Newton Reed's Early History of Amenia describes this pleasant place and those people who were attracted to its verdant hills, coursing streams and rich farmland during the mid-1700's. Throughout Dutchess County and nearby Connecticut, and within his beloved Oblong Valley, Reed was highly regarded as historian and naturalist, writer and lecturer. "Impressions of Amenia" includes articles about Amenia's past, as well as several stories unearthed by Dewey Barry for our enjoyment and for posterity. The Great Van Amburgh Circus, Lizzie's Rise from the Ghetto, and a Utopian Community with a Cultic Leader are a few of these gems. (E.C.S. - 2012)
The trail Mac found himself trying to follow was very cold. Another private detective -- his friend Barry Henley -- had been killed a year earlier in a fall from a tenth-story window, and the cops had written it off as accidental. But when Hensley's widow told Mac that several people had tried to get into her apartment under various pretexts; when Mac found she was being followed; and when the mug shot she picked out of the police department files proved to be that of a very tough egg, Whiskey Davis -- suddenly Henley's death began to look like murder. Mac knew for sure when the next death couldn't have been accidental. A bomb that blows up car and driver when the ignition is turned is never anything but murder.... "Mac is one of our best private eyes." -- San Francisco Chronicle "Thomas B. Dewey is one of detective fiction's severely underrated writers!" -- Bill Pronzini "More than one rub-out for private eye Mac to run through when a man with a well-minked wife is shot down by a police sergeant from Steel City, outside of Chicago. Exit also for an attorney, a safecracker and assorted others who are linked to the importance of teenage Marianne, the rehabilitation project of moneyman Lloyd, and a series of black-mailing pictures. Scrappy all the way." -- Kirkus Reviews "Mac has been called one of the most believable and humane PI's in crime fiction. He is reluctant to use either his gun or his fists, but will do so when the situation demands it, or in self-defense; he doesn't merely solve his clients' cases, but provides moral support and sympathy as well; and perhaps most notable of all, Mac feels, and is not afraid to show itópain, loss, sorrow, loneliness." --thrillingdetective.com
The trail Mac found himself trying to follow was very cold. Another private detective -- his friend Barry Henley -- had been killed a year earlier in a fall from a tenth-story window, and the cops had written it off as accidental. But when Hensley's widow told Mac that several people had tried to get into her apartment under various pretexts; when Mac found she was being followed; and when the mug shot she picked out of the police department files proved to be that of a very tough egg, Whiskey Davis -- suddenly Henley's death began to look like murder. Mac knew for sure when the next death couldn't have been accidental. A bomb that blows up car and driver when the ignition is turned is never anything but murder.... "Mac is one of our best private eyes." -- San Francisco Chronicle "Thomas B. Dewey is one of detective fiction's severely underrated writers!" -- Bill Pronzini "More than one rub-out for private eye Mac to run through when a man with a well-minked wife is shot down by a police sergeant from Steel City, outside of Chicago. Exit also for an attorney, a safecracker and assorted others who are linked to the importance of teenage Marianne, the rehabilitation project of moneyman Lloyd, and a series of black-mailing pictures. Scrappy all the way." -- Kirkus Reviews "Mac has been called one of the most believable and humane PI's in crime fiction. He is reluctant to use either his gun or his fists, but will do so when the situation demands it, or in self-defense; he doesn't merely solve his clients' cases, but provides moral support and sympathy as well; and perhaps most notable of all, Mac feels, and is not afraid to show itópain, loss, sorrow, loneliness." --thrillingdetective.com
This volume provides an authoritative edition of Dewey's The Quest for Certainty: A Study of the Relation Between Knowledge and Action. The book is made up of the Gifford Lectures delivered April-May 1929 at the University of Edinburgh. Writing to Sidney Hook, Dewey described this work as "a criticism of philosophy as attempting to attain theoretical certainty." In the Philosophical Review Max C. Otto later elaborated: "Mr. Dewey wanted, so far as lay in his power, to crumble into dust, once and for all, 'the chief fortress of the classic philosophical tradition.
