This collection of case studies incorporates many voices from the Asian Pacific American business community. Through numerous interviews, Diana Wu demonstrates the unique position of Asian Pacific Americans in the U.S. workforce. Based on educational/professional statistics this group is often dubbed the 'model minority.' Whether you embrace this depiction or reject it as a stereotype, the fact remains that the Asian Pacific American workforce among us is a valuable asset. Examine personal accounts of discrimination in the workplace, sexual harassment, and familial relations. This book offers Asian Pacific Americans strategies to cope with these and other issues, and to achieve their greatest expectations.
When Diana Lu was three years old, her world turned upside down. China's Cultural Revolution was under way, and Diana's family was forced to leave their comfortable, educated, middle-class life in the city. They relocated to an impoverished coal-mining village at the edge of the Gobi Desert, where they were to be "re-educated." Life in that remote place was a constant struggle against hunger, cold, and fear.
Try Something Different. Something Really Chinese" The Happy Hsiungs recovers the lost histories of Shih-I and Dymia Hsiung, two once highly visible, but now largely forgotten Chinese writers in Britain, who sought to represent China and Chineseness to the rest of the world. Shih-I shot to worldwide fame with his play Lady Precious Stream in the 1930s and became known as the first Chinese director to work in the West End and on Broadway. Dymia was the first Chinese woman in Britain to publish a fictional autobiography in English. Diana Yeh traces the Hsiungs' lives from their childhood in Qing dynasty China and youth amid the radical May Fourth era to Britain and the USA, where they rubbed shoulders with George Bernard Shaw, James M. Barrie, H. G. Wells, Pearl Buck, Lin Yutang, Anna May Wong and Paul Robeson. In recounting the Hsiungs' rise to fame, Yeh focuses on the challenges they faced in becoming accepted as modern subjects, as knowledge of China and the Chinese was persistently framed by colonial legacies and Orientalist discourses, which often determined how their works were shaped and understood. She also shows how Shih-I and Dymia, in negotiating acceptance, "'performed" not only specific forms of Chineseness but identities that conformed to modern ideals of class, gender and sexuality, defined by the heteronormative nuclear family. Though fêted as 'The Happy Hsiungs', their lives ultimately highlight a bitter struggle in attempts to become modern. "In the 1930s, China became briefly fashionable again, after decades of Fu Manchu-style demonising. This switch coincided with the rise of anti-fascism in the West and a new visibility of Chinese art. In a path-breaking contribution to the study of artistic production by British Chinese, Yeh recovers the Hsiungs' forgotten history, their role in this new China wave, and their struggle against hostile stereotyping. Shedding light on a history few can have expected, the book shows high narrative skill and the author's strong empathetic imagination brings everything to life." —Gregor Benton, author of Chinese Migrants and Internationalism and The Chinese in Britain "Through the riveting story of a successful couple of British Chinese artists, the Hsiungs, this book contributes to our understanding of the real struggles involved in the acceptance of 'Chineseness' not as a fixed identity governed by unchanging tradition (as Western Orientalism would have it), but as a resolutely modern performative invention shaped by a confluence of globally circulating hybrid ideas, concepts and images." —Ien Ang, author of On Not Speaking Chinese: Living Between Asia and the West "Thanks to the phenomenal success of his play Lady Precious Stream, Shih-I Hsiung was a household name in the US and UK during the 1930s. Diana Yeh explores the Hsiungs' role in representing China and Chineseness to the rest of the world forcing us to rethink our vision of the British Chinese as invisible and insular, with little social, cultural or political impact on wider society." —Anne Witchard, author of Lao She in London and Thomas Burke's Dark Chinoiserie "The story of Shih-I and Dymia Hsiung fills a gap in our understanding of the Chinese experience in England—and highlights how very different it is from that in America. Yeh does a remarkable job in unravelling the relationship between the Hsiungs, the couple who landed in London in the 1930s, and the Hsiungs as personas, constructs designed to suit as well as to subvert British tastes for and preconceptions of Chineseness." —Ronald Egan, Professor of East Asian Languages and Cultures, Stanford University
A Poetry Pedagogy for Teachers generates imaginative encounters with poetry and invites educators to practice a range of poetry exercises in order to inform instructional approaches to reading and writing. Guided by pedagogical principles prompted by their readings of Wallace Stevens' “Thirteen Ways of Looking at a Blackbird,” Maya Pindyck and Ruth Vinz provide critical discussion of prominent literacy practices in secondary classrooms and offer alternative approaches to encountering a text. They do this by way of experimental readings of Wallace Stevens' poem toward a set of thirteen pedagogical principles that anchor a pedagogy of poetic practices. The book also offers invitational exercises, the authors' own engagements with poetry practices, as well as student examples, visual modes of theorizing, and a gathering of relevant resources compiled by two classroom teachers. This is a book for secondary English teachers, teaching artists, English educators, college writing professors, readers and writers of poetry – both existing and aspirational – and any educator interested in poetry's capacities to pedagogically inform their subject matter and/or literacy practices.
