In Karachi, a writer house-sits for her father and his cat, while keeping track of his - the cat’s - list of obsessions: ironed white sheets, kheer, KFC fries, warm custard, finely chopped sausages, and the flaky tops of chicken patties. In San Francisco, a couple adopt a cat, without anticipating what it will do to their relationship. In Noida, a cat and two dogs line up peacefully every morning for their daily dose of vitamin syrup. In Bombay, a lyricist and screenwriter roots through the litter tray first thing in the morning, to investigate if his cat’s UTI is better. In wintry London, a young millennial wonders if she is actually a cat. Capturing the many moods of felines and their humans, in many forms and voices, Cat People, is a timely celebration of the most memed creature today: the cat. This collection of short stories, personal essays, lists, original art and photographs is are a treat, not just for cat lovers everywhere, but for all who love a story well-told – and, on occasion, a theory well-spun.
They are bad with directions; they never know when the credit card bill is due. They have perfected the art of turning over a new leaf tomorrow. Meet the vague women in this delightful first novel that doesn't star a woman looking for the right man - because she's already found him! At twenty-two, Sharmila Chatterjee has just married her sweetheart of a few years, Abhimanyu Mishra, a somewhat eccentric if handsome twenty-three-and-a-half year old with obscure academic interests and a small fellowship that never arrives on time. They start a household in a tiny rented flat, learning to fend for themselves in the big, bad and snotty world of south Delhi, with penny-pinching landlords, some romance, and a lot of anxiety. At fifty-two, Indira Sen is not sure just how she meandered to where she finds herself now. A senior government officer and single mother, she lives with her daughter and three opinionated old people in a rambling house, drives a battered car, and has a history of credit-card induced shopaholism. The Vague Woman's Handbook is a story told with equal parts of humour, hysteria and tenderness, about the sparkling friendship between two women as they hurtle through life and its mini-crises while trading secrets in the art of survival.
We were the usual: nine-to-fivers, investment-makers, mall-goers, office-trippers and city-slickers. We were life-going-to-seeders.' Living in a sunny barsati in south Delhi, Saurav Jha and Devapriya Roy are your average DINK couple, about to acquire a few EMIs and come of age in the modern consumerist world. Only, they don't. They junk the swivel chairs, gain a couple of backpacks and set out on a transformational journey across India. On a very, very tight budget: five hundred rupees a day for bed and board. And the Heat and Dust project begins. Joining the ranks of firang gap-year kids and Israelis fresh out of compulsory army service, they travel across a land in which five thousand years of Indian history seem to jostle side by side. It is, by turns, holy and hectic, thuggish and comic, amoral and endearing. In buses that hurtle through the darkness of the night and the heat of the day, across thousands of miles, in ever new places, the richness of this crowded palette spills over into their lives. From rooms by the hour to strange dinner invitations, from spectacular forts to raging tantrums, this is a youthful account of wanderlust and whimsy, of eccentric choices that unfold into the journey of a lifetime ... and a supreme test of marriage.
Set in a middle-class housing colony, this is the story of stay-at-home mum Monalisa, who cannot clean the kitchen counter enough times; Meera, who is bullied constantly by her traditional mother-in-law; college-going Abeer, who isn't sure how to impress the glamorous Mandy; academic Aparajita, who has no takers on the marriage mart; philosopher Ananda, whom no one takes seriously; and Treeza, a former school secretary now sunk in gloom. Into their midst arrives Oxford-returned Sandhya: half hippie, half saadhvi, full spiritual guru. Under her aegis is formed The Weight Loss Club, throwing the lives of our heroes and heroines into utter and delightful disarray. But while chemistry brews and equations change, one question remains: who is Brahmacharini Sandhya, and why on earth has she moved into Nancy Housing Cooperative?
Soumendu Roy today is widely known for his long association with Satyajit Ray. He was Ray's cinematographer for a generation of films that is celebrated the world around even now. Witness to a great genius, Roy also carved a niche for himself in his own right, working with other stalwarts of Bengali cinema like Tapan Sinha and Buddhadeb Dasgupta, among others. Through the Eyes of a Cinematographer is the behind-the-scenes story of one of the finest cameramen India has known, his childhood experiences, his love of the 'moving picture', the many intricacies of film-making, and the painstaking toil and unexpected turn of luck that are required in equal measure to succeed. This book is a must-read for all film aficionados.