This volume includes all Dewey's writings for 1938 except for Logic: The Theory of Inquiry (Volume 12 of The Later Works), as well as his 1939 Freedom and Culture, Theory of Valuation, and two items from Intelligence in the Modern World. Freedom and Culture presents, as Steven M. Cahn points out, the essence of his philosophical position: a commitment to a free society, critical intelligence, and the education required for their advance.
Financial officers often face problems are so numerous and deep seated that it is difficult to know where to start, how to set priorities and which tasks should be deferred. This book provides tools to assess the performance of the entire finance function. The most effective techniques that are most relevant to the task of financial management are presented. This book is intended to expand and enhance the tools that are available to financial professionals to solve problems effectively and in a time efficient way, to strengthen accounting controls and all the other financial management functions.
This third volume in the definitive edition of Dewey's early work opens with his tribute to George Sylvester Morris, the former teacher who had brought Dewey to the University of Michigan. Morris's death in 1889 left vacant the Department of Philosophy chairmanship and led to Dewey's returning to fill that post after a year's stay at Minnesota. Appearing here, among all his writings from 1889 through 1892, are Dewey's earliest comprehensive statements on logic and his first book on ethics. Dewey's marked copy of the galley-proof for his important article The Present Position of Logical Theory, recently discovered among the papers of the Open Court Publishing Company, is used as the basis for the text, making available for the first time his final changes and corrections. The textual studies that make The Early Works unique among American philosophical editions are reported in detail. One of these, A Note on Applied Psychology, documents the fact that Dewey did not co-author this book frequently attributed to him. Six brief unsigned articles written in 1891 for a University of Michigan student publication, the Inlander, have been identified as Dewey's and are also included in this volume. In both style and content, these articles reflect Dewey's conviction that philosophy should be used as a means of illuminating the contemporary scene; thus they add a new dimension to present knowledge of his early writing.
2024 IBPA Benjamin Franklin Silver Award Winner for Inspirational Based on the sermon series that garnered top honors from Yale Divinity School, Finding Joy on Death Row is the powerful story of a broken preacher’s transformative experience learning about joy from Death Row prisoners, combined with dramatic handwritten responses from more than twenty men currently sentenced to die. In Finding Joy on Death Row: Unexpected Lessons from Lives We Discarded, Williams journeys into the hearts and minds of those sentenced to death, illuminating for readers the ways in which the human spirit can suffer—and soar. Finding Joy on Death Row includes dozens of handwritten statements from those facing capital punishment. The testimonies and contemplations of those sentenced to die offer readers a unique opportunity to hear from individuals whose lives are marked by their looming execution. And yet these prisoners have—in the midst of grim circumstances—managed to find joy. As Williams serves and shepherds these prisoners, their own stories are unveiled. Williams’s account of ministering within North Carolina’s prison system and the handwritten statements are punctuated by glimpses into the author’s own broken past. This important work will show readers the power of joy to reach us all, the free and imprisoned alike. Finding Joy on Death Row: - Offers a glimpse into the minds of those currently and formerly on Death Row - Presents the effects of the death penalty not only on the incarcerated but on their loved ones as well - Examines Williams’s own experiences that gave him a unique understanding and empathy for those sentenced to death - Explores the very real possibility of finding joy despite outward circumstances - Includes online access to transcriptions of the prisoners’ responses as well as Pastor Williams’s original sermon series Unprecedented and revealing, Finding Joy on Death Row provides a window into the tragedies, hardships, and victories of those sentenced to die, ultimately offering readers the encouragement that we are all loved, forgiven, and capable of transformation.
