Stead's novels have gained growing readership and critical attention in recent years. This feminist reading of the life and work of Christina Stead focuses on her characters and themes that question established assumptions about gender and class relations and the aesthetic values they support.
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
The consequences of crossing the Indus once to settle a government in Afghanistan will be a perennial march into that country."--The Duke of Wellington, 1838 "There is nothing more to be dreaded or guarded against in our endeavor to re-establish the Afghan monarchy than the overweening confidence with which Europeans are too often accustomed to regard the excellence of their own institutions and the anxiety that they display to introduce them in new and untried soils."--Claude Wade, January 1839. Convinced in 1839 that Britain's invaluable empire in India was threatened by Russia, Persia, and Afghan tribes, the British government ordered its Army of the Indus into Afghanistan to oust from power the independent-minded king Dost Mohammed and install in Kabul the unpopular puppet ruler Shah Shuja. Expecting a quick campaign, the British found themselves trapped by unforeseen circumstances; eventually the tribes united and the seemingly omnipotent army was slaughtered in 1842 as it desperately retreated through the mountain passes from Kabul to Jalalabad. Only one man survived. Diana Preston vividly recounts the drama of this First Afghan War, the opening salvo in the strategic rivalry between Britain and Russia for supremacy in Central Asia. As insightful about geography as she is about political and military miscalculation, Preston draws on rarely documented letters and diaries to bring alive long lost characters--Lord Auckland, the weak British Governor-General in India; his impetuous aide William McNaghten; the prescient adventurer-envoy Alexander Burnes, whose sage advice was steadfastly ignored. A model of compelling narrative history, The First Afghan War is a cautionary tale that resonates loudly today.
This book examines disability in post-war Sierra Leone. Its protagonists are polio-disabled people living in the nation’s capital of Freetown, organizing themselves as best as they can in a state without welfare. There is little concrete support for people with disabilities in a country where the government is struggling with the competing requirements of the international community, demanding - in exchange for its support - good standards of democracy and the maintenance of a free market economy. To what extent is the Human Rights framework of the disability movement effective in protecting the polio-disabled and what are the limitations of this framework? Diana Szántó’s detailed ethnography reveals, through many real-life examples, the vulnerability of disabled people living in the intersections of poverty, informality and disability activism. At the same time, it also tells about the many ways the polio-disabled community is transforming vulnerability into strength.
Field research - leaving one's home institution in order to acquire data, information or insights that significantly inform one's research - remains indispensable, even in a digitally networked era. This book, the first of its kind in political science, reconsiders the design and execution of field research and explores its role in producing knowledge. First, it offers an empirical overview of fieldwork in the discipline based on a large-scale survey and extensive interviews. Good fieldwork takes diverse forms yet follows a set of common practices and principles. Second, the book demonstrates the analytic benefits of fieldwork, showing how it contributes to our understanding of politics. Finally, it provides intellectual and practical guidance, with chapters on preparing for field research, operating in the field and making analytic progress while collecting data, and on data collection techniques including archival research, interviewing, ethnography and participant observation, surveys, and field experiments.
This book contains a description of a variety of religions, the title of the religious leader, days held sacred, beliefs related to health and illness, their customs and practices, death and dying, beliefs related to medical practices, beliefs related to reproduction, and possible implications related to health care. A book such as this is valuable given the multicultural context in which we all live and work.
From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.
Color is the single most important element in garden design, for a garden can be beautiful by virtue of its color alone. It shapes borders and makes boundaries. It disguises mistakes and embellishes assets.
Stead's novels have gained growing readership and critical attention in recent years. This feminist reading of the life and work of Christina Stead focuses on her characters and themes that question established assumptions about gender and class relations and the aesthetic values they support.
DIANA PALMER COLLECTED BOOKS 1-6 New York Times bestselling author Diana Palmer brings you six dangerous, ruthless men - and the women who can tame them...
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