivations that underpin them. These issues are treated more systematically and by a presentation of their historical evolution in various national traditions and schools. Some of the essays deal with the articulation of certain forms of “Balkan heritage” in relation to the geographical spread and especially the cultural definition of the “Balkan area.” Concepts and definitions of the Balkans are thus complemented by (self-)representations that reflect on their cultural foundations.
In Pirin Planina: Tragic and Comic Episodes from Captivity, Romanian poet and writer George Topirceanu (1886-1937) described his experiences as a soldier during World War I. Despite his bleak surroundings and vivid descriptions of death and tragedy that he witnessed, Topirceanu managed to find humor in the most unusual circumstances, making Pirin Planina a truly unique account of the War. His experiences will leave the reader perplexed. Topirceanu's unique blend of drama, tragedy, and humor will immerse the reader into the world of a soldier during World War I.
Diana's answer to her son Michael's request for her personal memoir for his son Cameron. It recounts her long and lively life, with all the blemishes included. Now, having finished a new film and entering a new marriage at a time of life when she expected to be comfortably retired, Diana offers her grandson: Be courageous, be compassionate, and, for God's sake, have fun!
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