Southern-style politics was one of those peculiar institutions that differentiated the South from other American regions. This system—long referred to as the Solid South—embodied a distinctive regional culture and was perpetuated through an undemocratic distribution of power and a structure based on disfranchisement, malapportioned legislatures, and one-party politics. It was the mechanism that determined who would govern in the states and localities, and in national politics it was the means through which the South's politicians defended their region's special interests and political autonomy. The history of this remarkable institution can be traced in the gradual rise, long persistence, and ultimate decline of the Democratic Party dominance in the land below the Potomac and the Ohio. This is the story that Dewey W. Grantham tells in his fresh and authoritative account of the South's modern political experience. The distillation of many years of research and reflection, is both a synthesis of the extensive literature on politics in the recent South and a challenging reinterpretation of the region's political history.
Paul Finley Mysteries Book One When private investigator Paul Finley is hired to find a missing teenager who turns up dead, he comes up against the powers-that-be in an affluent Long Island community who have a problem distinguishing sex and murder from their fantasy baseball games. Complicating matters further is his involvement with a beautiful widow whose own elusiveness may or may not be connected to the death of the teenager.
Beyond Maximus shows how field poetics influenced the construction of the public voices of five Black Mountain poets (Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and Ed Dorn) in order to explain their association in the 1950s and 60s as well as their break-up as a result of the political and poetic crises of the Vietnam War era.
This third volume in the definitive edition of Dewey's early work opens with his tribute to George Sylvester Morris, the former teacher who had brought Dewey to the University of Michigan. Morris's death in 1889 left vacant the Department of Philosophy chairmanship and led to Dewey's returning to fill that post after a year's stay at Minnesota. Appearing here, among all his writings from 1889 through 1892, are Dewey's earliest comprehensive statements on logic and his first book on ethics. Dewey's marked copy of the galley-proof for his important article The Present Position of Logical Theory, recently discovered among the papers of the Open Court Publishing Company, is used as the basis for the text, making available for the first time his final changes and corrections. The textual studies that make The Early Works unique among American philosophical editions are reported in detail. One of these, A Note on Applied Psychology, documents the fact that Dewey did not co-author this book frequently attributed to him. Six brief unsigned articles written in 1891 for a University of Michigan student publication, the Inlander, have been identified as Dewey's and are also included in this volume. In both style and content, these articles reflect Dewey's conviction that philosophy should be used as a means of illuminating the contemporary scene; thus they add a new dimension to present knowledge of his early writing.
Gun Present takes us inside the everyday operations of the law at a courthouse in the Deep South. Illuminating the challenges accompanying the prosecution of criminal cases involving guns, the three coauthors—an anthropologist, a geographer, and a district attorney—present a deeply human portrait of prosecutors’ work. Built on an immersive, community-based participatory partnership between researchers and criminal justice professionals, Gun Present chronicles how a justice assemblage comprising institutional structures and practices, relationships and roles, and individual moral and emotional worlds informs the day-to-day administration of justice. Weaving together in-depth interviews, quantitative analysis of more than a thousand criminal cases, analysis of trial transcripts, and over a year of ethnographic observations, Gun Present provides a model for scholar-practitioner collaborations.
The Presidential Candidacy of Barack Obama provides students of politics, inside and outside of the classroom, a unique opportunity to explore the challenges an African American faces in becoming the president of the United States.