An epic story of love and betrayal set against the backdrop of the Tiananmen Square protests In Heiress Apparently, Gemma Huang’s big acting break led her to Beijing, where she uncovered an incredible family secret. This second novel in the Daughters of the Dynasty series delves further into Gemma’s complex and storied legacy, moving back one generation to tell the story of Gemma’s mother, Lei, as she finds love against the backdrop of 1980s China and the Tiananmen Square protests and makes a difficult decision that forever alters the course of her life.
Peking University, founded in 1898, was at the center of the major intellectual movements of twentieth-century China. In this institutional and intellectual history, author Xiaoqing Diana Lin shows how the university reflected and shaped Chinese intellectual culture in an era of great change, one that saw both a surge of nationalism and an interest in Western concepts such as democracy, science, and Marxism. Lin discusses Peking University's spirit of openness and how the school both encouraged the synthesis of Chinese and Western knowledge and promoted Western learning for the national good. The work covers the introduction of modern academic disciplines, the shift from integrative learning to specialized learning, and the reinterpretation of Confucianism for contemporary times.
In 1901, Winnifred Eaton arrived in New York City with literary ambitions, journalism experience, and the manuscript for A Japanese Nightingale, the novel that would make her famous. Her writing and gift for reinvention would set her apart from other women authors of her time and make her a fascinating early figure in Asian American literature. Diana Birchall, Eaton's granddaughter, tells the Horatio Alger story of the woman who became Onoto Watanna. Born to a British father and a Chinese mother, Winnifred capitalized on her exotic appearance--and protected herself from Americans' scorn of the Chinese--by "becoming" Japanese. Her popular Japanese-themed romance novels thrust her into the glittering world of New York's literati. From there she leapt to Hollywood to become a scriptwriting protégée of Carl Laemmle at Universal Studios. Yet her boldness and talent masked a sometimes-desperate personal life that included a troubled first marriage and the sudden end of her Hollywood career. A compelling saga of the shifting boundary between life and art, Onoto Watanna reveals the conflicting stories, personal tempests, and remarkable accomplishments of a woman whose career was sensational in every sense.
Over the past century and a half, China has experienced foreign invasion, warfare, political turmoil, and revolution, along with massive economic and technological change. Through all this change, there is one stable element: grandmothers, as child carers, household managers, religious devotees, transmitters of culture, and, above all, sources of love, warmth, and affection. In this interdisciplinary and longitudinal study, China's Grandmothers sheds light on the status and lives of grandmothers in China over the years from the late Qing Dynasty to the twenty-first century. Combining a wide range of historical and biographical materials, Diana Lary explores the changes and continuities in the lives of grandmothers through revolution, wars, and radical upheaval to the present phase of economic growth. Informed by her own experience as a grandchild and grandmother, Lary offers a fresh and compelling way of looking at gender, family, and ageing in modern Chinese society.
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