Women ‘kept the home fires burning’ while their men went off to war. This is the usual image of the part played by women in the First World War, reinforced through countless posters, government exhortations and even popular songs. It is very far from the truth. As this remarkable book shows, originally published in 1987, the truth was that women showed themselves capable of undertaking many roles hitherto the sole prerogative of men, a position accepted during the emergency of war but quickly ‘righted’ once peace was restored: the women who had helped to win the war were displaced by the returning heroes from the Front. Diana Condell and Jean Liddiard selected more than 150 superb contemporary photographs, and these unique pictures, with extended captions and accompanying text, illustrate the many and varied roles played by women in the First World War. Many of the photographs had never been published before and they reveal dramatically the extent to which women took over the day-to-day running of society during the war. Fulfilling these roles helped to change women’s perceptions of themselves and their place in the social fabric: the photographs are arranged thematically to reveal this and how society’s own view of women was altered as a result. The book also tells the story of the war from the female viewpoint, assessing its effect on the women involved. It focuses in a neglected but vital part of the history of the emancipation of women and also raises questions about what sort of victory they had worked for. In quality and range this was a pioneering study. More than that, through the haunting quality of its images it creates a pathway into the mind and world of the past.
Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the IntroductionFocusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate.Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture.
Women ‘kept the home fires burning’ while their men went off to war. This is the usual image of the part played by women in the First World War, reinforced through countless posters, government exhortations and even popular songs. It is very far from the truth. As this remarkable book shows, originally published in 1987, the truth was that women showed themselves capable of undertaking many roles hitherto the sole prerogative of men, a position accepted during the emergency of war but quickly ‘righted’ once peace was restored: the women who had helped to win the war were displaced by the returning heroes from the Front. Diana Condell and Jean Liddiard selected more than 150 superb contemporary photographs, and these unique pictures, with extended captions and accompanying text, illustrate the many and varied roles played by women in the First World War. Many of the photographs had never been published before and they reveal dramatically the extent to which women took over the day-to-day running of society during the war. Fulfilling these roles helped to change women’s perceptions of themselves and their place in the social fabric: the photographs are arranged thematically to reveal this and how society’s own view of women was altered as a result. The book also tells the story of the war from the female viewpoint, assessing its effect on the women involved. It focuses in a neglected but vital part of the history of the emancipation of women and also raises questions about what sort of victory they had worked for. In quality and range this was a pioneering study. More than that, through the haunting quality of its images it creates a pathway into the mind and world of the past.
DIANA PALMER COLLECTED BOOKS 1-6 New York Times bestselling author Diana Palmer brings you six dangerous, ruthless men - and the women who can tame them...
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.