For many of his theater contemporaries, Lee J. Cobb (1911–1976) was the greatest actor of his generation. In Hollywood he became the definitive embodiment of gangsters, psychiatrists, and roaring lunatics. From 1939 until his death, Cobb contributed riveting performances to a number of films, including Boomerang, On the Waterfront, The Brothers Karamazov, 12 Angry Men, and The Exorcist. But for all of his conspicuous achievements in motion pictures, Cobb’s name is most identified with the character Willy Loman in the original stage production of Arthur Miller’s Death of a Salesman (1949). Directed by Elia Kazan, Cobb’s Broadway performance proved to be a benchmark for American theater. In Lee J. Cobb: Characters of an Actor, Donald Dewey looks at the life and career of this versatile performer. From his Lower East Side roots in New York City—where he was born Leo Jacob—to multiple accolades on stage and the big and small screens, Cobb’s life proved to be a tumultuous rollercoaster of highs and lows. As a leading man of the theater, he gave a number of compelling performances in such plays as Golden Boy and King Lear. For the Hollywood studios, Cobb fit the description of the “character actor.” No one better epitomized the performer who suddenly appears on the screen and immediately grabs the audience’s attention. During his forty-five-year career, there wasn’t a significant star—from Humphrey Bogart and James Stewart to Paul Newman and Clint Eastwood—with whom he didn’t work. Cobb was also followed by controversy: he appeared before the House Un-American Activities Committee in the 1950s and was a witness to a movie-set murder case in the 1970s. Through it all, he never lost his taste for fast cars and gin rummy. A bear of a man with a voice that equally accommodated growls and sibilant sympathies, Cobb was undeniably an actor to be reckoned with. In this fascinating book, Dewey captures all of the drama that surrounded Cobb, both on screen and off.
A man of many film firsts, James Stuart Blackton promoted motion pictures as a mass commercial medium by creating the first true movie studio, adopting the star system, pioneering film animation, and publishing Motion Picture Magazine, one of the first film periodicals. As much of a seminal figure to the film industry as Thomas Edison and D.W. Griffith, James Stuart Blackton nonetheless remains unknown to most film enthusiasts and even many cinema scholars. In Buccaneer: James Stuart Blackton and the Birth of American Movies Donald Dewey recounts the drama, intrigue, and romance of this motion picture trailblazer. A gifted director, producer, and founder of Vitagraph studios, Blackton’s personal escapades were nearly as dramatic as his contributions to the medium he helped establish. Decades ahead of his time, Blackton also played a critical role in propagating war-time sentiment during both the Spanish-American War and World War I and was an influence on such key historical figures as Theodore Roosevelt. A fascinating look into the life of a truly distinguished filmmaker, Buccaneer narrates the volatile world of the early motion picture industry, as influenced by a man whose own story rivaled anything on screen. A must read for film lovers, this book will also prove to be invaluable to readers with an interest in American history.
Illustrated with numerous case studies–many drawn from the author’s work as a forensic psychologist–this book identifies 19 myths and misconceptions about youth violence, from ordinary bullying to rampage shootings. It covers controversial topics such as gun control and the effects of entertainment violence on children. The author demonstrates how fear of school violence has resulted in misguided, counterproductive educational policies and practices ranging from boot camps to zero tolerance. He reviews evidence from hundreds of controlled studies showing that school-based school violence prevention programs and mental health services, which are largely effective, are often overlooked in favor of politically popular yet ineffective programs such as school uniforms, Drug Abuse Resistance Education, and Scared Straight. He concludes by reviewing some of his own research on student threat assessment as a more flexible and less punitive alternative to zero tolerance, and presents a wide ranging series of recommendations for improving and expanding the use of school-based violence prevention programs and mental health services for troubled students. Key features include the following: Contrarian Approach–This book identifies and refutes 19 basic misconceptions about trends in youth violence and school safety, and shows how the fear of school violence has been exaggerated through inaccurate statistics, erroneous conclusions about youth violence, and over-emphasis on atypical, sensational cases. Readability–The book translates scientific, evidence-based research into language that educators, parents, law enforcement officers, and policymakers can readily understand and shows what can be done to improve things. Expertise–Dewey Cornell is a forensic psychologist and Professor of Education at the University of Virginia, where he holds an endowed chair in Education. He is Director of the UVA Youth Violence Project and is a faculty associate of the Institute of Law, Psychiatry, and Public Policy. The author of more than 100 publications in psychology and education, he frequently testifies in criminal proceedings and at legislative hearings involving violence prevention efforts. This book is appropriate for courses or seminars dealing wholly or partly with school violence and school safety. It is also an indispensable volume for school administrators and safety officers; local, state, and national policymakers; involved parents; and academic libraries serving these groups.
Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.
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