In Karachi, a writer house-sits for her father and his cat, while keeping track of his - the cat’s - list of obsessions: ironed white sheets, kheer, KFC fries, warm custard, finely chopped sausages, and the flaky tops of chicken patties. In San Francisco, a couple adopt a cat, without anticipating what it will do to their relationship. In Noida, a cat and two dogs line up peacefully every morning for their daily dose of vitamin syrup. In Bombay, a lyricist and screenwriter roots through the litter tray first thing in the morning, to investigate if his cat’s UTI is better. In wintry London, a young millennial wonders if she is actually a cat. Capturing the many moods of felines and their humans, in many forms and voices, Cat People, is a timely celebration of the most memed creature today: the cat. This collection of short stories, personal essays, lists, original art and photographs is are a treat, not just for cat lovers everywhere, but for all who love a story well-told – and, on occasion, a theory well-spun.
This book analyses the role of women in the films of one of the leading filmmakers of the ‘Third World’ in the 1950s, Satyajit Ray, a national icon in filmmaking in India. The book explores the portrayal of women in the context of the creation of national culture after India became independent. Gender issues were very important to India under Jawaharlal Nehru in the 1950s – with the enactment of inheritance and divorce laws. Ray’s portrayal of women and his films anticipate much of the theorizing of later-day feminism. This book analyses cinematic texts with special reference to the women characters using feminist film theory and representation along with a study of the socio-political and economic conditions pertinent to the times – both relevant to the film’s making and its setting. The primary texts studied are films spanning over four decades from Pather Panchali (1955) to his last trilogy and are based on a categorization of the broad feminine ‘types’ represented in the films – based on the socio-political situations in which they are placed – and their relationships with the other characters present. Ray’s portrayal of women has an enormous bearing on our understanding of how modern India evolved in the Nehru era and after, and this book explore just that: the place of the woman as it is and should be in a young nation encumbered by patriarchy. Gendered Modernity and Indian Cinema will be of interest to academics in the field of World cinema, Indian and Bengali cinema, Film Studies as well as Gender Studies and South Asian culture and society.
A name that's synonymous with packed theatres shouting his name and crowds of young men cheering for him, Salman Khan has been reigning in the popular imagination for three decades now. However, superstardom came with its share of troubles. Salman has found himself in the news once too often, almost as though he were controversy's favourite child. Endlessly discussed as well as criticised, he is an object of adulation, fantasy and reverence in the cultural space. Tabloid pieces, stories and gossip-all tend to collapse him into a formula, making him lose his exclusivity when he is one of a kind. Salman Khan: The Man, The Actor, The Legend offers new perspectives on cinema and the peculiar glow of this star's superstardom in a consumerist society. It cuts through the many layers of his personality, the gossip and the rumours to focus on the star's aesthetic formulation-on what exactly it is about film and television, the star system and the capitalistic society that make him such a huge icon. It looks into Salman Khan, the phenomenon, in-depth, considering there have been fewer enquiries dedicated to charting his stardom than some of his contemporaries. A fascinating account of one of Bollywood's towering figures, this is a candid portrait of Salman Khan-the man and the superstar-and what makes this legend thrive across generations.
Soumendu Roy today is widely known for his long association with Satyajit Ray. He was Ray's cinematographer for a generation of films that is celebrated the world around even now. Witness to a great genius, Roy also carved a niche for himself in his own right, working with other stalwarts of Bengali cinema like Tapan Sinha and Buddhadeb Dasgupta, among others. Through the Eyes of a Cinematographer is the behind-the-scenes story of one of the finest cameramen India has known, his childhood experiences, his love of the 'moving picture', the many intricacies of film-making, and the painstaking toil and unexpected turn of luck that are required in equal measure to succeed. This book is a must-read for all film aficionados.
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